21st Century

Self-described war nerd Gary Brecher knows he’s not alone, that there’s a legion of fat, lonely Americans, stuck in stupid, paper-pushing desk jobs, who get off on reading about war because they hate their lives. But Brecher writes about war, too. War Nerd collects his most opinionated, enraging, enlightening, and entertaining pieces. Part war commentator, part angry humorist àla Bill Hicks, Brecher inveighs against pieties of all stripes — Liberian generals, Dick Cheney, U.N. peacekeepers, the neo-cons — and the massive incompetence of military powers. A provocative free thinker, he finds much to admire in the most unlikely places, and not always for the most pacifistic reasons: the Tamil Tigers, the Lebanese Hezbollah, the Danes of 1,000 years ago, and so on, across the globe and through the centuries. Crude, scatological, un-P.C., yet deeply informed, Brecher provides a radically different, completely unvarnished perspective on the nature of warfare.

The nuanced mysteries of light, darkness, presence, and memory are central themes in W.S. Merwin’s new book of poems. “I have only what I remember,” Merwin admits, and his memories are focused and profound—the distinct qualities of autumn light, a conversation with a boyhood teacher, well-cultivated loves, and “our long evenings and astonishment.” In “Photographer,” Merwin presents the scene where armloads of antique glass negatives are saved from a dumpcart by “someone who understood.” In “Empty Lot,” Merwin evokes a child lying in bed at night, listening to the muffled dynamite blasts of coal mining near his home, and we can’t help but ask: How shall we mine our lives?somewhere the Perseids are fallingtoward us already at a speed that wouldburn us alive if we could believe itbut in the stillness after the rain endsnothing is to be heard but the drops falling

Si Jed Martin, le personnage principal de ce roman, devait vous en raconter l'histoire, il commencerait peut-être par vous parler d'une panne de chauffe-eau, un certain 15 décembre. Ou de son père, architecte connu et engagé, avec qui il passa seul de nombreux réveillons de Noël.Il évoquerait certainement Olga, une très jolie Russe rencontrée au début de sa carrière, lors d'une première exposition de son travail photographique à partir de cartes routières Michelin. C'était avant que le succès mondial n'arrive avec la série des « métiers », ces portraits de personnalités de tous milieux (dont l'écrivain Michel Houellebecq), saisis dans l'exercice de leur profession.Il devrait dire aussi comment il aida le commissaire Jasselin à élucider une atroce affaire criminelle, dont la terrifiante mise en scène marqua durablement les équipes de police.Sur la fin de sa vie il accédera à une certaine sérénité, et n'émettra plus que des murmures.L'art, l'argent, l'amour, le rapport au père, la mort, le travail, la France devenue un paradis touristique sont quelques-uns des thèmes de ce roman, résolument classique et ouvertement moderne.

"Astringent and absorbing. . . . Iphigenia in Forest Hills casts, from its first pages, a genuine spell — the kind of spell to which Ms. Malcolm’s admirers (and I am one) have become addicted." —Dwight Garner, New York Times "She couldn't have done it and she must have done it." This is the enigma at the heart of Janet Malcolm's riveting new book about a murder trial in the insular Bukharan-Jewish community of Forest Hills, Queens, that captured national attention. The defendant, Mazoltuv Borukhova, a beautiful young physician, is accused of hiring an assassin to kill her estranged husband, Daniel Malakov, a respected orthodontist, in the presence of their four-year old child. The prosecutor calls it an act of just weeks before Malakov was killed in cold blood, he was given custody of Michelle for inexplicable reasons. It is the "Dickensian ordeal" of Borukhova's innocent child that drives Malcolm's inquiry. With the intellectual and emotional precision for which she is known, Malcolm looks at the trial—"a contest between competing narratives"—from every conceivable angle. It is the chasm between our ideals of justice and the human factors that influence every trial—from divergent lawyering abilities to the nature of jury selection, the malleability of evidence, and the disposition of the judge—that is perhaps most striking. Surely one of the most keenly observed trial books ever written, Iphigenia in Forest Hills is ultimately about character and "reasonable doubt." As Jeffrey Rosen writes, it is "as suspenseful and exciting as a detective story, with all the moral and intellectual interest of a great novel." " Iphigenia in Forest Hills is another dazzling triumph from Janet Malcolm. Here, as always, Malcolm’s work inspires the best kind of disquiet in a reader—the obligation to think." —Jeffrey Toobin, author of The Inside the Secret World of the Supreme Court "A remarkable achievement that ranks with Malcolm's greatest books. Her scrupulous reporting and interviews with protagonists on both sides of the trial make her own narrative as suspenseful and exciting as a detective story, with all the moral and intellectual interest of a great novel." —Jeffrey Rosen, author of The Supreme The Personalities and Rivalries that Defined America

NATIONAL BESTSELLERAn Atlantic Magazine Best Book of the YearA Publishers Weekly Best Book of the YearFor more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—Never Mind, Bad News, Some Hope, and Mother’s Milk, a Man Booker finalist—to coincide with the publication of At Last, the final installment of this unique novel cycle.By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose’s story from child abuse to heroin addiction and recovery. Never Mind, the first novel, unfolds over a day and an evening at the family’s chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel, Bad News opens as the twenty-two-year-old Patrick sets off to collect his father’s ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel, Some Hope, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted Mother’s Milk, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother’s desire for assisted suicide, and the loss of the family home to a New Age foundation.Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

Klein, who is known for getting the inside scoop on everyone from the Kennedys to the Clintons, reveals never-before-published details about the Obama administration's political inner workings, as well as Barack and Michelle's personal lives.

the world faces myriad challenges - yet we are constrained by scarce resources. In the 21st Century, how do we deal with natural disasters, tackle global warming, achieve better nutrition, educate children...and address countless other urgent global issues?If you want to change the world, this inspiring and enlightening book is for you. Bjørn Lomborg presents the costs and benefits of the smartest solutions to twelve global problems. By prioritizing the top solutions, this helps us better spend $75 billion to do the most good.Featuring the cutting edge research of more than sixty eminent economists, including four Nobel Laureates, produced for the Copenhagen Consensus, this book with inform, enlighten and motivate actions to make our world a better place.

For the first time in Earth's history, our planet is experiencing a confluence of rapidly accelerating changes prompted by one species: humans. Climate change is only the most visible of the modifications we've made—up until this point, inadvertently—to the planet. And our current behavior threatens not only our own future but that of countless other creatures. By comparing Earth's story to those of other planets, astrobiologist David Grinspoon shows what a strange and novel development it is for a species to evolve to build machines, and ultimately, global societies with world-shaping influence.Without minimizing the challenges of the next century, Grinspoon suggests that our present moment is not only one of peril, but also great potential, especially when viewed from a 10,000-year perspective. Our species has surmounted the threat of extinction before, thanks to our innate ingenuity and ability to adapt, and there's every reason to believe we can do so again.Our challenge now is to awaken to our role as a force of planetary change, and to grow into this task. We must become graceful planetary engineers, conscious shapers of our environment and caretakers of Earth's biosphere. This is a perspective that begs us to ask not just what future do we want to avoid, but what do we seek to build? What kind of world do we want? Are humans the worst thing or the best thing to ever happen to our planet? Today we stand at a pivotal juncture, and the answer will depend on the choices we make.

“Annie Baker’s John is so good on so many levels that it casts a unique and brilliant light… By not rushing things—by letting the characters develop as gradually and inevitably as rain or snowfall—Baker returns us to the naturalistic but soulful theatre that many of her contemporaries and near-contemporaries have disavowed in their rush to be 'postmodern.'”– New Yorker“ John , like any great play, raises a lot of questions–not just about the human experience, but also about the state of contemporary theater, it doesn’t provide many answers; it is not the playwright’s responsibility to do so.… In John she co-opts the viewer for her own aesthetic use, heightening the tension onstage and deepening the quiet relationships between her characters. Through John, she displays an understanding that the audience is part of the theatrical experience, an inevitability as certain as a Chekhovian gun.” – SlateThe week after Thanksgiving. A bed & breakfast in Gettysburg, Pennsylvania. A cheerful innkeeper. A young couple struggling to stay together. Thousands of inanimate objects, watching.The description by the playwright of the setting is simple, but Annie Baker’s compelling new work is revolutionary in theme and structure and challenges the boundaries of what theatre can be. A kind of magical super-realism permeates throughout this quietly evolving tale, with both the actors and the audience fully vested together in a mesmerizing exploration of the frailty and loneliness of human experience.

The public intellectual, as a person and ideal, has a long and storied history. Writing in venues like the New Republic and Commentary, such intellectuals were always expected to opine on a broad array of topics, from foreign policy to literature to economics. Yet in recent years a new kind of thinker has supplanted that the thought leader. Equipped with one big idea, thought leaders focus their energies on TED talks rather than highbrow periodicals.How did this shift happen? In The Ideas Industry, Daniel W. Drezner points to the roles of political polarization, heightened inequality, and eroding trust in authority as ushering in the change. In contrast to public intellectuals, thought leaders gain fame as single-idea merchants. Their ideas are often laudable and highly ending global poverty by 2025, for example. But instead of a class composed of university professors and freelance intellectuals debating in highbrow magazines, thought leaders often work through institutions that are closed to the public. They are more immune to criticism--and in this century, the criticism of public intellectuals also counts for less.Three equally important factors that have reshaped the world of ideas have been waning trust in expertise, increasing political polarization and plutocracy. The erosion of trust has lowered the barriers to entry in the marketplace of ideas. Thought leaders don't need doctorates or fellowships to advance their arguments. Polarization is hardly a new phenomenon in the world of ideas, but in contrast to their predecessors, today's intellectuals are more likely to enjoy the support of ideologically friendly private funders and be housed in ideologically-driven think tanks. Increasing inequality as a key driver of this more than ever before, contemporary plutocrats fund intellectuals and idea factories that generate arguments that align with their own. But, while there are certainly some downsides to the contemporary ideas industry, Drezner argues that it is very good at broadcasting ideas widely and reaching large audiences of people hungry for new thinking. Both fair-minded and trenchant, The Ideas Industry will reshape our understanding of contemporary public intellectual life in America and the West.

Named one of the Best Books of the Year by the Washington Post , San Francisco Chronicle , Booklist , and Shelf AwarenessA School Library Journal "In the Margins" Recommendation “An elegiac memoir and social jeremiad,” Cuz is “a literary and political event like Toni Morrison’s Playing in the Dark ” (Henry Louis Gates Jr.). First appearing in The New Yorker , Danielle Allen’s Cuz announced the arrival of one of our most gifted literary memoirists. In this “compassionate retelling of an abjectly tragic story” ( New York Times ), Danielle Allen―a prize-winning scholar―recounts her heroic efforts to rescue Michael Alexander Allen, her beloved baby cousin, who was arrested at fifteen for an attempted carjacking. Tried as an adult and sentenced to thirteen years, Michael served eleven. Three years later, he was dead. Why did this gifted young man, who dreamed of being a firefighter and a writer, end up murdered? Why did he languish in prison? And why at fifteen was he in an alley in South Central Los Angeles, holding a gun while trying to steal someone’s car? Hailed as a “literary miracle” ( Washington Post ), this fierce family memoir makes mass incarceration nothing less than a new American tragedy. 30 illlustrations

“Fans of Roberto Bolaño will feel right at home in this globetrotting tale of misfit poets and ultraviolent drug lords . . . A page turner” ( Miami Rail ).Manuela is a woman haunted by a troubled childhood that she tries to escape through books and poetry. Tertullian is an Argentine preacher who claims to be the Pope’s son, ready to resort to extreme methods to create a harmonious society. Ferdinand Palacios is a Colombian priest with a dark paramilitary past, now confronted with his guilt. Rimbaud was the precocious, brilliant poet whose life was incessant exploration. Along with Juana and the consul, these are the central characters in Santiago Gamboa’s “complex, challenging story that speaks to the terror and dislocation of the age” ( Kirkus Reviews ).“Action-packed plotting . . . examines the movement of people across the shifting geopolitical landscape, the impossibility of returning and the potential redemptive power of poetry.”― The New York Times Book Review“An unsettling and brilliant document of contemporary life; highly recommended.”― Library Journal (starred review)“Gamboa possesses considerable talent at creating energetic scenes that spiral off in intriguing directions.”― San Francisco Chronicle

The Largesse of the Sea Maiden is the long-awaited new story collection from Denis Johnson. Written in the luminous prose that made him one of the most beloved and important writers of his generation, this collection finds Johnson in new territory, contemplating the ghosts of the past and the elusive and unexpected ways the mysteries of the universe assert themselves.Finished shortly before Johnson’s death, this collection is the last word from a writer whose work will live on for many years to come.The largesse of the sea maidenThe starlight on IdahoStrangler BobTriumph over the graveDoppelganger, poltergeist

It is one of our most honored clichés that America is an idea and not a nation. This is false. America is indisputably a nation, and one that desperately needs to protect its interests, its borders, and its identity. The Brexit vote and the election of Donald Trump swept nationalism to the forefront of the political debate. This is a good thing. Nationalism is usually assumed to be a dirty word, but it is a foundation of democratic self-government and of international peace.National Review editor Rich Lowry refutes critics on left and the right, reclaiming the term “nationalism” from those who equate it with racism, militarism and fascism. He explains how nationalism is an American tradition, a thread that runs through such diverse leaders as Alexander Hamilton, Teddy Roosevelt, Martin Luther King, Jr., and Ronald Reagan.In The Case for Nationalism, Lowry explains how nationalism was central to the American Project. It fueled the American Revolution and the ratification of the Constitution. It preserved the country during the Civil War. It led to the expansion of the American nation’s territory and power, and eventually to our invaluable contribution to creating an international system of self-governing nations.It’s time to recover a healthy American nationalism, and especially a cultural nationalism that insists on the assimilation of immigrants and that protects our history, civic rituals and traditions, which are under constant threat. At a time in which our nation is plagued by self-doubt and self-criticism, The Case for Nationalism offers a path for America to regain its national self-confidence and achieve continued greatness.

An entertaining and eye-opening look at the French Revolution, by Stephen Clarke, author of 1000 Years of Annoying the French and A Year in the Merde. The French Revolution and What Went Wrong looks back at the French Revolution and how its surrounded in a myth. In 1789, almost no one in France wanted to oust the king, let alone guillotine him. But things quickly escalated until there was no turning back. The French Revolution and What Went Wrong looks at what went wrong and why France would be better off if they had kept their monarchy.

At once intimate and wide-ranging, and as enthralling, surprising, and vivid as the place itself, this is a uniquely eye-opening tour of one of the great metropolises of the world, and its largest Spanish-speaking city. Horizontal Vertigo: The title refers to the fear of ever-impending earthquakes that led Mexicans to build their capital city outward rather than upward. With the perspicacity of a keenly observant flaneur, Juan Villoro wanders through Mexico City seemingly without a plan, describing people, places, and things while brilliantly drawing connections among them. In so doing he reveals, in all its multitudinous glory, the vicissitudes and triumphs of the city ’s cultural, political, and social history: from indigenous antiquity to the Aztec period, from the Spanish conquest to Mexico City today—one of the world’s leading cultural and financial centers. In this deeply iconoclastic book, Villoro organizes his text around a recurring series of topics: “Living in the City,” “City Characters,” “Shocks,” “Crossings,” and “Ceremonies.” What he achieves, miraculously, is a stunning, intriguingly coherent meditation on Mexico City’s genius loci, its spirit of place.

»Es ist nicht die Zukunft, es ist die Gegenwart, die dich tötet, die wiederkommt, um an dir zu nagen.«In SEROTONIN rechnet die Hauptfigur ab: mit der modernen Gesellschaft, der Wirtschaft, der Politik – und mit sich selbst.»Der umwerfendste Schriftsteller unserer Gegenwart«Julia Encke, F.A.S

A new poetry collection of uncanny grace and moral force from one of our country's most celebrated poetsOver four decades, Carolyn Forché's visionary work has reinvigorated poetry's power to awaken the reader. Her groundbreaking poems have been testimonies, inquiries, and wonderments. They daringly map a territory where poetry asserts our inexhaustible responsibility to each other.Her first new collection in seventeen years, In the Lateness of the World is a tenebrous book of crossings, of migrations across oceans and borders but also between the present and the past, life and death. The poems call to the reader from the end of the world where they are sifting through the aftermath of history. Forché envisions a place where "you could see everything at once ... every moment you have lived or place you have been." The world here seems to be steadily vanishing, but in the moments before the uncertain end, an illumination arrives and "there is nothing that cannot be seen." In the Lateness of the World is a revelation from one of the finest poets writing today.

Comoventes, lúdicos e sábios, os poemas aqui reunidos falam de ausências e finais, envelhecimento e retrospecção, mas também de presentes e renovações. Eles exploram corpos e mentes em transição, bem como os objetos e rituais cotidianos que nos inserem no presente. Lobisomens, sereias e sonhos surgem ao lado de diferentes formas de vida animal e fragmentos de nosso ambiente danificado.Poemas tardios reúne muitos dos temas mais reconhecidos e celebrados de Margaret Atwood, permeados por descrições minuciosas do mundo natural, passando por encontros espirituosos com alienígenas, situações triviais e divertidas (como guardar passaportes velhos), questões políticas urgentes, lendas, mitos e a sempre obstinada defesa da mulher.Mestre da escrita, Atwood nos lembra de viver o momento e não apenas estar vivos. O mais importante, segundo a autora, é aproveitar todos os dias, seja esculpindo lanternas de Halloween em abóboras, fazendo sexo ou simplesmente lembrando-nos de ver os cogumelos de setembro brotarem.

In this urgent outpouring of American voices, our poets speak to us as they shelter in place, addressing our collective fear, grief, and hope from eloquent and diverse individual perspectives.As the novel coronavirus and its devastating effects began to spread in the United States and around the world, Alice Quinn reached out to poets across the country to see if, and what, they were writing under quarantine. Moved and galvanized by the response, the onetime New Yorker poetry editor and recent former director of the Poetry Society of America began collecting the poems arriving in her inbox, assembling this various, intimate, and intricate portrait of our suddenly altered reality. In these pages, we find poets grieving for relatives they are separated from or recovering from illness themselves, attending to suddenly complicated household tasks or turning to literature for strength, considering the bravery of medical workers or working their own shifts at the hospital, and, as the Black Lives Matter movement has swept the globe, reflecting on the inequities in our society that amplify sorrow and demand our engagement. From fierce and resilient to wistful, darkly humorous, and emblematically reverent about the earth and the vulnerability of human beings in frightening times, the poems in this collection find the words to describe what can feel unspeakably difficult and strange, providing wisdom, companionship, and depths of feeling that enliven our spirits.