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Award-winning writer Maile Meloy's return to short stories explores complex lives in an austere landscape with the clear-sightedness that first endeared her to readers.Meloy's first return to short stories since her critically acclaimed debut, Both Ways Is the Only Way I Want It is an extraordinary new work from one of the most promising writers of the last decade.Eleven unforgettable new stories demonstrate the emotional power and the clean, assured style that have earned Meloy praise from critics and devotion from readers. Propelled by a terrific instinct for storytelling, and concerned with the convolutions of modern love and the importance of place, this collection is about the battlefields-and fields of victory-that exist in seemingly harmless spaces, in kitchens and living rooms and cars. Set mostly in the American West, the stories feature small-town lawyers, ranchers, doctors, parents, and children, and explore the moral quandaries of love, family, and friendship. A ranch hand falls for a recent law school graduate who appears unexpectedly- and reluctantly-in his remote Montana town. A young father opens his door to find his dead grandmother standing on the front step. Two women weigh love and betrayal during an early snow. Throughout the book, Meloy examines the tensions between having and wanting, as her characters try to keep hold of opposing forces in their lives: innocence and experience, risk and stability, fidelity and desire.Knowing, sly, and bittersweet, Both Ways Is the Only Way I Want It confirms Maile Meloy's singular literary talent. Her lean, controlled prose, full of insight and unexpected poignancy, is the perfect complement to her powerfully moving storytelling.

"The Corn Maiden" is the gut-wrenching story of Marissa, a beautiful and sweet, but somewhat slow, eleven-year-old girl with hair the color of corn silk. Her single mother comes home one night to find her missing and panics, frantically knocking on the doors of her neighbors. She finally calls the police, who want to know why she left her young daughter alone until 8:00 o’clock.Suspicion falls on a computer teacher at her school with no alibi for the time of the abduction. Obvious clues—perhaps too obvious--point directly to him. Unsuspected is Judah (born Judith), an older girl from the same school who has told two friends in her thrall of the Indian legend of the Corn Maiden, a girl sacrificed to ensure a good crop.The trusting Marissa happily went to a secluded basement with the older girls, pleased to be included, and is convinced that the world has ended and that they are the last survivors. Remaining an unaware hostage for days, she grows weaker on a sparse diet as Judah prepares her for sacrifice.The seemingly inevitable fate of Marissa becomes ever more terrifying as Judah relishes her power, leading to unbearable tension with a shocking conclusion.“Helping Hands,” published here for the first time, begins with an apparently optimistic line: “He came into her life when it had seemed to her that her life was finished.”A lonely woman meets a man in the unlikely clutter of a dingy charity shop and extends friendliness, which soon turns to quiet and unacknowledged desire. With the mind-set of a victim, struggling to overcome her shyness and fears, she has no idea what kinds of doors she may be opening.The powerful stories in this extraordinary collection further enhance Joyce Carol Oates’s standing as one of the world’s greatest writers of suspense.

We Live in Water is a darkly comic, moving collection of short stories that veer from comic tales of love to social satire to suspenseful crime fiction, from hip Portland to once-hip Seattle to never-hip Spokane, from a condemned casino in Las Vegas to a bottomless lake in the dark woods of Idaho. This is a world of lost fathers and redemptive con men, of meth tweakers on desperate odysseys and men committing suicide by fishing.In "Thief," an aluminum worker turns unlikely detective to solve the mystery of which of his kids is stealing from the family vacation fund. In "We Live in Water," a lawyer returns to a corrupt North Idaho town to find the father who disappeared thirty years earlier. In "Anything Helps," a homeless man has to "go to cardboard" to raise enough money to buy his son the new Harry Potter book. In "Virgo," a local newspaper editor tries to get back at his superstitious ex-girlfriend by screwing with her horoscope. Also included are the stories "Don't Eat Cat" and "Statistical Abstract of My Hometown, Spokane, Washington," both of which achieved a cult following after publication online.

An electrifying first collection from one of the most exciting short story writers of our time Ottessa Moshfegh's debut novel Eileen was one of the literary events of 2015. Garlanded with critical acclaim, it was named a book of the year by The Washington Post and the San Francisco Chronicle, nominated for a National Book Critics Circle Award, short-listed for the Man Booker Prize, and won the PEN/Hemingway Award for debut fiction. But as many critics noted, Moshfegh is particularly held in awe for her short stories. Homesick for Another World is the rare case where an author's short story collection is if anything more anticipated than her novel. And for good reason. There's something eerily unsettling about Ottessa Moshfegh's stories, something almost dangerous, while also being delightful, and even laugh-out-loud funny. Her characters are all unsteady on their feet in one way or another; they all yearn for connection and betterment, though each in very different ways, but they are often tripped up by their own baser impulses and existential insecurities. Homesick for Another World is a master class in the varieties of self-deception across the gamut of individuals representing the human condition. But part of the unique quality of her voice, the echt Moshfeghian experience, is the way the grotesque and the outrageous are infused with tenderness and compassion. Moshfegh is our Flannery O'Connor, and Homesick for Another World is her Everything That Rises Must Converge or A Good Man is Hard to Find. The flesh is weak; the timber is crooked; people are cruel to each other, and stupid, and hurtful. But beauty comes from strange sources. And the dark energy surging through these stories is powerfully invigorating. We're in the hands of an author with a big mind, a big heart, blazing chops, and a political acuity that is needle-sharp. The needle hits the vein before we even feel the prick. Bettering myself --Mr. Wu --Malibu --The weirdos --A dark and winding road --No place for good people --Slumming --An honest woman --The beach boy --Nothing ever happens here --Dancing in the moonlight --The surrogate --The locked room --A better place

A new collection of stories, including some that have never before been seen, from the New York Times best-selling author of the Silo trilogy. Hugh Howey is known for crafting riveting and immersive page-turners of boundless imagination, spawning millions of fans worldwide, first with his best-selling novel Wool, and then with other enthralling works such as Sand and Beacon 23. Now comes Machine Learning, an impressive collection of Howey's science fiction and fantasy short fiction, including three stories set in the world of Wool, two never-before-published tales written exclusively for this volume, and fifteen additional stories collected here for the first time. These stories explore everything from artificial intelligence to parallel universes to video games, and each story is accompanied by an author's note exploring the background and genesis of each story. Howey's incisive mind makes Machine Learning: New and Collected Stories a compulsively readable and thought-provoking selection of short works—from a modern master at the top of his game.

A slyly political collection of stories about immigration, broken dreams, Los Angeles gang members, Latin American families, and other tales of high stakes journeys, from the award-winning author of War by Candlelight and At Night We Walk in Circles. Migration. Betrayal. Family secrets. Doomed love. Uncertain futures. In Daniel Alarcon's hands, these are transformed into deeply human stories with high stakes. In -The Thousands, - people are on the move and forging new paths; hope and heartbreak abound. A man deals with the fallout of his blind relatives' mysterious deaths and his father's mental breakdown and incarceration in -The Bridge.- A gang member discovers a way to forgiveness and redemption through the haze of violence and trauma in -The Ballad of Rocky Rontal.- And in the tour de force novella, -The Auroras-, a man severs himself from his old life and seeks to make a new one in a new city, only to find himself seduced and controlled by a powerful woman. Richly drawn, full of unforgettable characters, The King is Always Above the People reveals experiences both unsettling and unknown, and yet eerily familiar in this new world.The thousands --The ballad of Rocky Rontal --The king is always above the people --Abraham Lincoln has been shot --The provincials --Extinct anatomies --República and Grau --The bridge --The lord rides a swift cloud --The auroras

The stories in this collection span characters, towns, decades, even centuries, but Florida—its landscape, climate, history, and state of mind—becomes its gravitational center: an energy, a mood, as much as a place of residence. Groff transports the reader, then jolts us alert with a crackle of wit, a wave of sadness, a flash of cruelty, as she writes about loneliness, rage, family, and the passage of time. With shocking accuracy and effect, she pinpoints the moments and decisions and connections behind human pleasure and pain, hope and despair, love and fury—the moments that make us alive.

Fasten your seatbelts for an anthology of turbulent tales curated by Stephen King and Bev Vincent. This exciting new anthology, perfect for airport or airplane reading, includes an original introduction and story notes for each story by Stephen King, along with brand new stories from Stephen King and Joe Hill.Stephen King hates to fly. Now he and co-editor Bev Vincent would like to share this fear of flying with you.Welcome to Flight or Fright, an anthology about all the things that can go horribly wrong when you're suspended six miles in the air, hurtling through space at more than 500 mph and sealed up in a metal tube (like—gulp!—a coffin) with hundreds of strangers. All the ways your trip into the friendly skies can turn into a nightmare, including some we'll bet you've never thought of before... but now you will the next time you walk down the jetway and place your fate in the hands of a total stranger.Featuring brand new stories by Joe Hill and Stephen King, as well as fourteen classic tales and one poem from the likes of Richard Matheson, Ray Bradbury, Roald Dahl, Dan Simmons, and many others, Flight or Fright is, as King says, "ideal airplane reading, especially on stormy descents... Even if you are safe on the ground, you might want to buckle up nice and tight."

A chilling anthology featuring nineteen pieces of short fiction from the multiple award-winning author of the national bestseller The Cabin at the End of the World and A Head Full of Ghosts..In The Teacher, a Bram Stoker Award nominee for best short story, a student is forced to watch a disturbing video that will haunt and torment her and her classmates’ lives.Four men rob a pawn shop at gunpoint only to vanish, one-by-one, as they speed away from the crime scene in The Getaway.In Swim Wants to Know If It’s as Bad as Swim Thinks, a meth addict kidnaps her daughter from her estranged mother as their town is terrorized by a giant monster . . . or not.Joining these haunting works are stories linked to Tremblay’s previous novels. The tour de force metafictional novella Notes from the Dog Walkers deconstructs horror and publishing, possibly bringing in a character from A Head Full of Ghosts, all while serving as a prequel to Disappearance at Devil’s Rock. “The Thirteenth Temple” follows another character from A Head Full of Ghosts—Merry, who has published a tell-all memoir written years after the events of the novel. And the title story, Growing Things, a shivery tale loosely shared between the sisters in A Head Full of Ghosts, is told here in full.From global catastrophe to the demons inside our heads, Tremblay illuminates our primal fears and darkest dreams in startlingly original fiction that leaves us unmoored. As he lowers the sky and yanks the ground from beneath our feet, we are compelled to contemplate the darkness inside our own hearts and minds.Growing things --Swim wants to know if it's as bad as swim thinks --Something about birds --The getaway --Nineteen snapshots of Dennisport --Where we all will be --The teacher --Notes for "The Barn in the Wild" --_______ --Our town's monster --A haunted house is a wheel upon which some are broken --It won't go away --Notes from the dog walkers --Further questions for the somnambulist --The ice tower --The society of the monsterhood --Her red right hand --It's against the law to feed the ducks --The thirteenth temple --Notes --Acknowledgments --Credits

Award-winning author Elizabeth McCracken is an undisputed virtuoso of the short story, and this new collection features her most vibrant and heartrending work to dateIn these stories, the mysterious bonds of family are tested, transformed, fractured, and fortified. A recent widower and his adult son ferry to a craggy Scottish island in search of puffins. An actress who plays a children’s game-show villainess ushers in the New Year with her deadbeat half brother. A mother, pining for her children, feasts on loaves of challah to fill the void. A new couple navigates a tightrope walk toward love. And on a trip to a Texas water park with their son, two fathers each confront a personal fear. With sentences that crackle and spark and showcase her trademark wit, McCracken traces how our closely held desires—for intimacy, atonement, comfort—bloom and wither against the indifferent passing of time. Her characters embark on journeys that leave them indelibly changed—and so do her readers. The Souvenir Museum showcases the talents of one of our finest contemporary writers as she tenderly takes the pulse of our collective and individual lives.

By the award-winning, New York Times bestselling author of Writers & Lovers, Lily King's first-ever collection of exceptional and innovative short storiesTold in the intimate voices of unique and endearing characters of all ages, these tales explore desire and heartache, loss and discovery, moments of jolting violence and the inexorable tug toward love at all costs. A bookseller's unspoken love for his employee rises to the surface, a neglected teenage boy finds much-needed nurturing from an unlikely pair of college students hired to housesit, a girl's loss of innocence at the hands of her employer's son becomes a catalyst for strength and confidence, and a proud nonagenarian rages helplessly in his granddaughter's hospital room. Romantic, hopeful, brutally raw, and unsparingly honest, some even slipping into the surreal, these stories are, above all, about King's enduring subject of love.

In the seaside town of Tramore, County Waterford, visitors arrive in waves with the tourist season, reliving the best days of their childhoods in its caravan parks, chippers and amusement arcades.Local teenager Helen Grant is indifferent to the charm of her surroundings; she dreams of escaping to art college with her glamorous classmate Stella Swaine and, from there, taking on the world. But leaving Tramore is easier said than done. Though they don't yet know it, Helen and Stella's lives are pulled by tides beyond their control.Following the Grant and Swaine families and their neighbours over three decades, The Amusements is a luminous and unforgettable story about roads taken and not taken - and a brilliantly observed portrait of a small-town community.

From the author of the beloved novel The Giant’s House—finalist for the National Book Award—comes a beautiful new story collection, her first in twenty years. Laced through with the humor, the empathy, and the rare and magical descriptive powers that have led Elizabeth McCracken’s fiction to be hailed as “exquisite” (The New York Times Book Review), “funny and heartbreaking” (The Boston Globe), and “a true marvel” (San Francisco Chronicle), these nine vibrant stories navigate the fragile space between love and loneliness. In “Property,” selected by Geraldine Brooks for The Best American Short Stories, a young scholar, grieving the sudden death of his wife, decides to refurbish the Maine rental house they were to share together by removing his landlord’s possessions. In “Peter Elroy: A Documentary by Ian Casey,” the household of a successful filmmaker is visited years later by his famous first subject, whose trust he betrayed. In “The Lost & Found Department of Greater Boston,” the manager of a grocery store becomes fixated on the famous case of a missing local woman, and on the fate of the teenage son she left behind. And in the unforgettable title story, a family makes a quixotic decision to flee to Paris for a summer, only to find their lives altered in an unimaginable way by their teenage daughter’s risky behavior. In Elizabeth McCracken’s universe, heartache is always interwoven with strange, charmed moments of joy—an unexpected conversation with small children, the gift of a parrot with a bad French accent—that remind us of the wonder and mystery of being alive. Thunderstruck & Other Stories shows this inimitable writer working at the full height of her powers.