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The incomparable Alice Munro’s bestselling and rapturously acclaimed Runaway is a book of extraordinary stories about love and its infinite betrayals and surprises, from the title story about a young woman who, though she thinks she wants to, is incapable of leaving her husband, to three stories about a woman named Juliet and the emotions that complicate the luster of her intimate relationships. In Munro’s hands, the people she writes about–women of all ages and circumstances, and their friends, lovers, parents, and children–become as vivid as our own neighbors. It is her miraculous gift to make these stories as real and unforgettable as our own. (back cover)RunawayChanceSoonSilencePassionTrespassesTricksPowers
In the her tenth collection (the title story of which is the basis for the new film Hateship Loveship), Alice Munro achieves new heights, creating narratives that loop and swerve like memory, and conjuring up characters as thorny and contradictory as people we know ourselves.A tough-minded housekeeper jettisons the habits of a lifetime because of a teenager’s practical joke. A college student visiting her brassy, unconventional aunt stumbles on an astonishing secret and its meaning in her own life. An incorrigible philanderer responds with unexpected grace to his wife’s nursing-home romance. Hateship, Friendship, Courtship, Loveship, Marriage is Munro at her best, tirelessly observant, serenely free of illusion, deeply and gloriously humane.

The Stone Angel , The Diviners , and A Bird in the House are three of the five books in Margaret Laurence's renowned "Manawaka series," named for the small Canadian prairie town in which they take place. Each of these books is narrated by a strong woman growing up in the town and struggling with physical and emotional isolation.In The Stone Angel , Hagar Shipley, age ninety, tells the story of her life, and in doing so tries to come to terms with how the very qualities which sustained her have deprived her of joy. Mingling past and present, she maintains pride in the face of senility, while recalling the life she led as a rebellious young bride, and later as a grieving mother. Laurence gives us in Hagar a woman who is funny, infuriating, and heartbreakingly poignant."This is a revelation, not impersonation. The effect of such skilled use of language is to lead the reader towards the self-recognition that Hagar misses."—Robertson Davies, New York Times"It is [Laurence's] admirable achievement to strike, with an equally sure touch, the peculiar note and the universal; she gives us a portrait of a remarkable character and at the same time the picture of old age itself, with the pain, the weariness, the terror, the impotent angers and physical mishaps, the realization that others are waiting and wishing for an end."—Honor Tracy, The New Republic"Miss Laurence is the best fiction writer in the Dominion and one of the best in the hemisphere."— Atlantic"[Laurence] demonstrates in The Stone Angel that she has a true novelist's gift for catching a character in mid-passion and life at full flood. . . . As [Hagar Shipley] daydreams and chatters and lurches through the novel, she traces one of the most convincing—and the most touching—portraits of an unregenerate sinner declining into senility since Sara Monday went to her reward in Joyce Cary's The Horse's Mouth ."— Time"Laurence's triumph is in her evocation of Hagar at ninety. . . . We sympathize with her in her resistance to being moved to a nursing home, in her preposterous flight, in her impatience in the hospital. Battered, depleted, suffering, she rages with her last breath against the dying of the light. The Stone Angel is a fine novel, admirably written and sustained by unfailing insight."—Granville Hicks, Saturday Review" The Stone Angel is a good book because Mrs. Laurence avoids sentimentality and condescension; Hagar Shipley is still passionately involved in the puzzle of her own nature. . . . Laurence's imaginative tact is strikingly at work, for surely this is what it feels like to be old."—Paul Pickrel, Harper's

Comoventes, lúdicos e sábios, os poemas aqui reunidos falam de ausências e finais, envelhecimento e retrospecção, mas também de presentes e renovações. Eles exploram corpos e mentes em transição, bem como os objetos e rituais cotidianos que nos inserem no presente. Lobisomens, sereias e sonhos surgem ao lado de diferentes formas de vida animal e fragmentos de nosso ambiente danificado.Poemas tardios reúne muitos dos temas mais reconhecidos e celebrados de Margaret Atwood, permeados por descrições minuciosas do mundo natural, passando por encontros espirituosos com alienígenas, situações triviais e divertidas (como guardar passaportes velhos), questões políticas urgentes, lendas, mitos e a sempre obstinada defesa da mulher.Mestre da escrita, Atwood nos lembra de viver o momento e não apenas estar vivos. O mais importante, segundo a autora, é aproveitar todos os dias, seja esculpindo lanternas de Halloween em abóboras, fazendo sexo ou simplesmente lembrando-nos de ver os cogumelos de setembro brotarem.