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Explore the best books about Southern Gothic genre.

Qui n'éprouve, un jour ou l'autre, la tentation de s'approprier complètement ce qu'il aime, non seulement par désir de possession intime, mais par besoin de communier et de s'identifier avec l'objet aimé ? Tel est le cas d'Hermann Mack, fils du propriétaire d'un cimetière de voitures. Son originalité, toutefois, c'est d'être amoureux d'une automobile, une Ford dernier modèle. Aussi est-il à peine paradoxal de dire que Car est avant tout un roman d'amour. Herman, pour se l'approprier, se mettra à manger sa Ford, morceau par morceau, il ne se nourrira plus d'autre chose que de métal fondu, de bouts de moteurs et de pneus. Mais la mort plane sur ce roman, comme elle plane sur les routes : le dieu-voiture ne cesse de prélever sa dîme parmi les adorateurs. C'est donc une parabole, une fable cruelle que nous livre Harry Crews. Sa verve truculente, son humour noir et sarcastique, son refus des tabous contribuent à faire de Car à la fois un pamphlet virulent et un plaidoyer pour le retour de l'homme au bon sens et à la nature.
Carson McCullers’ prodigious first novel was published to instant acclaim when she was just twenty-three. Set in a small town in the middle of the deep South, it is the story of John Singer, a lonely deaf-mute, and a disparate group of people who are drawn towards his kind, sympathetic nature. The owner of the café where Singer eats every day, a young girl desperate to grow up, an angry drunkard, a frustrated black doctor: each pours their heart out to Singer, their silent confidant, and he in turn changes their disenchanted lives in ways they could never imagine.

Laurel Hand, long absent from the South, comes from Chicago to New Orleans, where her father dies after surgery. With Fay, the stupid new young wife of her father, Laurel returns to her former Mississippi home and stays a few days after the funeral for reunions with old friends. In a night alone in the house she grew up in, she confronts elements of the past and comes to a better understanding of it and of herself and her parents.

The Hamlet, the first novel of Faulkner's Snopes trilogy, is both an ironic take on classical tragedy and a mordant commentary on the grand pretensions of the antebellum South and the depths of its decay in the aftermath of war and Reconstruction. It tells of the advent and the rise of the Snopes family in Frenchman's Bend, a small town built on the ruins of a once-stately plantation. Flem Snopes -- wily, energetic, a man of shady origins -- quickly comes to dominate the town and its people with his cunning and guile.

Set in Mississippi during the Civil War and Reconstruction, THE UNVANQUISHED focuses on the Sartoris family, who, with their code of personal responsibility and courage, stand for the best of the Old South's traditions.

Psychologically astute and wonderfully poetic, Sanctuary is a powerful novel examining the nature of true evil, through the prisms of mythology, local lore, and hard-boiled detective fiction. This is the dark, at times brutal, story of the kidnapping of Mississippi debutante Temple Drake, who introduces her own form of venality into the Memphis underworld where she is being held.

From the acclaimed author of Knockemstiff (“A powerful, remarkable, exceptional book.” –Los Angeles Times): a dark and riveting vision of America that delivers literary excitement in the highest degree.Set in rural southern Ohio and West Virginia, The Devil All the Time follows a cast of compelling and bizarre characters from the end of World War II to the 1960s. There’s Willad Russell, tormented veteran of the carnage in the South Pacific, who can’t save his beautiful wife, Charlotte, from an agonizing death by cancer, no matter how much sacrificial blood he pours on his “prayer log.” There’s Carl and Sandy Henderson, a husband-and-wife team of serial killers who troll America’s highways searching for suitable models to photograph and exterminate. There’s the spider-handling preacher, Roy, and his crippled virtuoso-guitar-playing sidekick, Theodore, running from the law. And caught in the middle of all this is Arvin Eugene Russell, Willard and Charlotte’s orphaned son, who grows up to be a good but also violent man in his own right.Donald Ray Pollock braids his plotlines into a taut narrative that will leave readers astonished and deeply moved. Marrying the twisted intensity of Oliver Stone’s Natural Born Killers with the religious and gothic overtones of Flannery O’Connor at her most haunting, he proves himself a master storyteller in the grittiest and most uncompromising American grain.