
Elissa Schappell, “a diva of the encapsulating phrase, capable of conveying a Pandora’s box of feeling in a single line” ( The New York Times Book Review ) delivers eight provocative, darkly funny linked stories that map America’s shifting cultural landscape from the late 1970s to the present day.Blueprints for Building Better Girls delves into the lives of an eclectic cast of archetypal female characters—from the high school slut to the good girl, the struggling artist to the college party girl, the wife who yearns for a child to the reluctant mother—mapping America’s shifting cultural landscape from the late 1970s to the present day. Its interconnected stories explore the commonly shared but rarely spoken of experiences that build girls into women and women into wives and mothers. In revealing all their vulnerabilities and twisting our preconceived notions of who they are, Elissa Schappell alters how we think about the nature of female identity and how it evolves.
A suburban mother of two fantasizes about the downfall of an old friend whose wholesome lifestyle empire may or may not be built on a lie. A high-powered lawyer honeymooning with her husband is caught off guard by the appearance of the girl who tormented her in high school. A shy Ivy League student learns the truth about a classmate’s seemingly enviable life.Curtis Sittenfeld has established a reputation as a sharp chronicler of the modern age who humanizes her subjects even as she skewers them. Now, with this first collection of short fiction, her “astonishing gift for creating characters that take up residence in readers’ heads” (The Washington Post) is showcased like never before. Throughout the ten stories in You Think It, I’ll Say It, Sittenfeld upends assumptions about class, relationships, and gender roles in a nation that feels both adrift and viscerally divided.With moving insight and uncanny precision, Curtis Sittenfeld pinpoints the questionable decisions, missed connections, and sometimes extraordinary coincidences that make up a life. Indeed, she writes what we’re all thinking—if only we could express it with the wit of a master satirist, the storytelling gifts of an old-fashioned raconteur, and the vision of an American original.
WINNER OF THE STORY PRIZE • LONGLISTED FOR THE NATIONAL BOOK AWARD • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY NEWSDAYNAMED ONE OF THE BEST BOOKS OF THE YEAR BYThe Washington Post • San Francisco Chronicle • O: The Oprah Magazine • The Miami Herald • Publishers Weekly • Kirkus ReviewsLook for special features inside. Join the Random House Reader’s Circle for author chats and more.From the author of the beloved novel The Giant’s House— finalist for the National Book Award—comes a beautiful new story collection, her first in twenty years. Laced through with the humor, the empathy, and the rare and magical descriptive powers that have led Elizabeth McCracken’s fiction to be hailed as “exquisite” ( The New York Times Book Review ), “funny and heartbreaking” ( The Boston Globe ), and “a true marvel” ( San Francisco Chronicle ), these nine vibrant stories navigate the fragile space between love and loneliness. In “Property,” selected by Geraldine Brooks for The Best American Short Stories, a young scholar, grieving the sudden death of his wife, decides to refurbish the Maine rental house they were to share together by removing his landlord’s possessions. In “Peter Elroy: A Documentary by Ian Casey,” the household of a successful filmmaker is visited years later by his famous first subject, whose trust he betrayed. In “The Lost & Found Department of Greater Boston,” the manager of a grocery store becomes fixated on the famous case of a missing local woman, and on the fate of the teenage son she left behind. And in the unforgettable title story, a family makes a quixotic decision to flee to Paris for a summer, only to find their lives altered in an unimaginable way by their teenage daughter’s risky behavior. In Elizabeth McCracken’s universe, heartache is always interwoven with strange, charmed moments of joy—an unexpected conversation with small children, the gift of a parrot with a bad French accent—that remind us of the wonder and mystery of being alive. Thunderstruck & Other Stories shows this inimitable writer working at the full height of her powers. Praise for Thunderstruck & Other Stories “Restorative, unforgettable . . . a powerful testament to the scratchy humor and warm intelligence of McCracken’s writing.” —Sylvia Brownrigg, The New York Times Book Review (Editor’s Choice)“[A] bewitching and wise collection . . . playful, even joyful.” — O: The Oprah Magazine “Stunningly beautiful . . . brilliantly moving . . . Moments of joy and pure magic flicker and pitch-perfect humor acts as a furtive SOS signal through the fog of loss.” — Los Angeles Times“Each of Thunderstruck ’s nine stories is a storm: delightful and destructive, packed with electricity, fascinating to watch unfold.” — Salon “The stories here are brilliant, funny and heartbreaking. . . . Elizabeth McCracken is a national treasure.” —Paul Harding, The Wall Street Journal “Pure delight: one lyrical, impeccably constructed sentence after another.” — Chicago Tribune “Beautifully wrought . . . As painstaking as a watchmaker, McCracken disassembles life down to its smallest parts.” — The Boston Globe