
Wilella Sibert Cather was born in Back Creek Valley (Gore), Virginia, in December 7, 1873. She grew up in Virginia and Nebraska. She then attended the University of Nebraska, initially planning to become a physician, but after writing an article for the Nebraska State Journal, she became a regular contributor to this journal. Because of this, she changed her major and graduated with a bachelor's degree in English. After graduation in 1894, she worked in Pittsburgh as writer for various publications and as a school teacher for approximately 13 years, thereafter moving to New York City for the remainder of her life. Her novels on frontier life brought her to national recognition. In 1923 she was awarded the Pulitzer Prize for her novel, 'One of Ours' (1922), set during World War I. She travelled widely and often spent summers in New Brunswick, Canada. In later life, she experienced much negative criticism for her conservative politics and became reclusive, burning some of her letters and personal papers, including her last manuscript. She was elected a Fellow of the American Academy of Arts and Sciences in 1943. In 1944, Cather received the gold medal for fiction from the National Institute of Arts and Letters, an award given once a decade for an author's total accomplishments. She died of a cerebral haemorrhage at the age of 73 in New York City.
Willa Cather’s story of the missionary priest Father Jean Marie Latour and his work of faith in the wilderness of the Southwest is told with a spare but sensuous directness and profound artistry—w ith an Introduction by A. S. Byatt. When Latour arrives in 1851 in the territory of New Mexico, newly acquired by the United States, what he finds is a vast desert region of red hills and tortured arroyos that is American by law but Mexican and Indian in custom and belief. Over the next four decades, Latour works gently and tirelessly to spread his faith and to build a soaring cathedral out of the local golden rock—while contending with unforgiving terrain, derelict and sometimes rebellious priests, and his own loneliness. Death Comes for the Archbishop shares a limitless, craggy beauty with the New Mexico landscape of desert, mountain, and canyon in which its central action takes place, and its evocations of that landscape and those who are drawn to it suggest why Cather is acknowledged without question as the most poetically exact chronicler of the American frontier.
Through Jim Burden's endearing, smitten voice, we revisit the remarkable vicissitudes of immigrant life in the Nebraska heartland, with all its insistent bonds. Guiding the way are some of literature's most beguiling characters: the Russian brothers plagued by memories of a fateful sleigh ride, Antonia's desperately homesick father and self-indulgent mother, and the coy Lena Lingard. Holding the pastoral society's heart, of course, is the bewitching, free-spirited Antonia.
O Pioneers! (1913) was Willa Cather's first great novel, and to many it remains her unchallenged masterpiece. No other work of fiction so faithfully conveys both the sharp physical realities and the mythic sweep of the transformation of the American frontier—and the transformation of the people who settled it. Cather's heroine is Alexandra Bergson, who arrives on the wind-blasted prairie of Hanover, Nebraska, as a girl and grows up to make it a prosperous farm. But this archetypal success story is darkened by loss, and Alexandra's devotion to the land may come at the cost of love itself.At once a sophisticated pastoral and a prototype for later feminist novels, O Pioneers! is a work in which triumph is inextricably enmeshed with tragedy, a story of people who do not claim a land so much as they submit to it and, in the process, become greater than they were.
Perhaps Willa Cather's most autobiographical work, The Song of the Lark charts the story of a young woman's awakening as an artist against the backdrop of the western landscape. Thea Kronborg, an aspiring singer, struggles to escape from the confines her small Colorado town to the world of possibility in the Metropolitan Opera House. In classic Cather style, The Song of the Lark is the beautiful, unforgettable story of American determination and its inextricable connection to the land."The time will come when she'll be ranked above Hemingway." -- Leon Edel
One of Ours is Willa Cather's 1923 Pulitzer Prize-winning novel about the making of an American soldier. Claude Wheeler, the sensitive but aspiring protagonist, has ready access to his family's fortune but refuses to settle for it. Alienated from his uncaring father and pious mother, and rejected by a wife whose only love is missionary work, Claude is an idealist without ideals to cling to. Only when his country enters the Great War does he find the meaning of his life.
On the eve of his move to a new, more desirable residence, Professor Godfrey St. Peter finds himself in the shabby study of his former home. Surrounded by the comforting, familiar sights of his past, he surveys his life and the people he has loved — his wife Lillian, his daughters, and Tom Outland, his most outstanding student and once, his son-in-law to be. Enigmatic and courageous—and a tragic victim of the Great War — Tom has remained a source of inspiration to the professor. But he has also left behind him a troubling legacy which has brought betrayal and fracture to the women he loves most.
Marian Forrester is the symbolic flower of the Old American West. She draws her strength from that solid foundation, bringing delight and beauty to her elderly husband, to the small town of Sweet Water where they live, to the prairie land itself, and to the young narrator of her story, Neil Herbert. All are bewitched by her brilliance and grace, and all are ultimately betrayed. For Marian longs for "life on any terms," and in fulfilling herself, she loses all she loved and all who loved her. This, Willa Cather's most perfect novel, is not only a portrait of a troubling beauty, but also a haunting evocation of a noble age slipping irrevocably into the past.
Set in seventeenth-century Canada, an evocation of North American origins highlights the men and women who struggled to adapt to the new world even as they clung to the one they left behind.
"Sometimes, when I have watched the bright beginning of a love story, when I have seen a common feeling exalted into beauty by imagination, generosity, and the flaming courage of youth, I have heard again that strange complaint breathed by a dying woman into the stillness of night, like a confession of the soul: 'Why must I die like this, alone with my mortal enemy.'"Willa Cather's protagonist in My Mortal Enemy is Myra Henshawe, who as a young woman gave up a fortune to marry for love—a boldly romantic gesture that became a legend in her family. But this worldly, sarcastic, and perhaps even wicked woman may have been made for something greater than love.In her portrait of Myra and in her exquisitely nuanced depiction of her marriage, Cather shows the evolution of a human spirit as it comes to bridle against the constraints of ordinary happiness and seek an otherworldly fulfillment. My Mortal Enemy is a work whose drama and intensely moral imagination make it unforgettable.
"Paul's Case" was first published in 1905 in Willa Cather's first story collection, The Troll Garden, which began her literary career. When the story was printed in McClure's magazine in May of the same year, it brought Cather to national attention. In 1920 the story was reprinted by Alfred Knopf in Youth and the Bright Medusa. "Paul's Case" examines the dangers of art and the struggles of youthful artists in a commercial world.
In this haunting 1935 novel, the Pulitzer Prize–winning author of My Ántonia performs crystalline variations on the themes that preoccupy her greatest the impermanence of innocence, the opposition between prairie and city, provincial American values and world culture, and the grandeur, elation, and heartache that await a gifted young woman who leaves her small Nebraska town to pursue a life in art. At the age of eighteen, Lucy Gayheart heads for Chicago to study music. She is beautiful and impressionable and ardent, and these qualities attract the attention of Clement Sebastian, an aging but charismatic singer who exercises all the tragic, sinister fascination of a man who has renounced life only to turn back to seize it one last time. Out of their doomed love affair—and Lucy's fatal estrangement from her origins—Willa Cather creates a novel that is as achingly lovely as a Schubert sonata.
Two kindle edition of the classic Willa Cather novel; includes easy to use navigation.
Sapphira Dodderidge, a Virginia lady of the 19th century, marries beneath her and becomes irrationally jealous of Nancy, a beautiful slave. One of Cather's later works.
Bartley Alexander, a construction engineer, is a middle-aged man torn between Winifred, his demanding American wife, and Hilda Burgoyne, his alluring British mistress. Alexander's relationship with Hilda erodes his sense of honor and eventually proves disastrous when a bridge he is constructing begins to collapse. Alexander's Bridge is an instructive, thought-provoking study of a man's growing awareness of his loss of integrity. Newly designed and typeset in a modern 6-by-9-inch format by Waking Lion Press.
- The Prairie Trilogy is Pulitzer prize-winning author Willa Cather's highly acclaimed series of novels that deal with the ordinary everyday lives of Americans in plainspoken language. - O Pioneers! is a powerful early Cather novel that tells the compelling tale of a young girl with the tough task of taking care of her frontier family after their father's death. - The Song of the Lark is the self-portrait of an artist in the making. It revolves around the fascinating story of a young girl who heads to the big city in search of the American dream. - My Antoniá is one of Cather's earliest novels. It tells the moving story of immigrant pioneers whose persistence and strength helped to build America. - Just as accessible and enjoyable for today's modern readers as they would have been when first published well over a century ago, the novels are some of the great works of American literature and continue to be widely read and studied throughout the world. - This meticulous digital edition from Heritage Publishing is a faithful reproduction of the original texts.
The most complete collection available of Willa Cather's remarkable short fiction, Collected Stories brings together all the stories published in book form during her lifetime along with two additional volumes compiled after her death. These nineteen stories resonate with all the great themes that Cather staked out like tracts of fertile land: the plight of people hungry for beauty in a country that has no room for it; the mysterious arc of human lives; and the ways the American frontier transformed the strangers who came to it, turning them imperceptibly into Americans. In these fictions, Cather displays her vast moral vision, her unerring sense of place, and her ability to find the one detail or episode that makes a closed life open wide in a single exhilarating moment.
A gentle, hard-working farmer's zest for life touches all who know him
This collection of Willa Cather stories—her first book of fiction and the capstone of her early career—is as relevant today as at the time of its initial publication. As different and individually distinguished as the seven stories may be, they share as their subject the role and status of the artist in American society. The passions, ambitions, and pretensions, the cant and the pathos of the art world, artists, pseudo-artists, aficionados, and dilettantes—all are amply represented here in the midst of their foibles, grand affairs, and failures, drawn with great style and subtlety by a writer gathering her formidable powers. With the psychological precision of her early master Henry James and the practical wisdom and wit of her contemporary Edith Wharton, Cather shows us innocents seduced, sophisticates undone, marriages sundered, idealism compromised, and the rare soul uplifted by art.
“Let your fiction grow out of the land beneath your feet.” Willa Cather’s remark describes her own reasons for re-creating in her works the Nebraska frontier of her youth. Set on the vast northern Great Plains, where the earth has only recently come beneath the plow, the stories and novels in this Library of America volume partake of an impressive physical space and a uniquely American ethnic. Panoramas of lonely prairie and open sky reflect the heroic aspirations and stoicism of her characters and the rebelliousness of their spirit.The Troll Garden (1905) was Cather’s first book of fiction. It contains seven stories, including the justly famous “Paul’s Case,” a study of a young man who escapes the world of the ordinary and briefly tastes the life of romance. Also included is “The Sculptor’s Funeral,” about a world-famous young artist who remains without honor in his native town.O Pioneers! (1913) is the story of a young Swedish-American girl, Alexandra Bergson, who is left to manage the homestead farm when her father dies. Although she must contend with the shiftlessness of two brothers and the brutal murder of a third, her instinctive identification with the forces of nature helps bring the land to abundant fruition, and she finds her own happiness in a kindred spirit—an engraver, gold prospector, and fellow dreamer.In her lyrical novel The Song of the Lark (1915), Cather’s love of music and theater and her faith in the spiritual influence of the Western landscape find expression in the ardent and talented Thea Kronborg. Moving from Colorado to Chicago to the primitive Southwest, Thea finds her destiny not in romance, but as a great Wagnerian soprano in the Metropolitan Opera. Her success, and that of all Cather’s heroines, derives from what the author calls “the naïve, generous country that gave on its joyous force.”A masterpiece at once austere and exuberant, historical and mythical, My Ántonia (1918) portrays a family of Bohemian emigrants on the Nebraska frontier. Despite the suicide of her father and the desertion of the father of her child, Ántonia Shimerda retains an unselfish nature that allows her to undergo years of drudgery and still affirm a courageous passion for life and motherhood—a dauntlessness intrinsically rooted in the awesome wonder of the prairie.One of Ours, winner of the Pulitzer Prize in 1922, portrays the blighting effects of twentieth-century progress on a free spirit from the American frontier. Claude Wheeler, its hero, is an imaginative, restless young man who leaves his claustrophobic small town to become a soldier in France during World War I. The Old World shows him culture, art, generosity, and appreciation, and also the horror, waste, and tragedy of war.
Paul had just come in to dress for dinner; he sank into a chair, weak in the knees, and clasped his head in his hands. It was to be worse than jail, even; the tepid waters of Cordelia Street were to close over him finally and forever. The grey monotony stretched before him in hopeless, unrelieved years; Sabbath-school, Young People's Meeting, the yellow-papered room, the damp dish-towels; it all rushed back upon him with sickening vividness. Excerpt fr "Paul's Case," one of eight poetic stories in this memorable collection.
Willa Cather is considered to be one of the best chroniclers of pioneer life in the 20th century. She had a long and distinguished career writing essays, poems, short stories, and novels. This story is a powerful example of a frequent theme: the haunting, sometimes painful, contrast between city and country life.
There are many reasons why Christmas is often described as the most wonderful time of the year. Christmas has the tendency to conjure up images of Santa, snow, lights, carols, and many other things. And of course there have been many classic stories and unforgettable characters to help reign in the holiday cheer!This edition of Willa Cather’s The Burglar’s Christmas includes a table of contents.
This collection contains the most celebrated works of Willa AntoniaO PioneersOne of OursAlexander's BridgeSong of the LarkYouth and the Bright MedusaThe Troll Garden and Selected StoriesIncludes and active table of contents.This unexpurgated edition contains the complete text with errors and omissions corrected.
This first publication of the letters of one of America’s most consistently admired writers is both an exciting and a significant literary event. Willa Cather, wanting to be judged on her work alone, clearly forbade the publication of her letters in her will. But now, more than sixty-five years after her death, with her literary reputation as secure as a reputation can be, the letters have become available for publication.The 566 letters collected here, nearly 20 percent of the total, range from the funny (and mostly misspelled) reports of life in Red Cloud in the 1880s that Cather wrote as a teenager, through those from her college years at the University of Nebraska, her time as a journalist in Pittsburgh and New York, and during her growing eminence as a novelist. Postcards and letters describe her many travels around the United States and abroad, and they record her last years in the 1940s, when the loss of loved ones and the disasters of World War II brought her near to despair. Written to family and close friends and to such luminaries as Sarah Orne Jewett, Robert Frost, Yehudi Menuhin, Sinclair Lewis, and the president of Czechoslovakia, Thomas Masaryk, they reveal her in her daily life as a woman and writer passionately interested in people, literature, and the arts in general.The voice heard in these letters is one we already know from her confident, elegant, detailed, openhearted, concerned with profound ideas, but also at times funny, sentimental, and sarcastic. Unfiltered as only intimate communication can be, they are also full of small fibs, emotional outbursts, inconsistencies, and the joys and sorrows of the moment. The Selected Letters is a deep pleasure to read and to ponder, sure to appeal to those with a special devotion to Cather as well as to those just making her acquaintance.
A ruined beauty whose dignity has suffered a lifetime of loss and disenchantment. A Czech immigrant who finds a paradoxical contentment on the harsh expanse of the Nebraska prairie. A solitary young painter spying raptly and guiltily on his exquisite neighbor. These are some of the lives that Willa Cather renders, with a fine balance of compassion and detachment, in these nineteen stories. Here are the great themes that Cather staked out like tracts of land: the plight of people hungry for beauty in a country that has no room for it; the mysterious arc of human lives; the ways in which the American frontier transformed the strangers who came to it, turning them imperceptibly into Americans. In these fictions, Cather displays her vast moral vision, her unerring sense of place, and her ability to find the one detail or episode that makes a closed life open wide in a single exhilarating moment.
A unique compilation of short fiction by Pulitzer Prize-winning author Willa Cather Best known for the distinctive portraits of the people and land of the American West in her prairie novels, Willa Cather is one of the greatest American writers of this century. The fourteen short stories in this richly diverse collection, along with an exemplary introduction by author Cynthia Griffin Wolff, allow for a more complex view of Cather. As a writer she was intrigued by nature's ruthlessness and mankind's limitless potential for brutality and had a passion for the beauty of art. Ranging from the simplicity of Cather's first published story, "Peter" (1892), to the extraordinary eroticism of "Coming, Aphrodite!" (1920), this Twentieth-Century Classics collection is an engaging and triumphant testament to the genius of an American literary icon.
by Willa Cather
Rating: 4.2 ⭐
This Library of America volume collects six novels by Willa Cather, who is among the most accomplished American writers of the twentieth century. Their formal perfection and expansiveness of feeling are an expression of Cather’s dedication both to art and to the open spaces of America.A Lost Lady (1923) exemplifies her principle of conciseness. It concerns a woman of uncommon loveliness and grace who lends an aura of sophistication to a frontier town, and explores the hidden passions and desires that confine those who idealize her. The recurrent conflict in Cather’s work between frontier culture and an encroaching commercialism is nowhere more powerfully articulated.The Professor’s House (1925) encapsulates a story within a story. In the framing narrative, Professor St. Peter, a prizewinning historian of the early Spanish explorers, finds himself disillusioned with family, career, even the house that reflects his success. Within this story is another, of St. Peter’s friend Tom Outland, whose brief but adventurous life still shadows those he loved.Death Comes for the Archbishop (1927) tells the story of the first bishop of New Mexico in a series of tableaux modeled on the medieval lives of the saints. Cather affectionately portrays the refined French Bishop Latour and his more earthy assistant within the harsh and beautiful landscape of the Southwest and among the Mexicans, Indians, and settlers they were sent to serve.Shadows on the Rock (1931), though its setting and subject are unusual for Cather, expresses her fascination with the “curious endurance of a kind of culture, narrow but definite.” It is a re-creation of 17th-century Québec as it appears to the apothecary Auclaire and his daughter Cécile: the town’s narrow streets, the supply ships on its great river, its merchants, profligates, explorers, missionaries, and towering personalities like Frontenac and Laval, all parts of a colony struggling to survive.Lucy Gayheart (1935) returns to the themes of Cather’s earlier writings, in a more somber key. Talented, spontaneous, and eager to explore the possibilities of life, Lucy leaves her prairie home to pursue a career in music. After a happy interval, her life takes an increasingly disastrous turn.Sapphira and the Slave Girl (1940) marks a triumphant conclusion to Cather’s career as a novelist. Set in Virginia five years before the Civil War, the story shows the effects of slaveholding on Sapphira Colbert, a woman of spirit and common sense who is frighteningly capricious in dealing with people she “owns,” and on her husband, who hates slavery even while he conforms to the social order that permits it. When through kindness he refuses to sell a slave, Sapphira’s jealous reaction precipitates a sequence of events that registers a conflict of cultural as well as personal values.
The Sculptor's Funeral is a short story written by Willa Cather. The story is set in the late 19th century and revolves around the death of a famous sculptor named Harvey Merrick. The story begins with the arrival of Merrick's body in his hometown, where he had left many years ago to pursue his art. His body is met with mixed reactions from the townspeople, some of whom are proud of his achievements while others are resentful of his success and the way he left the town.The story is told from the perspective of a young newspaper reporter named Willa who is sent to cover the funeral. Willa is struck by the contrast between the solemnity of the funeral and the gossip and backbiting that goes on behind the scenes. She observes the tensions between Merrick's family, who are proud of his accomplishments, and the townspeople, who are jealous of his success.As the funeral progresses, it becomes clear that Merrick's legacy is more complicated than anyone had anticipated. His success had come at a cost, and he had left behind a trail of broken relationships and disappointments. The story ends with Willa reflecting on the fleeting nature of fame and the importance of living a life that is true to oneself.The Sculptor's Funeral is a powerful meditation on the nature of success, fame, and the human condition. It is a poignant reminder that even the most accomplished among us are flawed and that true success is measured not by external accomplishments but by the impact we have on the people around us.THIS 32 PAGE ARTICLE WAS EXTRACTED FROM THE Youth and the Bright Medusa, by Willa Cather. To purchase the entire book, please order ISBN 1417917318.This scarce antiquarian book is a facsimile reprint of the old original and may contain some imperfections such as library marks and notations. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions, that are true to their original work.
A luminous collection--with an introduction, notes, chronology, and bibliography--of ten of Willa Cather's short works written from 1900 to 1920.
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by Willa Cather