Viet Thanh Nguyen

A profound, startling, and beautifully crafted debut novel, The Sympathizer is the story of a man of two minds, someone whose political beliefs clash with his individual loyaltiesIt is April 1975, and Saigon is in chaos. At his villa, a general of the South Vietnamese army is drinking whiskey and, with the help of his trusted captain, drawing up a list of those who will be given passage aboard the last flights out of the country. The general and his compatriots start a new life in Los Angeles, unaware that one among their number, the captain, is secretly observing and reporting on the group to a higher-up in the Viet Cong. The Sympathizer is the story of this captain: a man brought up by an absent French father and a poor Vietnamese mother, a man who went to university in America, but returned to Vietnam to fight for the Communist cause. A gripping spy novel, an astute exploration of extreme politics, and a moving love story, The Sympathizer explores a life between two worlds and examines the legacy of the Vietnam War in literature, film, and the wars we fight today.

From a young Vietnamese refugee who suffers profound culture shock when he comes to live with two gay men in San Francisco, to a woman whose husband is suffering from dementia and starts to confuse her for a former lover, to a girl living in Ho Chi Minh City whose older half-sister comes back from America having seemingly accomplished everything she never will, the stories are a captivating testament to the dreams and hardships of immigration.

The long-awaited new novel from one of America’s most highly regarded contemporary writers, The Committed follows the Sympathizer as he arrives in Paris as a refugee. There he and his blood brother Bon try to escape their pasts and prepare for their futures by turning their hands to capitalism in one of its purest forms: drug dealing. No longer in physical danger, but still inwardly tortured by his reeducation at the hands of his former best friend, and struggling to assimilate into a dominant culture, the Sympathizer is both charmed and disturbed by Paris. As he falls in with a group of left-wing intellectuals and politicians who frequent dinner parties given by his French Vietnamese “aunt,” he finds not just stimulation for his mind but also customers for his merchandise―but the new life he is making has dangers he has not foreseen, from the oppression of the state, to the self-torture of addiction, to the seemingly unresolvable paradox of how he can reunite his two closest friends, men whose worldviews put them in absolute opposition.Both literary thriller and brilliant novel of ideas, The Committed is a blistering portrayal of commitment and betrayal that will cement Viet Thanh Nguyen’s position in the firmament of American letters

With insight, humor, formal invention, and lyricism, in A Man of Two Faces Viet Thanh Nguyen rewinds the film of his own life. He expands the genre of personal memoir by acknowledging larger stories of refugeehood, colonization, and ideas about Vietnam and America, writing with his trademark sardonic wit and incisive analysis, as well as a deep emotional openness about his life as a father and a son.At the age of four, Nguyen and his family are forced to flee his hometown of Ban Mê Thuột and come to the USA as refugees. After being removed from his brother and parents and homed with a family on his own, Nguyen is later allowed to resettle into his own family in suburban San José. But there is violence hidden behind the sunny façade of what he calls AMERICA™. One Christmas Eve, when Nguyen is nine, while watching cartoons at home, he learns that his parents have been shot while working at their grocery store, the SàiGòn Mới, a place where he sometimes helps price tins of fruit with a sticker gun. Years later, as a teenager, the blood-stirring drama of the films of the Vietnam War such as Apocalypse Now throw Nguyen into an existential crisis: how can he be both American and Vietnamese, both the killer and the person being killed? When he learns about an adopted sister who has stayed back in Vietnam, and ultimately visits her, he grows to understand just how much his parents have left behind. And as his parents age, he worries increasingly about their comfort and care, and realizes that some of their older wounds are reopening,Profound in its emotions and brilliant in its thinking about cultural power, A Man of Two Faces explores the necessity of both forgetting and of memory, the promises America so readily makes and breaks, and the exceptional life story of one of the most original and important writers working today.

All wars are fought twice, the first time on the battlefield, the second time in memory. From the author of the Pulitzer Prize–winning novel The Sympathizer comes a searching exploration of the conflict Americans call the Vietnam War and Vietnamese call the American War—a conflict that lives on in the collective memory of both nations.From a kaleidoscope of cultural forms—novels, memoirs, cemeteries, monuments, films, photography, museum exhibits, video games, souvenirs, and more—Nothing Ever Dies brings a comprehensive vision of the war into sharp focus. At stake are ethical questions about how the war should be remembered by participants that include not only Americans and Vietnamese but also Laotians, Cambodians, South Koreans, and Southeast Asian Americans. Too often, memorials valorize the experience of one’s own people above all else, honoring their sacrifices while demonizing the “enemy”—or, most often, ignoring combatants and civilians on the other side altogether. Visiting sites across the United States, Southeast Asia, and Korea, Viet Thanh Nguyen provides penetrating interpretations of the way memories of the war help to enable future wars or struggle to prevent them.Drawing from this war, Nguyen offers a lesson for all wars by calling on us to recognize not only our shared humanity but our ever-present inhumanity. This is the only path to reconciliation with our foes, and with ourselves. Without reconciliation, war’s truth will be impossible to remember, and war’s trauma impossible to forget.

From the Pulitzer Prize–winning author of The Sympathizer (now an HBO series) comes a moving and unflinchingly personal meditation on the literary forms of otherness and a bold call for expansive political solidarity.Born in war-ravaged Vietnam, Viet Nguyen arrived in the United States as a child refugee in 1975. The Nguyen family would soon move to San Jose, California, where the author grew up, attending UC-Berkeley in the aftermath of the shocking murder of Vincent Chin, which shaped the political sensibilities of a new generation of Asian Americans.The essays here, delivered originally as the prestigious Norton Lectures, proffer a new answer to a classic literary What does the outsider mean to literary writing? Over the course of six captivating and moving chapters, Nguyen explores the idea of being an outsider through lenses that are, by turns, literary, historical, political, and familial.Each piece moves between writers who influenced Nguyen’s craft and weaves in the haunting story of his late mother’s mental illness. Nguyen unfolds the novels and nonfiction of Herman Melville, F. Scott Fitzgerald, Ralph Ellison, William Carlos Williams, and Maxine Hong Kingston, until aesthetic theories give way to pressing concerns raised by war and politics. What is a writer’s responsibility in a time of violence? Should we celebrate fiction that gives voice to the voiceless—or do we confront the forces that render millions voiceless in the first place? What are the burdens and pleasures of the “minor” writer in any society? Unsatisfied with the modest inclusion accorded to “model minorities” such as Asian Americans, Nguyen sets the agenda for a more radical and disquieting solidarity with those whose lives have been devastated by imperialism and forever wars.

From Pulitzer Prize-winning author Viet Thanh Nguyen and illustrator Minnie Phan comes an unforgettable story of a Vietnamese American girl whose life is transformed by a wildfire.When Simone is awakened by her mom as a wildfire threatens their home, it is the beginning of a life-changing journey. On their way to take shelter in a high school gym, the family passes firefighters from a prison unit battling the fire. Simone’s mom tells her that when she was a girl in Viet Nam, she was forced to evacuate her home after a flood. Joined by other children sheltering in the gym, Simone, a budding artist, encourages everyone to draw as a way to process their situation. After a few days, Simone and her mom are able to return to their home, which is fortunately still standing, and her outlook has changed. As Simone begins creating a piece of art with one of her new friends from the shelter, she realizes that they too can be firefighters, dreaming and working for a more sustainable future. With a poetic, haunting family story by esteemed author Viet Thanh Nguyen and gorgeous art from Vietnamese American illustrator Minnie Phan, this powerful tale introduces an unforgettable young heroine who awakens to a new role fighting for her community and for the future of the planet.

A band of intrepid chickens leave behind the boredom of farm life, joining the crew of the pirate ship Pitiless to seek fortune and glory on the high seas. Led by a grizzled captain into the territory of the Dog Knights, they soon learn what it means to be courageous, merciful, and not seasick quite so much of the time.Chicken of the Sea originated in the five-year-old mind of Ellison Nguyen, son of Pulitzer Prize-winning novelist Viet Thanh Nguyen; father and son committed the story to the page, then enlisted the artistic talents of Caldecott Honor winner Thi Bui and her thirteen-year-old son, Hien Bui-Stafford, to illustrate it.

“Viet Thanh Nguyen writes funny. “Black-Eyed Women” begins with the many unpleasant ways that one can become famous: sex scandal, being kidnapped and held prisoner for many years; surviving what should kill one. And after this list, we meet the narrator, whose profession is to ghostwrite autobiographies of people who have endured such things. (Laugh piled on unexpected laugh.) And then the ghost writer complains about not being acknowledged for her work (as if a reasonable person would want such a thing), and her mother steps in and begins mocking in the way that immigrant mothers can. This layering appears part of Viet’s essential style. But what also makes him such a notable writer is how he can oscillate from comedy to tragedy.” - Akhil Sharma --- About the Author: Viet Thanh Nguyen was born in Vietnam and raised in America. His novel The Sympathizer won the 2016 Pulitzer Prize for Fiction, as well as five other awards. He is also the author of the nonfiction books Nothing Ever Dies and Race and Resistance. The Aerol Arnold Professor of English and American Studies and Ethnicity at the University of Southern California, he lives in Los Angeles. About the Guest Editor: Akhil Sharma is the author of Family Life, a New York Times Best Book of the Year and the winner of the International DUBLIN Literary Award and the Folio Prize. His writing has appeared in The New Yorker, The Atlantic, Best American Short Stories, and O. Henry Award Stories. A native of Delhi, he lives in New York City and teaches English at Rutgers University–Newark. About the Publisher: Electric Literature is an independent publisher amplifying the power of storytelling through digital innovation. Electric Literature’s weekly fiction magazine, Recommended Reading, invites established authors, indie presses, and literary magazines to recommended great fiction. Once a month we feature our own recommendation of original, previously unpublished fiction. Recommended Reading is supported by the Amazon Literary Partnership, the New York State Council on the Arts, and the National Endowment for the Arts. For other links from Electric Literature, follow us, or sign up for our eNewsletter.

In Race and Literature and Politics in Asian America , Viet Nguyen argues that Asian American intellectuals have idealized Asian America, ignoring its saturation with capitalist practices. This idealization of Asian America means that Asian American intellectuals can neither grapple with their culture's ideological diversity nor recognize their own involvement with capitalist practices such as the selling of racial identity. Making his case through the example of literature, which remains a critical arena of cultural production for Asian Americans, Nguyen demonstrates that literature embodies the complexities, conflicts, and potential future options of Asian American culture.

Ploughshares is an award-winning journal of new writing. Since 1971, Ploughshares has discovered and cultivated the freshest voices in contemporary American literature, and remains prescient in the digital age by providing readers with thoughtful and entertaining literature in a variety of formats. Find out why the New York Times named Ploughshares “the Triton among minnows.” As guest-editor Viet Thanh Nguyen writes in his introduction, “We need to work in environments with a diversity of people to make sure that the views of others who are different from us can check; likewise, we need literature written from a variety of perspectives and by a wide range of authors for the same reason—so that literature itself can demand that we see the world differently from how we normally might.” Featuring new work from Roxane Gay, Elizabeth Strout, James Hannaham, Laila Lalami, Patricia Engel, and many others, the work in this issue is connected by the medley of voices framing contemporary literature.

Waarom worden sommige mensen als 'anders' gezien, en wie bepaalt dat?In Anders-zijn onderzoekt Pulitzerprijswinnaar Viet Thanh Nguyen in zes bevlogen essays de mechanismen van uitsluiting, representatie en macht.Vanuit zijn eigen ervaringen als vluchteling, schrijver en academicus stelt Nguyen confronterende vragen over identiteit, culturele toe-eigening en het verhaal van Amerika.De auteur neemt ons mee langs schrijvers uit de van Shakespeare, Jane Austen en de Brontë-zusters tot Alice Walker, Mahmoud Darwish en Edward Said.'Nguyen vervlecht moeiteloos persoonlijke reflecties met literaire analyse (…) De essays zijn stuk voor stuk prikkelend, bevatten overtuigende argumenten en geven de lezer volop stof tot nadenken.' – Publishers Weekly'Een provocatieve verkenning van de auteur als verteller, antropoloog en ingewijde buitenstaander.' – Kirkus

Ogni anno da cent’anni, la Harvard University, l’ateneo più prestigioso del mondo, dà la parola a una figura che si sia distinta nella letteratura, nella musica o nelle arti visive, per un ciclo di sei conferenze sull’influenza delle attività creative umane nella vita pubblica. Eliot, Frost, Stravinskij, Borges, Paz, Calvino, Eco, Gordimer, Morrison, e poi ancora Cage, Wenders, sono alcuni tra i nomi che hanno riempito questo secolo di “Lezioni americane”. Nel tempo di disumanità che ci tocca vivere, nessuno meglio di Viet Thanh Nguyen poteva raccogliere il testimone. Nato in un paese devastato dalla guerra, da quando è stato in grado di farlo si è occupato ogni giorno della sua vita delle storie di conflitti, di migrazioni, di memoria, quelle raccontate e quelle taciute. Nessuno meglio di lui poteva dire della responsabilità dello scrittore in un’epoca di violenze e autocrazie, in cui regimi e Stati esercitano il controllo sul linguaggio attraverso la sua sopraffazione, in cui il senso del celebre «la bellezza è verità, la verità bellezza» di Keats si è perduto. Tuttavia, da par suo, l’autore de Il simpatizzante gioca con la letteratura e si diverte con la filosofia; parla di Melville, Said, Shakespeare, Agamben e Derrida, ma anche di Palestina, Vietnam, America; scuote le nostre coscienze, ci fa piangere e poi ridere. Lui, l’outsider per definizione, l’autore “minore” perché asiatico americano, che chiama con forza alla solidarietà verso le vittime di ogni disumanità, le vittime di razzismo, di colonialismo, di guerra. Lui, lo scrittore che non arretra davanti alla responsabilità di chi scrive come atto supremo di alterità, ma al contrario affronta l’onere a testa alta, consapevole che la scrittura può salvare, la scrittura può distruggere.Lavorare alla scrittura è l’occasione di creare bellezza dall’orrore e dalla una bellezza che si trova sia nell’arte sia nella solidarietà. «Sei lezioni emozionanti danno corpo al pensiero di Viet Thanh Nguyen sul ruolo dell’artista nel discorso politico e sul modo in cui la politica si fa largo nell’arte». Vanity Fair «Uno degli autori più coraggiosi della letteratura americana di oggi esplora il ruolo dello scrittore outsider». Literary Hub«In pagine commoventi, Nguyen ragiona sul significato di essere “minoranza”, con una prospettiva di volta in volta letteraria, storica, politica e famigliare». USA Today «Come sempre Viet Thanh Nguyen intreccia in modo fluido riflessioni personali, analisi letteraria, pensiero politico». Publishers Weekly

Avril 1975, Saïgon est en plein chaos.À l'abri d'une villa, entre deux whiskies, un général de l'armée du Sud Vietnam et son capitaine dressent la liste de ceux à qui ils vont délivrer le plus précieux des sésames : une place dans les derniers avions qui décollent pour fuir la ville vers les USA. Mais le général ignore que son capitaine est un agent double au service des communistes.Arrivé en Californie, tandis que le général et ses compatriotes exilés tentent de recréer un petit bout de Vietnam sous le soleil de L.A., notre homme observe et rend des comptes dans des lettres codées à son meilleur ami resté au pays.Dans ce microcosme où chacun soupçonne l'autre, notre homme lutte pour ne pas dévoiler sa véritable identité, au prix de décisions aux conséquences dramatiques. Mais sa loyauté vacille…Le roman événement de Viet Thanh Nguyen, consacré par le prix Pulitzer en 2016, magnifiquement adapté pour la première fois en BD !