Susan Orlean

On the morning of April 29, 1986, a fire alarm sounded in the Los Angeles Public Library. As the moments passed, the patrons and staff who had been cleared out of the building realized this was not the usual fire alarm. As one fireman recounted, “Once that first stack got going, it was ‘Goodbye, Charlie.’” The fire was disastrous: it reached 2000 degrees and burned for more than seven hours. By the time it was extinguished, it had consumed four hundred thousand books and damaged seven hundred thousand more. Investigators descended on the scene, but more than thirty years later, the mystery remains: Did someone purposefully set fire to the library—and if so, who? Weaving her lifelong love of books and reading into an investigation of the fire, award-winning New Yorker reporter and New York Times bestselling author Susan Orlean delivers a mesmerizing and uniquely compelling book that manages to tell the broader story of libraries and librarians in a way that has never been done before. In The Library Book, Orlean chronicles the LAPL fire and its aftermath to showcase the larger, crucial role that libraries play in our lives; delves into the evolution of libraries across the country and around the world, from their humble beginnings as a metropolitan charitable initiative to their current status as a cornerstone of national identity; brings each department of the library to vivid life through on-the-ground reporting; studies arson and attempts to burn a copy of a book herself; reflects on her own experiences in libraries; and reexamines the case of Harry Peak, the blond-haired actor long suspected of setting fire to the LAPL more than thirty years ago. Along the way, Orlean introduces us to an unforgettable cast of characters from libraries past and present—from Mary Foy, who in 1880 at eighteen years old was named the head of the Los Angeles Public Library at a time when men still dominated the role, to Dr. C.J.K. Jones, a pastor, citrus farmer, and polymath known as “The Human Encyclopedia” who roamed the library dispensing information; from Charles Lummis, a wildly eccentric journalist and adventurer who was determined to make the L.A. library one of the best in the world, to the current staff, who do heroic work every day to ensure that their institution remains a vital part of the city it serves. Brimming with her signature wit, insight, compassion, and talent for deep research, The Library Book is Susan Orlean’s thrilling journey through the stacks that reveals how these beloved institutions provide much more than just books—and why they remain an essential part of the heart, mind, and soul of our country. It is also a master journalist’s reminder that, perhaps especially in the digital era, they are more necessary than ever.

NATIONAL BESTSELLER“Magnificent.” — The New York Times * “Beguiling, observant, and howlingly funny.” — San Francisco Chronicle * “Spectacular.” — Star Tribune (Minneapolis) * “Full of astonishments.” — The Boston GlobeSusan Orlean—the beloved New Yorker staff writer hailed as “a national treasure” by The Washington Post and the author of the New York Times bestseller The Library Book —gathers a lifetime of musings, meditations, and in-depth profiles about animals.“How we interact with animals has preoccupied philosophers, poets, and naturalists for ages,” writes Susan Orlean. Since the age of six, when Orlean wrote and illustrated a book called Herbert the Near-Sighted Pigeon , she’s been drawn to stories about how we live with animals, and how they abide by us. Now, in On Animals , she examines animal-human relationships through the compelling tales she has written over the course of her celebrated career.These stories consider a range of creatures—the household pets we dote on, the animals we raise to end up as meat on our plates, the creatures who could eat us for dinner, the various tamed and untamed animals we share our planet with who are central to human life. In her own backyard, Orlean discovers the delights of keeping chickens. In a different backyard, in New Jersey, she meets a woman who has twenty-three pet tigers—something none of her neighbors knew about until one of the tigers escapes. In Iceland, the world’s most famous whale resists the efforts to set him free; in Morocco, the world’s hardest-working donkeys find respite at a special clinic. We meet a show dog and a lost dog and a pigeon who knows exactly how to get home.Equal parts delightful and profound, enriched by Orlean’s stylish prose and precise research, these stories celebrate the meaningful cross-species connections that grace our collective existence.

The Orchid Thief is Susan Orlean’s tale of an amazing obsession. Determined to clone an endangered flower—the rare ghost orchid Polyrrhiza lindenii—a deeply eccentric and oddly attractive man named John Laroche leads Orlean on an unforgettable tour of America’s strange flower-selling subculture, through Florida’s swamps and beyond, along with the Seminoles who help him and the forces of justice who fight him. In the end, Orlean—and the reader—will have more respect for underdog determination and a powerful new definition of passion. In this new edition, coming fifteen years after its initial publication and twenty years after she first met the “orchid thief,” Orlean revisits this unforgettable world, and the route by which it was brought to the screen in the film Adaptation, in a new retrospective essay.

Allegedly found in the ruins of a bombed-out dog kennel in France during World War I, then brought to Los Angeles by Lee Duncan, the soldier who found and trained him, by 1927 Rin Tin Tin had become Hollywood's number one box-office star. Susan Orlean's book--about the dog and the legend--is a poignant exploration of the enduring bond between humans and animals. It is also a richly textured history of twentieth-century entertainment and entrepreneurship. It spans ninety years and explores everything from the shift in status of dogs from working farmhands to beloved family members, from the birth of obedience training to the evolution of dog breeding, from the rise of Hollywood to the past and present of dogs in war.

The bestselling author of The Orchid Thief and The Library Book is back with this delightfully entertaining collection of her best and brightest profiles.Acclaimed New Yorker writer Susan Orlean brings her wry sensibility, exuberant voice, and peculiar curiosities to a fascinating range of subjects—from the well known (Bill Blass) to the unknown (a typical ten-year-old boy) to the formerly known (the 1960s girl group the Shaggs).Passionate people. Famous people. Short people. And one championship show dog named Biff, who from a certain angle looks a lot like Bill Clinton. Orlean transports us into the lives of eccentric and extraordinary characters—like Cristina Sánchez, the eponymous bullfighter, the first female matador of Spain—and writes with such insight and candor that readers will feel as if they’ve met each and every one of them.The result is a luminous and joyful tour of the human condition as seen through the eyes of the writer heralded by the Chicago Tribune as a “journalist dynamo.”

New Yorker writer and author of The Library Book takes readers on a series of remarkable journeys in this uniquely witty, sophisticated, and far-flung travel book.In this irresistible collection of adventures far and near, Orlean conducts a tour of the world via its subcultures, from the heart of the African music scene in Paris to the World Taxidermy Championships in Springfield, Illinois--and even into her own apartment, where she imagines a very famous houseguest taking advantage of her hospitality.With Orlean as guide, lucky readers partake in all manner of armchair activity. They will climb Mt. Fuji and experience a hike most intrepid Japanese have never attempted; play ball with Cuba's Little Leaguers, promising young athletes born in a country where baseball and politics are inextricably intertwined; trawl Icelandic waters with Keiko, everyone's favorite whale as he tries to make it on his own; stay awhile in Midland, Texas, hometown of George W. Bush, a place where oil time is the only time that matters; explore the halls of a New York City school so troubled it's known as "Horror High"; and stalk caged tigers in Jackson, New Jersey, a suburban town with one of the highest concentrations of tigers per square mile anywhere in the world.Vivid, humorous, unconventional, and incomparably entertaining, Susan Orlean's writings for The New Yorker have delighted readers for over a decade. My Kind of Place is an inimitable treat by one of America's premier literary journalists.

As we struggle with new anxieties, the New York Times bestselling author of The Library Book tackles an old fear in this insightful and hypnotizingly funny essay about taking off and letting go.Susan Orlean has a full-on phobia of flying—an epic inconvenience for an author on a national book tour. With her trademark curiosity, she decides to rewire her thinking through hypnosis. Along the way, Susan discovers a lot about the unconscious mind, suggestibility, Mesmer, Freud, today’s cutting-edge treatments, and the dulling power of a sonorous voice. Most of all, she learns what it takes to close her eyes, open them again at thirty thousand feet, and finally be able to exhale. And you can too.

“The story of my life is the story of my stories,” writes Susan Orlean in this memoir. Joyride is a ride through Orlean’s life and career, where every day is an opportunity for discovery and every moment holds the potential for wonder. Throughout her storied career, her curiosity draws her to explore the most ordinary and extraordinary of places, from going deep inside the head of a regular ten-year-old boy for a legendary profile (“The American Man Age Ten”) to reporting on a woman who owns twenty-seven tigers, from capturing the routine magic of Saturday night to climbing Mt. Fuji.Not only does Orlean’s account of a writing life offer a trove of indispensable gleanings for writers, it’s also an essential and practical guide to embracing any creative path. She takes us through her process of dreaming up ideas, managing deadlines, connecting with sources, chasing every possible lead, confronting writer’s block and self-doubt, and crafting the perfect lede—a Susan specialty.

A close-up look at what Americans do on Saturday nights draws on travels throughout the country to describe classic weekend situations, types of people, places and communities, entertainment patterns, and other topics

The life and times of a girl who has always loved animals, or how I went from dreaming about Rin Tin Tin to having dogs, cats, chickens, fish, cattle, turkeys, and guinea fowl, with guest appearances by horses, lions, and canaries.

From the New York Times bestselling author of The Orchid Thief comes a smart, hilarious take on what babies contribute—or don’t—to the world.Ever experienced stroller envy? Ever wished you were applauded just for walking across a room? Ever wanted to loaf about the park on a blanket in the middle of a school day with nothing on your agenda but being relaxed and happy? Then you should be a baby. They’ve got it made.In this charming, droll story, a world-weary older sister ponders the question, why don’t more babies work? Her answers, hilariously tinged with resentment, offer up a wickedly accurate picture of just how great babies have it. Known for her keen and witty observations of various subcultures, Susan Orlean here turns her gaze on babies. The resulting picture book is tongue-in-cheek fun for older siblings and anyone looking for a lazy, praise-filled day.

He is old enough to begin imagining that he will someday get married, but at ten he is still convinced that the best thing about being married will be that he will be allowed to sleep in his clothes. His father once observed that living with Colin was like living with a Martian who had done some reading on American culture. As it happens, Colin is not especially sad or worried about the prospect of growing up, although he sometimes frets over whether he should be called a kid or a grown-up; he has settled on the word kid-up.In her classic 1992 Esquire cover story, The American Man at Age Ten , bestselling author Susan Orlean takes readers inside the mind of an ordinary 10-year-old boy and attempts to see the world the way he sees short on girls but full of pizza, candy, and Nintendo—and shot through with the fleeting magic of childhood.The American Man at Age Ten was originally published in Esquire , December 1992.Cover design by Adil Dara.

Kwabena Oppong, who is the king and supreme ruler of the African Ashanti tribespeople living in the United States of America, has a throne in his living room . . . The American Ashanti king is elected every two years from the ranks of an Ashanti social and cultural organization called the Asanteman Association of the United States of America, Inc. The first Stateside king, Kwadwo Tuffuor, was a plumber. The second, Kusi Appouh, repaired air-conditioners and refrigerators. Kwabena Oppong is the third king; he drives a cab.In A Gentle Reign, Susan Orlean, author of The Orchid Thief and Rin Tin Tin: The Life and the Legend, lends her wry, exuberant voice to the unforgettable portrait of an ordinary man thrown into an extraordinary circumstance, and follows closely as the newly-crowned supreme ruler navigates his life as an unlikely king.A Gentle Reign was originally published in The New Yorker, December 12, 1988. Cover design by Adil Dara.

Susan Orlean—the beloved New Yorker staff writer and the author of the New York Times bestsellers Rin Tin Tin, The Orchid Thief, and On Animals—selects twenty science and nature essays that represent the best examples of the form published in 2024.The Best American series, launched in 1915, is the premier annual showcase for the country’s finest short fiction and nonfiction, and it is the most respected—and most popular—of its kind.New York Times bestselling author Susan Orlean selects twenty pieces that represent the best science and nature writing published the previous year and explores our ever-changing world.

Provides a humorous view of aspects of New England life such as baked beans, candlepins, Filene's Basement, preppies, and Harvard Square

This one-of-a-kind collaboration between acclaimed author Susan Orlean and celebrated artist Philip Taaffe unites the literary and the visual, the nostalgic and the optimistic, and brings greenery to your bookshelf. Taking inspiration from the rapidly dwindling "flower district" of New York City, Orlean and Taaffe offer tandem musings on the conceit of "the floral ghost." Orlean’s essay, one of her first botanically themed writings since she penned the widely lauded The Orchid Thief , reflects on a poignant moment when she first visited the district in its resplendent heyday. Her text is accompanied by Taaffe’s colorful silkscreen monotypes―a bouquet of paper and ink recalling the unique yet universal nature of time passing and petals fading. An evocative rendering of both the memories of youth and the ephemeral nature of the cityscape, The Floral Ghost makes an elegant gift for every aspiring writer, artist and dreamer who moves to a city to make his or her mark or who admires its mutable glory from afar.Susan Orlean (born 1955) is the bestselling author of eight books, including The Bullfighter Checks Her Makeup ; My Kind of Place ; Saturday Night ; and Lazy Little Loafers . In 1999, she published The Orchid Thief , a narrative about orchid poachers in Florida, which was made into the Academy Award–winning film Adaptation , written by Charlie Kaufman and directed by Spike Jonze. Her 2011 book, Rin Tin The Life and the Legend , was a New York Times bestseller. Orlean has been a staff writer for the The New Yorker since 1992. She lives in Los Angeles and upstate New York.Philip Taaffe was born in Elizabeth, New Jersey, in 1955, and studied at the Cooper Union in New York. He has exhibited worldwide since his first solo exhibition in New York, in 1982. Taaffe has traveled widely in the Middle East, South America and Morocco, where he collaborated with Mohammed Mrabet on the 1993 book Chocolate Creams and Dollars , translated by Paul Bowles. His work is in numerous public collections, including The Museum of Modern Art, New York, the Philadelphia Museum of Art and the Whitney Museum of American Art. Taaffe lives and works in New York and West Cornwall, Connecticut.

NEW YORK TIMES BESTSELLER A NEW YORK TIMES NOTABLE BOOKIn Susan Orlean's mesmerizing true story of beauty and obsession is John Laroche, a renegade plant dealer and sharply handsome guy, in spite of the fact that he is missing his front teeth and has the posture of al dente spaghetti. In 1994, Laroche and three Seminole Indians were arrested with rare orchids they had stolen from a wild swamp in south Florida that is filled with some of the world's most extraordinary plants and trees. Laroche had planned to clone the orchids and then sell them for a small fortune to impassioned collectors. After he was caught in the act, Laroche set off one of the oddest legal controversies in recent memory, which brought together environmentalists, Native Amer-ican activists, and devoted orchid collectors. The result is a tale that is strange, compelling, and hilarious. New Yorker writer Susan Orlean followed Laroche through swamps and into the eccentric world of Florida's orchid collectors, a subculture of aristocrats, fanatics, and smugglers whose obsession with plants is all-consuming. Along the way, Orlean learned the history of orchid collecting, discovered an odd pattern of plant crimes in Florida, and spent time with Laroche's partners, a tribe of Seminole Indians who are still at war with the United States. There is something fascinating or funny or truly bizarre on every page of The Orchid Thief: the story of how the head of a famous Seminole chief came to be displayed in the front window of a local pharmacy; or how seven hundred iguanas were smuggled into Florida; or the case of the only known extraterrestrial plant crime. Ultimately, however, Susan Orlean's book is about passion itself, and the amazing lengths to which people will go to gratify it. That passion is captured with singular vision in The Orchid Thief, a once-in-a-lifetime story by one of our most original journalists. Praise for The Orchid Thief “Stylishly written, whimsical yet sophisticated, quirkily detailed and full of empathy . . . The Orchid Thief shows [Orlean’s] gifts in full bloom.”—The New York Times Book Review “Fascinating . . . an engrossing journey [full] of theft, hatred, greed, jealousy, madness, and backstabbing.”—Los Angeles Times “Orlean’s snapshot-vivid, pitch-perfect prose . . . is fast becoming one of our national treasures.”—The Washington Post Book World “Orlean’s gifts [are] her ear for the self-skewing dialogue, her eye for the incongruous, convincing detail, and her Didion-like deftness in description.”—Boston Sunday Globe “A swashbuckling piece of reporting that celebrates some virtues that made America great.”—The Wall Street Journal