Ross Gay

The winner of the NBCC Award for Poetry offers up a spirited collection of short lyric essays, written daily over a tumultuous year, reminding us of the purpose and pleasure of praising, extolling, and celebrating ordinary wonders. Ross Gay’s The Book of Delights is a genre-defying book of essays—some as short as a paragraph; some as long as five pages—that record the small joys that occurred in one year, from birthday to birthday, and that we often overlook in our busy lives. His is a meditation on delight that takes a clear-eyed view of the complexities, even the terrors, in his life, including living in America as a black man; the ecological and psychic violence of our consumer culture; the loss of those he loves. Among Gay’s funny, poetic, philosophical delights: the way Botan Rice Candy wrappers melt in your mouth, the volunteer crossing guard with a pronounced tremor whom he imagines as a kind of boat-woman escorting pedestrians across the River Styx, a friend’s unabashed use of air quotes, pickup basketball games, the silent nod of acknowledgment between black people. And more than any other subject, Gay celebrates the beauty of the natural world—his garden, the flowers in the sidewalk, the birds, the bees, the mushrooms, the trees. This is not a book of how-to or inspiration, though it could be read that way. Fans of Roxane Gay, Maggie Nelson, and Kiese Laymon will revel in Gay’s voice, and his insights. The Book of Delights is about our connection to the world, to each other, and the rewards that come from a life closely observed. Gay’s pieces serve as a powerful and necessary reminder that we can, and should, stake out a space in our lives for delight.

Lace & Letters from Two GardensOriginally published by Organic Weapon Arts in 2014, Lace & Letters from Two Gardens captures seasonal changes and life unfolding from the perspective of two Ross Gay and Aimee Nezhukumatathil. What began as an unprompted poem correspondence between the two poets in the late July swelter of 2011 blossomed into a beautiful collection of epistolary poetry.This reprint of Lace & Letters from Two Gardens by Get Fresh Books Publishing comprises all of its original poetry and includes an interview published by The Margins titled, "Our Wholeness, Our A Conversation with Aimee Nezhukumatathil & Ross Gay."Ross Gay is the author of four books of Against Which; Bringing the Shovel Down; Be Holding; and Catalog of Unabashed Gratitude, winner of the 2015 National Book Critics Circle Award and the 2016 Kingsley Tufts Poetry Award. His New York Times best-selling collection of essays, The Book of Delights, was released by Algonquin Books in 2019. Ross is a founding board member of the Bloomington Community Orchard, a non-profit, free-fruit-for-all food justice and joy project. He also works on The Tenderness Project with Shayla Lawson and Essence London. He has received fellowships from Cave Canem, the Bread Loaf Writer's Conference, and the Guggenheim Foundation. Ross teaches at Indiana University.Aimee Nezhukumatathil is the New York Times best-selling author of WORLD OF IN PRAISE OF FIREFLIES, WHALE SHARKS, & OTHER ASTONISHMENTS, finalist for the Kirkus Prize in non-fiction, and recently named the Barnes and Noble Book of the Year. She is also the author of four books of poetry, and is poetry editor of SIERRA, the national magazine of the Sierra Club. Awards for her writing include a fellowship from the Mississippi Arts Council, Mississippi Institute of Arts and Letters Award for poetry, National Endowment of the Arts, and the Guggenheim Foundation. Her writing has appeared in NYTimes Magazine, ESPN Magazine, and twice in Best American Poetry. She is professor of English and Creative Writing in the University of Mississippi's MFA program.

Catalog of Unabashed Gratitude is a sustained meditation on that which goes away—loved ones, the seasons, the earth as we know it—that tries to find solace in the processes of the garden and the orchard. That is, this is a book that studies the wisdom of the garden and orchard, those places where all—death, sorrow, loss—is converted into what might, with patience, nourish us.

An intimate and electrifying collection of essays from the New York Times bestselling author of The Book of Delights In these gorgeously written and timely pieces, prizewinning poet and author Ross Gay considers the joy we incite when we care for each other, especially during life’s inevitable hardships. Throughout Inciting Joy, he explores how we can practice recognizing that connection, and also, crucially, how we expand it.In “We Kin” he thinks about the garden (especially around August, when the zucchini and tomatoes come on) as a laboratory of mutual aid; in “Share Your Bucket” he explores skateboarding’s reclamation of public space; he considers the costs of masculinity in “Grief Suite”; and in “Through My Tears I Saw,” he recognizes what was healed in caring for his father as he was dying.In an era when divisive voices take up so much air space, Inciting Joy offers a vital What might be possible if we turn our attention to what brings us together, to what we love? Full of energy, curiosity, and compassion, Inciting Joy is essential reading from one of our most brilliant writers.

The New York Times bestselling author of The Book of Delights and Inciting Joy is back with a new chronicle of small, daily wonders—and it is exactly the book we need in these unsettling times.Ross Gay’s essays have been called “exquisite” (Tracy K. Smith), “imperative” (the New York Times Book Review ), and “brilliant” (Ada Limón). Now, in this new collection of genre-defying pieces, again written over the course of a year, one of America’s most original voices continues his ongoing investigation of delight.For Gay, what delights us is what connects us, what gives us meaning, from the joy of hearing a nostalgic song blasting from a passing car to the pleasure of refusing the “ubiquitous, nefarious” scannable QR code menus, from the tiny dog he fell hard for to his mother baking a dozen kinds of cookies for her grandchildren.As always, Gay revels in the natural world—sweet potatoes being harvested, a hummingbird carousing in the beebalm, a sunflower growing out of a wall around the cemetery, the shared bounty from a neighbor’s fig tree—and the trillion mysterious ways this glorious earth delights us.For his many fans eagerly awaiting this new volume and for readers who have enjoyed the works of Aimee Nezhukumatathil, Zadie Smith, and Rebecca Solnit, Gay once again offers us “literature that feels as fluent and familiar as a chat with a close friend” (the New York Review of Books ). The Book of (More) Delights is a collection to savor and share.

Be Holding is a love song to legendary basketball player Julius Erving—known as Dr. J—who dominated courts in the 1970s and ‘80s as a small forward for the Philadelphia ‘76ers. But this book-length poem is more than just an ode to a magnificent athlete. Through a kind of lyric research, or lyric meditation, Ross Gay connects Dr. J’s famously impossible move from the 1980 NBA Finals against the Los Angeles Lakers to pick-up basketball and the flying Igbo and the Middle Passage, to photography and surveillance and state violence, to music and personal histories of flight and familial love. Be Holding wonders how the imagination, or how our looking, might make us, or bring us, closer to each other. How our looking might make us reach for each other. And might make us be reaching for each other. And how that reaching might be something like joy.

Bringing the Shovel Down is a re-imagination of the violent mythologies of state and power.

An exploration of the various ways language can help us transcend both the banal and unusual cruelties which are inevitably delivered to us, and which we equally deliver unto others. These poems comb through violence and love, fear and loss, exploring the common denominators in each. Against Which seeks the ways human beings might transform themselves from participants in a thoughtless and brutal world to laborers in a loving one.

Using the Jordan River in Bloomington, Indiana as a spine/guide, River forms a small map of local/personal & collective/historical erasure. Ross Gay & Richard Wehrenberg, Jr.’s stories of the rivers from their lives create interstices of illumination in the space somewhere between remembering and forgetting. Featuring hand-drawn maps & a deconstructive history of the Jordan River & early president of Indiana University David Starr Jordan, for whom the river is named, this brief, multifaceted collection pulsates with the question how do we begin to remember what was effaced? and digs at the tradition of curated forgetting in the capital-genuflecting epoch in which we are currently embedded.

A 45-year-old Black man. A 24-year-old white man. Both writers. One a teacher; the other his student. Before the pandemic separated them, Ross Gay and one of his graduate poetry students, Noah Davis, met regularly to play one-on-one basketball. It was a real hard workout. After each session they were moved to exchange letters about basketball and so much more. Gay and Davis, who both attended college on sports scholarships, have taught and coached basketball, and love the sport—its beauty, its athleticism—see their letters as a way to work through some of the larger issues inherent in sports, from misogyny to race to competition, and as their friendship deepens, basketball becomes a springboard for talking how men relate to each other and to the world. All while never losing sight of how playing games brings them delight, which is, of course, Gay’s signature subject.