Rolf Potts

Vagabonding is about taking time off from your normal life--from six weeks to four months to two years--to discover and experience the world on your own terms. Veteran shoestring traveler Rolf Potts shows how anyone with an independent spirit can achieve the dream of extended overseas travel. Visit the vagabonding community's hub at www dot vagabonding dot net.

“Thought-provoking, encouraging, and inspiring” (Gretchen Rubin) reflections on the power of travel to transform our daily lives—from the iconoclastic travel writer, scholar, and author of VagabondingFor readers who dream of travel, yearn to get back out on the road, or want to enrich a journey they’re currently on, The Vagabond’s Way explores and celebrates the life-altering essence of travel all year long. Each day of the year features a meditation on an aspect of the journey, anchored by words of wisdom from a variety of thinkers—from Stoic philosopher Seneca and poet Maya Angelou to Trappist monk Thomas Merton and Grover from Sesame Street . Iconoclastic travel writer and scholar Rolf Potts embraces the ragged-edged, harder-to-quantify aspects of travel that inevitably change travelers’ lives for the better in unexpected ways. The book’s various sections mirror the phases of a trip, including• dreaming and planning the “All life-affecting journeys—and the unexpected wonders they promise—become real the moment you decide they will happen.”• embracing the rhythms of the “The most poignant experiences on the road occur in those quiet moments when we recognize beauty in the ordinary.”• finding richer travel “Developing an instinct to venture beyond the obvious on the road allows you to see places as mysteries to be investigated.”• expanding your comfort “No moment of instant gratification can compare to savoring an experience that has been earned by enduring the adversity that comes with it.” The Vagabond’s Way encourages you to sustain the mindset of a journey, even when you aren’t able to travel, and affirms that travel is as much a way of being as it is an act of movement.

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things.For as long as people have traveled to distant lands, they have brought home objects to certify the journey. More than mere merchandise, these travel souvenirs take on a personal and cultural meaning that goes beyond the object itself. Drawing on several millennia of examples-from the relic-driven quests of early Christians, to the mass-produced tchotchkes that line the shelves of a Disney gift shop-travel writer Rolf Potts delves into a complicated history that explores issues of authenticity, cultural obligation, market forces, human suffering, and self-presentation. Souvenirs are shown for what they really not just objects, but personalized forms of folk storytelling that enable people to make sense of the world and their place in it.'Object Lessons is published in partnership with an essay series in The Atlantic.Souvenir features illustrations by Cedar Van Tassel

Marco Polo Didn’t Go There is a collection of rollicking travel tales from a young writer USA Today has called “Jack Kerouac for the Internet Age.” For the past ten years, Rolf Potts has taken his keen postmodern travel sensibility into the far fringes of five continents for such prestigious publications as National Geographic Traveler, Salon.com, and The New York Times Magazine. This book documents his boldest, funniest, and most revealing journeys—from getting stranded without water in the Libyan desert, to crashing the set of a Leonardo DiCaprio movie in Thailand, to learning the secrets of Tantric sex in a dubious Indian ashram.Marco Polo Didn’t Go There is more than just an entertaining journey into fascinating corners of the world. The book is a unique window into travel writing, with each chapter containing a “commentary track”—endnotes that reveal the ragged edges behind the experience and creation of each tale. Offbeat and insightful, this book is an engrossing read for students of travel writing as well as armchair wanderers.

At the outset of summer in 1990, a Houston gangsta rap group called the Geto Boys was poised to debut its self-titled third album under the guidance of hip-hop guru Rick Rubin. What might have been a low-profile remix release from a little-known corner of the rap universe began to make headlines when the album's distributor refused to work with the group, citing its violent and depraved lyrics. When The Geto Boys was finally released, chain stores refused to stock it, concert promoters canceled the group's performances, and veteran rock critic Robert Christgau declared the group "sick motherfuckers." One quarter of a century later the album is considered a hardcore classic, having left an immutable influence on gangsta rap, horrorcore, and the rise of Southern hip-hop. Charting the rise of the Geto Boys from the earliest days of Houston's rap scene, Rolf Potts documents a moment in music history when hip-hop was beginning to replace rock as the transgressive sound of American youth. In creating an album that was both sonically innovative and unprecedentedly vulgar, the Geto Boys were accomplishing something that went beyond music. To paraphrase a sentiment from Don DeLillo, this group of young men from Houston's Fifth Ward ghetto had figured out the "language of being noticed" - which is, in the end, the only language America understands.

Lorsqu'Emanuel Haldeman-Julius se noie dans la piscine de son jardin le 31 juillet 1951, il est perçu comme un homme fini. Accusé de communisme par la presse américaine et mis sous surveillance par le FBI de J. Edgar Hoover, il vient de perdre un procès pour évasion fiscale et risque la prison. Compte tenu de l'atmosphère qui prévalait en ces temps de guerre froide, on murmura dans les cours d'écoles qu'Haldeman-Julius avait été assassiné car il était un espion soviétique ; les adultes, quant à eux, tablaient sur un suicide - quoique le seul mot qu'il eût laissé fût une mauvaise blague à l'attention de sa femme.Une fin étrange pour un homme qui, en seulement trente ans, était devenu l'un des éditeurs les plus prolifiques de l'histoire des Etats-Unis, diffusant environ 300 millions d'exemplaires de ses "Petits livres bleus" aux lecteurs américains des classes ouvrière et moyenne. Vendus au prix modique de 5 cents et conçus pour tenir dans une poche de pantalon.

How one nearly forgotten 1920s publisher’s “little blue books” created an inexpensive mail-order information superhighway that paved the way for the sexual revolution, influenced the feminist and civil rights movements, and foreshadowed the age of information.

Un modo de afrontar la idea de un largo viaje, no tanto como una simple válvula de escape, sino como un proyecto de vida, un estado de ánimo permanente. 1. Acción de dejar atrás la rutina para viajar de manera independiente durante un largo periodo. 2. Manera de viajar que hace hincapié en la creatividad, la aventura, la independencia y el crecimiento espiritual. 3. Actitud vital que permite la libertad del viaje.