Robert Gottlieb

Winner of the Anne M. Sperber PrizeA spirited and revealing memoir by the most celebrated editor of his time.After editing The Columbia Review , staging plays at Cambridge, and a stint in the greeting-card department of Macy's, Robert Gottlieb stumbled into a job at Simon and Schuster. By the time he left to run Alfred A. Knopf a dozen years later, he was the editor in chief, having discovered and edited Catch-22 and The American Way of Death , among other bestsellers. At Knopf, Gottlieb edited an astonishing list of authors, including Toni Morrison, John Cheever, Doris Lessing, John le Carré, Michael Crichton, Lauren Bacall, Katharine Graham, Robert Caro, Nora Ephron, and Bill Clinton--not to mention Bruno Bettelheim and Miss Piggy. In Avid Reader , Gottlieb writes with wit and candor about succeeding William Shawn as the editor of The New Yorker , and the challenges and satisfactions of running America's preeminent magazine. Sixty years after joining Simon and Schuster, Gottlieb is still at it--editing, anthologizing, and, to his surprise, writing.But this account of a life founded upon reading is about more than the arc of a singular career--one that also includes a lifelong involvement with the world of dance. It's about transcendent friendships and collaborations, "elective affinities" and family, psychoanalysis and Bakelite purses, the alchemical relationship between writer and editor, the glory days of publishing, and--always--the sheer exhilaration of work.

A New York Times Book Review Editors' Choice One of Literary Hub's most anticipated books of 2021Award-winning master critic Robert Gottlieb takes a singular and multifaceted look at the life of silver screen legend Greta Garbo, and the culture that worshiped her."Wherever you look in the period between 1925 and 1941," Robert Gottlieb writes in Garbo, "Greta Garbo is in people's minds, hearts, and dreams." Strikingly glamorous and famously inscrutable, she managed, in sixteen short years, to infiltrate the world's subconscious; the end of her film career, when she was thirty-six, only made her more irresistible. Garbo appeared in just twenty-four Hollywood movies, yet her impact on the world--and that indescribable, transcendent presence she possessed--was rivaled only by Marilyn Monroe's. She was looked on as a unique phenomenon, a sphinx, a myth, the most beautiful woman in the world, but in reality she was a Swedish peasant girl, uneducated, na�ve, and always on her guard. When she arrived in Hollywood, aged nineteen, she spoke barely a word of English and was completely unprepared for the ferocious publicity that quickly adhered to her as, almost overnight, she became the world's most famous actress.In Garbo, the acclaimed critic and editor Robert Gottlieb offers a vivid and thorough retelling of her life, beginning in the slums of Stockholm and proceeding through her years of struggling to elude the attention of the world--her desperate, futile striving to be "left alone." He takes us through the films themselves, from M-G-M's early presentation of her as a "vamp"--her overwhelming beauty drawing men to their doom, a formula she loathed--to the artistic heights of Camille and Ninotchka ("Garbo Laughs!"), by way of Anna Christie ("Garbo Talks!"), Mata Hari, and Grand Hotel. He examines her passive withdrawal from the movies, and the endless attempts to draw her back. And he sketches the life she led as a very wealthy woman in New York--"a hermit about town"--and the life she led in Europe among the Rothschilds and men like Onassis and Churchill. Her relationships with her famous co-star John Gilbert, with Cecil Beaton, with Leopold Stokowski, with Erich Maria Remarque, with George Schlee--were they consummated? Was she bisexual? Was she sexual at all? The whole world wanted to know--and still wants to know.In addition to offering his rich account of her life, Gottlieb, in what he calls "A Garbo Reader," brings together a remarkable assembly of glimpses of Garbo from other people's memoirs and interviews, ranging from Ingmar Bergman and Tallulah Bankhead to Roland Barthes; from literature (she turns up everywhere--in Hemingway's For Whom the Bell Tolls, in Evelyn Waugh, Graham Greene, and the letters of Marianne Moore and Alice B. Toklas); from countless songs and cartoons and articles of merchandise. Most extraordinary of all are the pictures--250 or so ravishing movie stills, formal portraits, and revealing snapshots--all reproduced here in superb duotone. She had no personal vanity, no interest in clothes and make-up, yet the story of Garbo is essentially the story of a face and the camera. Forty years after her career ended, she was still being tormented by unrelenting paparazzi wherever she went.Includes Black-and-White Photographs

Charles Dickens, famous for the indelible child characters he created — from Little Nell to Oliver Twist and David Copperfield — was also the father of ten children (and a possible eleventh). What happened to those children is the fascinating subject of Robert Gottlieb’s 'Great Expectations'.With sympathy and understanding Gottlieb narrates the highly various and surprising stories of each of Dickens’s sons and daughters, from Katey, who became a successful portraitist, to Frank, who died in Moline, Illinois, after serving a grim stretch in the North=West Mounted Police., from Sydney, who joined the Royal Navy, was banned from Gad's Hill for his ruinous behaviour, and died at sea at the age of twenty-five, to Henry ("Sir Henry"), a prominent jurist and paterfamilias who lived to be eighty-four.Each of these lives is fascinating on its own. Together they comprise a unique window on Victorian England as well as a moving and disturbing study of Dickens as a father and a man.

From the prizewinning Jewish Lives series, a riveting portrait of the great Sarah Bernhardt from acclaimed writer Robert GottliebEverything about Sarah Bernhardt is fascinating, from her obscure birth to her glorious career—redefining the very nature of her art—to her amazing (and highly public) romantic life to her indomitable spirit. Well into her seventies, after the amputation of her leg, she was performing under bombardment for soldiers during World War I, as well as crisscrossing America on her ninth American tour.Her family was also a source of curiosity: the mother she adored and who scorned her; her two half-sisters, who died young after lives of dissipation; and most of all, her son, Maurice, whom she worshiped and raised as an aristocrat, in the style appropriate to his presumed father, the Belgian Prince de Ligne. Only once did they quarrel—over the Dreyfus Affair. Maurice was a right-wing snob; Sarah, always proud of her Jewish heritage, was a passionate Dreyfusard and Zolaist.Though the Bernhardt literature is vast, Gottlieb’s Sarah is the first English-language biography to appear in decades. Brilliantly, it tracks the trajectory through which an illegitimate—and scandalous—daughter of a courtesan transformed herself into the most famous actress who ever lived, and into a national icon, a symbol of France.

Written by the gifted author, editor, and dance critic Robert Gottlieb, George Balanchine describes the life and art of the celebrated, revolutionary ballet choreographer. Here is a necessary and singular look at the life of one of the great figures of the 20th the dynamic Balanchine, founder of The New York City Ballet, collaborator of Stravinsky, and inspiration to countless fans over the course of his long and storied career. George Balanchine is another engaging entry in the HarperCollins’ “Eminent Lives” series of biographies by distinguished authors on canonical figures.

A new collection of immersive essays from the most acclaimed editor of the second half of the twentieth centuryThis new collection from the legendary editor Robert Gottlieb features twenty or so pieces he’s written mostly for The New York Review of Books , ranging from reconsiderations of American writers such as Dorothy Parker, Thornton Wilder, Thomas Wolfe (“genius”), and James Jones, to Leonard Bernstein, Lorenz Hart, Lady Diana Cooper (“the most beautiful girl in the world”), the actor-assassin John Wilkes Booth, the scandalous movie star Mary Astor, and not-yet president Donald Trump.The writings compiled here are as various as they are an extended probe into the world of post-death experiences; a sharp look at the biopics of transcendent figures such as Shakespeare, Molière, and Austen; a soap opera-ish movie account of an alleged affair between Chanel and Stravinsky; and a copious sampling of the dance reviews he’s been writing for The New York Observer for close to twenty years. A worthy successor to his expansive 2011 collection, Lives and Letters , and his admired 2016 memoir, Avid Reader , Near-Death Experiences displays the same insight and intellectual curiosity that have made Gottlieb, in the words of The New York Times ’s Dwight Garner, “the most acclaimed editor of the second half of the twentieth century.”

The product of a lifetime immersed in the literary, performing arts, and entertainment worlds, Lives and Letters spotlights the work, careers, intimate lives, and lasting achievements of a vast array of celebrated writers and performers in film, theater, and dance, and some of the more curious iconic public figures of our times.From the world of literature, Charles Dickens, James Thurber, Judith Krantz, John Steinbeck, and Rudyard Kipling; the controversies surrounding Bruno Bettelheim and Elia Kazan; and Marjorie Kinnan Rawlings and her editor, Maxwell Perkins.From dance and theater, Isadora Duncan and Margot Fonteyn, Serge Diaghilev and George Balanchine, Sarah Bernhardt and Eleonora Duse.In Hollywood, Bing Crosby and Judy Garland, Douglas Fairbanks and Lillian Gish, Tallulah Bankhead and Katharine Hepburn, Mae West and Anna May Wong.In New York, Diana Vreeland, the Trumps, and Gottlieb's own take on the contretemps that followed his replacing William Shawn at The New Yorker.And so much more . . .