Nick Hornby

Do you know your desert-island, all-time, top five most memorable split-ups? Rob does. He keeps a list, in fact. But Laura isn't on it—even though she's just become his latest ex. He's got his life back, you see. He can just do what he wants when he wants: like listen to whatever music he likes, look up the girls that are on his list, and generally behaves as if Laura never mattered. But Rob finds he can't move on. He's stuck in a really deep groove—and it's called Laura. Soon, Rob's asking himself some big questions: about love, about life—and about why we choose to share ours with the people we do.

Funny Girl - the latest novel from Nick Hornby, the million-copy bestselling author of About a BoyMake them laugh, and they're yours forever . . .Barbara Parker is Miss Blackpool of 1964, but she doesn't want to be a beauty queen. She only wants to make people laugh. So she leaves her hometown behind, takes herself off to London, and lands a life-changing audition for a new BBC comedy series. Overnight she becomes Sophie charming, gorgeous, destined to win the nation's hearts.Funny Girl is the story of a smash-hit TV show and the people behind the the writers, Tony and Bill, friends since national service and comedy obsessives; producer Dennis, Oxbridge educated, clever, mild and not-so-secretly devoted to his star actress Sophie; and dashing male lead Clive, who firmly believes he's destined for better things. The show's success continues rocketing and the cast and crew are having the time of their lives. But when the script begins to get a bit too close to home, and life starts imitating art, they all face a choice. How long can they keep going before it's time to change the channel?Nick Hornby's novel is about popular culture and the swinging sixties. Sophie Straw is learning about youth and old age, fame and hard work, class and collaboration. Funny Girl offers a captivating portrait of youthful exuberance and freedom at a time when Britain itself was experiencing one of its most enduring creative bursts. Hornby fans will love his latest book, as will readers of David Nicholls, Mark Haddon and William Boyd.'Fans won't be disappointed by this new story... endearing, humorous and touching, full of spot-on period detail, all brought to vivid life by a cast of very human characters. Hugely enjoyable' Sunday Mirror'Resolutely, winningly light-hearted' Observer'Nick Hornby's funny, winningly perceptive novel is a pleasure to read' Telegraph'If you devoured About a Boy and whizzed through High Fidelity you're going to love Nick Hornby's brilliant new novel. Hilarious and captivating, this is a fabulous read' Take a Break'There is something about Hornby's writing that is so simple, so easy-to-read and yet so sensitive and profound at the same time, that anything he writes turns out very special. The premise of Funny Girl is like a lot of Nick Hornby's irritatingly genius something so obvious you can't believe no one thought of it before.' Independent'Everything he writes is addictively readable and clever, but with this one he just surpasses himself' Red'Effortlessly engaging... Hornby's writing is so fluid, he has a great knack for capturing atmosphere and skewering a character with a killer phrase' - Evening Standard

From the bestselling author of Just Like You, High Fidelity, and Fever Pitch, a short, warm, and entertaining book about art, creativity, and the unlikely similarities between Victorian novelist Charles Dickens and modern American rock star Prince Every so often, a pairing comes along that seems completely unlikely—until it's not. Peanut butter and jelly, Dennis Rodman and Kim Jong Un, ducks and puppies, and now: Dickens and Prince.Equipped with a fan's admiration and his trademark humor and wit, Nick Hornby invites us into his latest obsession: the cosmic link between two unlikely artists, geniuses in their own rights, spanning race, class, and centuries—each of whom electrified their different disciplines and whose legacy resounded far beyond their own time.When Prince's 1987 record Sign o' the Times was rereleased in 2020, the iconic album now came with dozens of songs that weren't on the original— Prince was endlessly prolific, recording 102 songs in 1986 alone. In awe, Hornby began to wonder, Who else ever produced this much? Who else ever worked that way? He soon found his answer in Victorian novelist and social critic Charles Dickens, who died more than a hundred years before Prince began making music.Examining the two artists' personal tragedies, social statuses, boundless productivity, and other parallels, both humorous and haunting, Hornby shows how these two unlikely men from different centuries "lit up the world." In the process, he creates a lively, stimulating rumination on the creativity, flamboyance, discipline, and soul it takes to produce great art.

ACE for ISBN 9780140293456Will is thirty-six but acts like a teenager. Single, child-free and still feeling cool, he reads the right magazines, goes to the right clubs and knows which trainers to wear. He's also discovered a great way to score with women at single parents' groups, full of available (and grateful) mothers, all waiting for Mr Nice Guy. That's where he meets Marcus, the oldest twelve-year-old in the world. Marcus is a bit strange: he listens to Joni Mitchell and Mozart, he looks after his Mum and he's never even owned a pair of trainers. Perhaps if Will can teach Marcus how to be a kid, Marcus can help Will grow up and they can both start to act their age.

In his eagerly awaited fourth novel, New York Times-bestselling author Nick Hornby mines the hearts and psyches of four lost souls who connect just when they've reached the end of the line. Meet Martin, JJ, Jess, and Maureen. Four people who come together on New Year's Eve: a former TV talk show host, a musician, a teenage girl, and a mother. Three are British, one is American. They encounter one another on the roof of Topper's House, a London destination famous as the last stop for those ready to end their lives. In four distinct and riveting first-person voices, Nick Hornby tells a story of four individuals confronting the limits of choice, circumstance, and their own mortality. This is a tale of connections made and missed, punishing regrets, and the grace of second chances. Intense, hilarious, provocative, and moving, A Long Way Down is a novel about suicide that is, surprisingly, full of life. What's your jumping-off point? MaureenWhy is it the biggest sin of all? All your life you're told that you'll be going to this marvelous place when you pass on. And the one thing you can do to get you there a bit quicker is something that stops you getting there at all. Oh, I can see that it's a kind of queue-jumping. But if someone jumps the queue at the post office, people tut. Or sometimes they say "Excuse me, I was here first." They don't say "You will be consumed by hellfire for all eternity." That would be a bit strong. MartinI'd spent the previous couple of months looking up suicides on the Internet, just out of curiosity. And nearly every single time, the coroner says the same thing: "He took his own life while the balance of his mind was disturbed." And then you read the story about the poor bastard: His wife was sleeping with his best friend, he'd lost his job, his daughter had been killed in a road accident some months before . . . Hello, Mr. Coroner? I'm sorry, but there's no disturbed mental balance here, my friend. I'd say he got it just right. JessI was at a party downstairs. It was a shit party, full of all these ancient crusties sitting on the floor drinking cider and smoking huge spliffs and listening to weirdo space-out reggae. At midnight, one of them clapped sarcastically, and a couple of others laughed, and that was it-Happy New Year to you, too. You could have turned up to that party as the happiest person in London, and you'd still have wanted to jump off the roof by five past twelve. And I wasn't the happiest person in London anyway. Obviously. JJNew Year's Eve was a night for sentimental losers. It was my own stupid fault. Of course there'd be a low-rent crowd up there. I should have picked a classier date-like March 28, when Virginia Woolf took her walk into the river, or November 25 (Nick Drake). If anybody had been on the roof on either of those nights, the chances are they would have been like-minded souls, rather than hopeless f*ck-ups who had somehow persuaded themselves that the end of a calendar year is in any way significant.

Die Ärztin Katie hat alles, was sie sich wünschen kann: einen tollen Job, gesunde Kinder und einen erfolgreichen Mann. Super - auf den ersten Blick. Beim zweiten sieht's schon etwas anders aus. Und beim dritten stellt sie sich unweigerlich die Frage: Warum gibt es eigentlich für alles Gebrauchsanweisungen, nur nicht für das Leben?

For many people watching football is mere entertainment, to some it's more like a ritual; but to others, its highs and lows provide a narrative to life itself.For Nick Hornby, his devotion to the game has provided one of few constants in a life where the meaningful things - like growing up, leaving home, and forming relationships, both parental and romantic - have rarely been as simple or as uncomplicated as his love for Arsenal.Fever Pitch is his tribute to a lifelong obsession. Part autobiography, part comedy, part incisive analysis of insanity, Hornby's award-winning memoir captures the fever pitch of fandom — its agony and ecstasy, its community, and its defining role in thousands of young men's coming-of-age stories. Fever Pitch is one for the home team. But above all, it is one for everyone who knows what it really means to have a losing season.

Annie's put fifteen years into safe, slightly obsessive Duncan, and now she'd like her money back, please. It's time to move on. But she lives in Gooleness, the north's answer to a question nobody asked. Is she really going to find real, proper, feel-it-deep-down-in-your-boots love on a damp and windy seafront? Or perhaps she should follow her heart and pursue Tucker, the reclusive American rock star, who keeps emailing her his smart advice.But between Annie and her second chance lie a few obstacles. There's Malcolm, the world's most judgemental therapist, and Barnesy, the north's most extrovert dancer. There's what men and women will do and won't do for love. And, of course, there's Tucker...

Things had been ticking along quite nicely. My teachers suddenly started talking to me about going to college, my mum had ditched her rubbish boyfriend, and I had a gorgeous new girlfriend. You know that bit in a film when they show couples laughing and holding hands and kissing in lots of different places while a song plays? Alicia and I were like that, except we didn't go to lots of different places. We went to about three, including Alicia's bedroom. Anyway, it took years for everything to come together like that, and it took two seconds to screw it all up. One mistake and my life would never be the same.When the wheels come off the trucks and your life slams into a wall... who do you turn to then? I turn to Tony Hawk. You maybe would not expect the world's best skater to know everything you need to know about hour life, but he does. And if you don't understand what he's saying, then he'll just whizz you into the future.

This warm, wise, highly entertaining twenty-first century love story is about what happens when the person who makes you happiest is someone you never expected Lucy used to handle her adult romantic life according to the script she'd been handed. She met a guy just like herself: same age, same background, same hopes and dreams; they got married and started a family. Too bad he made her miserable. Now, two decades later, she's a nearly-divorced, forty-one-year-old schoolteacher with two school-aged sons, and there is no script anymore. So when she meets Joseph, she isn't exactly looking for love--she's more in the market for a babysitter. Joseph is twenty-two, living at home with his mother, and working several jobs, including the butcher counter where he and Lucy meet. It's not a match anyone one could have predicted. He's of a different class, a different culture, and a different generation. But sometimes it turns out that the person who can make you happiest is the one you least expect, though it can take some maneuvering to see it through. Just Like You is a brilliantly observed, tender, but also brutally funny new novel that gets to the heart of what it means to fall surprisingly and headlong in love with the best possible person--someone you didn't see coming.

“All I have to say about these songs is that I love them, and want to sing along to them, and force other people to listen to them, and get cross when these other people don’t like them as much as I do.” —Nick Hornby, from Songbook Songs, songwriters, and why and how they get under our skin… Songbook is Nick Hornby’s labor of love. A shrewd, funny, and completely unique collection of musings on pop music, why it’s good, what makes us listen and love it so much, and the ways in which it attaches itself to our lives—all with the beat of a perfectly mastered mix tape.

A heartbreaking, funny, and honest look inside of a marriage falling apart and the lengths a couple would go to in order to fix it from the bestselling author of About a Boy and High Fidelity. Tom and Louise meet in a pub before their couple's therapy appointment. Married for years, they thought they had a stable home life--until a recent incident pushed them to the brink.Going to therapy seemed like the perfect solution. But over drinks before their appointment, they begin to wonder: what if marriage is like a computer? What if you take it apart to see what's in there, but then you're left with a million pieces?Unfolding in the minutes before their weekly therapy sessions, the ten-chapter conversation that ensues is witty and moving, forcing them to look at their marriage--and, for the first time in a long time, at each other.

The Polysyllabic Spree is the first title in the Believer Book series, which collects essays by and interviews with some of our favorite authors—George Saunders, Zadie Smith, Michel Houellebecq, Janet Malcolm, Jim Shepard, and Haruki Murakami, to name a few. In his monthly column "Stuff I've Been Reading", Nick Hornby lists the books he's purchased and the books he's read that month—they almost never overlap—and briefly discusses the books he's actually read. The Polysyllabic Spree includes selected passages from the novels, biographies, collections of poetry, and comics discussed in the column.

In this latest collection of essays following The Polysyllabic Spree, critic and author Nick Hornby continues the feverish survey of his swollen bookshelves, offering a funny, intelligent, and unblinkered account of the stuff he's been reading. Ranging from the middlebrow to the highbrow (with unrepenting dips into the lowbrow), Hornby's dispatches from his nightstand table serve as useful guides to contemporary letters, with revelations on contemporary culture, the intellectual scene, and English football, in equal measure.

With an affectionate introduction by Sarah Vowell, this is the third and final collection of columns by celebrated novelist Nick Hornby from The Believer magazine. Hornby's monthly reading diary is unlike any arts column in any other publication; it discusses cultural artifacts the way they actually exist in people's lives. Hornby is a voracious and unapologetic reader, and his notes on books — highbrow and otherwise — are always accessible and hilarious.

“Read what you enjoy, not what bores you,” Nick Hornby tells us. That simple, liberating, and indispensable directive animates each installment of the celebrated critic and author’s monthly column in the Believer. In this delightful and never-musty tour of his reading life, Hornby tells us not just what to read, but how to read.Whether tackling a dismayingly bulky biography of Dickens while his children destroy something in the next room, or getting sucked into a serious assessment of Celine Dion during an intensely fought soccer match featuring his beloved Arsenal, or devouring an entire series of children’s books while on vacation, Hornby’s reviews are rich, witty, and occasionally madcap. These essays capture the joy and ire, the despair and exhilaration of the book-lover’s life, and will appeal equally to both monocle-wearing salonnieres and people, like him, who spend a lot of time thinking about Miley Cyrus’s next role.

From the New York Times bestselling author, the shooting script to his award-winning film, with an original Introduction and vivid stills from the movie. Jenny is a 16-year-old girl stifled by the tedium of adolescence; she can’t wait for her sophisticated adult life to begin. One rainy day her suburban existence is upended by the arrival of David, a much older suitor who introduces her to a glittering new world of concerts, art, smoky bars, urban nightlife, and his glamorous friends, replacing her traditional education with his own version. It could be her awakening or her undoing. This edition of Hornby’s adapted screenplay, which includes stills from the film, is a perfect accompaniment to the highly anticipated movie, which stars Carey Mulligan as Jenny, Peter Sarsgaard, Emma Thompson, Dominic Cooper, and Alfred Molina. It is a must-have for fans of Hornby’s novels, featuring his signature pitch-perfect dialogue, mordant wit, and the resonant humanity of his writing.

Newspaper columnist Elaine Harris has always written about her life with husband Charlie. Her editor and her legions of readers count on full disclosure from her, but what no one—least of all Charlie—anticipates, only a week after the couple decide to end their marriage, is the speed and inventiveness with which she begins to try him in the court of public opinion. On Monday morning, it’s a smirk by a forgettable former lover that first clues him in that something’s wrong. Then, before he’s settled in at his desk, another co-worker salutes Charlie with the title of Elaine’s new column: “Bastard!” A quick check online leads him to the column, the subtitle leaving little doubt as to what he’s in for: “Life with an Ex. He’s Gone but Not Forgotten.” Charlie’s only hope is that Elaine will get bored and abandon the weekly column—a colorful litany of his failures as a partner, father, breadwinner, and lover—or that it won’t catch on. But soon enough it’s a multimedia feeding frenzy, and everyone’s reading Bastard! And for Charlie, that’s a bitch.

At the end of 2003, as the first issue of The Believer was rising from the primordial ooze, Nick Hornby turned in the inaugural installment of a monthly column that immediately became a reader favorite. For the next ten years, Hornby’s incandescently funny "Stuff I’ve Been Reading” chronicled a singular reading life — one that is measured not just in "books bought” and "books read,” as each column begins, but in the way our feelings toward Celine Dion say a lot about who we are, the way Body Shop Vanilla Shower Gel can add excitement to our days, and the way John Updike might ruin our sex lives. Hornby’s column is both an impeccable, wide-ranging reading list and an indispensable reminder of why we read.

'So this is supposed to be about the how, and when, and why, and what of reading - about the way that, when reading is going well, one books leads to another and to another, a paper trail of theme and meaning; and how, when it's going badly, when books don't stick or take, when your mood and the mood of the book are fighting like cats, you'd rather do anything but attempt the next paragraph, or reread the last one for the tenth time'In his monthly accounts of what he's read - along with what he may one day read - Nick Hornby ably explores everything from the classic to the graphic novel, as well as poems, plays, and sports-related exposes. And if he occasionally implores a biographer for brevity, or abandons a literary work in favor of an Arsenal soccer match, then all is not lost. His writing, full of all the joy and surprise and despair that books bring him, reveals why we still read, even when there's soccer on TV, a pram in the hall, and a good band playing at our local bar.

as new unread

Otherwise Pandemonium features two Nick Hornby stories, both packed with the trademark wit and poignancy that have made him one of the UK's most popular writers. The first one was previously published in McSweeney's Mammoth Treasury of Thrilling Tales (Penguin, 2004), the second one was written specially for this volume.

Roddy Doyle's account of the Republic of Ireland's triumphant journey through Italia '90 is just one of the many first-class pieces in this anthology of original football writing. Contributors include Harry Pearson, Harry Ritchie, Ed Horton, Olly Wicken, D.J. Taylor, Huw Richards, Nick Hornby, Chris Pierson, Matt Nation, Graham Brack, Don Watson, and Giles Smith.

Stuff I've Been Reading by Nick Hornby - the bestselling novelist's rich, witty and inspiring reading diary'Read what you enjoy, not what bores you,' Nick Hornby tells us. And in this new collection of his columns from the Believer magazine (taking off where The Complete Polysyllabic Spree finished), he shows us how it's done.Or at least, how he does it: whether plunging into a biography of Dickens whilst his children are destroying something in the room next door or devouring a whole series of children's books whilst on holiday. Hornby is the intelligent, committed but sceptical reader we'd all like to be. Admiring Ian McEwen's On Chesil Beach, he points out a surprising anachronism. Reading Cormac McCarthy's The Road, he wonders why 'unflinching' is a term of praise among critics. And who but Nick Hornby could successfully juxtapose a discussion of a book on the Band with one on the Stasi?These accounts of one reader's experience of buying and reading, and sometimes not reading, books differ from all other reviews or critical appreciations - they take into account the role that books actually play in the lives of readers.This book, which is classic Hornby, confirms the novelist's status as one of the world's most exciting curators of culture. It will be loved by fans of About a Boy and High Fidelity, as well as readers of Will Self, Zadie Smith, Stewart Lee and Charlie Brooker.Nick Hornby has captivated readers and achieved widespread critical acclaim for his comic, well-observed novels About a Boy, High Fidelity, How to be Good, A Long Way Down (shortlisted for the Whitbread Award), Slam and Juliet, Naked. His four additional works of non-fiction, Fever Pitch, 31 Songs (shortlisted for the National Book Critics Circle Award), The Complete Polysyllabic Spree and Pray are also available from Penguin.

A short story featured in the anthology Speaking With the Angel, edited by Nick Hornby. NippleJesus was his own contribution, featuring "a bruiser (who) finds out that guarding modern art is far more hazardous than controlling the velvet ropes at a nightclub".

Pray is bestselling author Nick Hornby's extraordinary account of an astonishing season'That is why there is NOTHING better than sport' Kevin PietersenThe 2011-12 Premier League season finished on an afternoon so extraordinary that it prompted Kevin Pietersen's tweet. Yet this was just the climax of an incredible season. By May fans of most clubs had been enthralled, appalled, depressed, elated, shocked and enraged. Along the way football had somehow managed to encompass politics, high finance, the law and matters of life and death. Beginning with the weekend of 28 August when the Man Utd demolition of Arsenal 8-2 and the Man City demolition of Spurs 5-1 showed what was to come, he concentrates on a number of games whose significance went beyond the immediate the October games with alleged rascist incidents, the fairy-tale return of Thierry Henry, the collapse of Fabrice Muamba, the Carling Cup Final where Liverpool's victory only served to point up the club's problems, the unusual (but increasingly more common) 4-4 draw between Man Utd and Everton...It was a season of tumultuous incident and enormous entertainment, a season more glorious than most. Read all about it, and relive it, here, from the award-winning author of the football classic Fever Pitch.

Books, Movies, Rhythm, Blues is the companion volume to Fan Mail, Nick Hornby’s collection of writings on football. This second collection brings together the best of his other non-fiction pieces, on film and tv, writers and painters and music, and including one exceptional fragment of autobiography. With subject matter ranging from the Sundance Festival to Abbey Road Studios, from P.G. Wodehouse to The West Wing, these are pieces that ‘were written for fun, or because I felt I had things to say and time to say them, or because the commissions were unusual and imaginative, or because … I was being asked to go somewhere I had never been before.’

Nick Hornbys neue Erzählungen – einfach brillantVier Erzählungen von Nick Hornby, in denen umwerfend sympathische und leicht naive Menschen in ziemlich blöde Situationen kommen und versuchen, das Beste daraus zu machen.Eine Mutter erfährt, dass ihr Sohn Pornostar ist, weil eine gemeine Nachbarin ihr die Videokassette in den Briefkasten schmeißt. In Champina, dem kleinsten Land der Welt, wird Stefan gezwungen, in der Nationalelf mitzuspielen, weil es halt nur elf Männer in Champina gibt. Ein unheimlicher Videorekorder sagt die Zukunft voraus, und ein Wachmann in einer Galerie muss auf ein Bild aufpassen, das auf den zweiten Blick provozierende Details preisgibt.Mit einem unbestechlichen Blick für die Schrullen seiner Figuren erzählt Nick Hornby ironische, wahre, aberwitzige Geschichten, die dem Leser auf vergnügliche Weise zeigen, wie unberechenbar das Leben sein kann.Der für den deutschen Buchmarkt zusammengestellte Band enthält die Storys »Not a Star«, »Small Country«, »Otherwise Pandemonium« und »NippleJesus«, von denen nur die letzte Geschichte bereits auf Deutsch erschienen ist.

A new collection of soccer writing by the bestselling author of Fever Pitch.After the phenomenal success of Fever Pitch, Nick Hornby tried to avoid writing about soccer, for fear that he'd be writing about it forever. But occasionally over the years he’s found it impossible to turn down a particularly enticing assignment or, in the case of the 2012-13 Premier League, just unable to resist writing about that most spectacular of seasons. Fortunately for those who love great writing about soccer, all these fugitive pieces are collected in Fan Mail. You can follow the fortunes, as Hornby did, of a hopelessly out-of-their-depth Cambridge United in the old Second Division, discover why Perry Groves was an unlikely hero among Arsenal fans, enjoy Hornby trying to explain the World Cup to Americans, and share with him the pain of watching his national team.