
Philip Michael Ondaatje is a Sri Lankan-born Canadian poet, fiction writer, and essayist, renowned for his contributions to both poetry and prose. He was born in Colombo in 1943, to a family of Tamil and Burgher descent. Ondaatje emigrated to Canada in 1962, where he pursued his education, obtaining a Bachelor of Arts degree from the University of Toronto and a Master of Arts from Queen's University. Ondaatje’s literary career began in 1967 with his poetry collection The Dainty Monsters, followed by his celebrated The Collected Works of Billy the Kid in 1970. His poetry earned him numerous accolades, including the Governor General’s Award for his collection There's a Trick with a Knife I'm Learning to Do: Poems 1973–1978 in 1979. He published 13 books of poetry, exploring diverse themes and poetic forms. In 1992, Ondaatje gained international fame with the publication of his novel The English Patient, which won the Booker Prize and was later adapted into an Academy Award-winning film. His other notable works include In the Skin of a Lion (1987), Anil’s Ghost (2000), and Divisadero (2007), which won the Governor General’s Award. Ondaatje’s novel Warlight (2018) was longlisted for the Booker Prize. Aside from his writing, Ondaatje has been influential in fostering Canadian literature. He served as an editor at Coach House Books, contributing to the promotion of new Canadian voices. He also co-edited Brick, A Literary Journal, and worked as a founding trustee of the Griffin Trust for Excellence in Poetry. Ondaatje’s work spans various forms, including plays, documentaries, and essays. His 2002 book The Conversations: Walter Murch and the Art of Editing Film earned him critical acclaim and won several awards. His plays have been adapted from his novels, including The Collected Works of Billy the Kid and Coming Through Slaughter. Over his career, Ondaatje has been honored with several prestigious awards. He was named an Officer of the Order of Canada in 1988, upgraded to Companion in 2016, and received the Sri Lanka Ratna in 2005. In 2016, a new species of spider, Brignolia ondaatjei, was named in his honor. Ondaatje’s personal life is also intertwined with his literary pursuits. He has been married to novelist Linda Spalding, and the couple co-edits Brick. He has two children from his first marriage and is the brother of philanthropist Sir Christopher Ondaatje. He was also involved in a public stand against the PEN American Center's decision to honor Charlie Hebdo in 2015, citing concerns about the publication's anti-Islamic content. Ondaatje’s enduring influence on literature and his ability to blend personal history with universal themes in his writing continue to shape Canadian and world literature.
It is 1945, and London is still reeling from years of war. Fourteen-year-old Nathaniel and his older sister, Rachel, seemingly abandoned by their parents, have been left in the care of an enigmatic figure they call The Moth. They suspect he may be a criminal and grow both more convinced and less concerned as they come to know his eccentric crew of friends: men and women with a shared history, all of whom seem determined now to protect and educate (in rather unusual ways) the siblings. But are they really what and who they claim to be? And how should Nathaniel and Rachel feel when their mother returns without their father after months of silence--explaining nothing, excusing nothing? A dozen years later, Nathaniel begins to uncover all he didn't know or understand during that time, and it is this journey--through reality, recollection, and imagi-nation--that is told in this magnificent novel.
In the early 1950s, an eleven-year-old boy in Colombo boards a ship bound for England. At mealtimes he is seated at the “cat’s table”—as far from the Captain’s Table as can be—with a ragtag group of “insignificant” adults and two other boys, Cassius and Ramadhin. As the ship crosses the Indian Ocean, the boys tumble from one adventure to another, bursting all over the place like freed mercury. But there are other diversions as well: they are first exposed to the magical worlds of jazz, women, and literature by their eccentric fellow travelers, and together they spy on a shackled prisoner, his crime and fate a galvanizing mystery that will haunt them forever. By turns poignant and electrifying, The Cat’s Table is a spellbinding story about the magical, often forbidden, discoveries of childhood, and a lifelong journey that begins unexpectedly with a spectacular sea voyage.
An alternate cover edition of this ISBN can be found here.With his first novel since the internationally acclaimed The English Patient, Booker Prize-winning author Michael Ondaatje gives us a work displaying all the richness of imagery and language and the piercing emotional truth that we have come to know as the hallmarks of his writing.Anil’s Ghost transports us to Sri Lanka, a country steeped in centuries of tradition, now forced into the late twentieth century by the ravages of civil war. Into this maelstrom steps Anil Tissera, a young woman born in Sri Lanka, educated in England and America, who returns to her homeland as a forensic anthropologist sent by an international human rights group to discover the source of the organized campaigns of murder engulfing the island. What follows is a story about love, about family, about identity, about the unknown enemy, about the quest to unlock the hidden past–a story propelled by a riveting mystery. Unfolding against the deeply evocative background of Sri Lanka’s landscape and ancient civilization, Anil’s Ghost is a literary spellbinder–Michael Ondaatje’s most powerful novel yet.
Bringing to life the fabulous, colorful panorama of New Orleans in the first flush of the jazz era, this book tells the story of Buddy Bolden, the first of the great trumpet players--some say the originator of jazz--who was, in any case, the genius, the guiding spirit, and the king of that time and place.In this fictionalized meditation, Bolden, an unrecorded father of Jazz, remains throughout a tantalizingly ungraspable phantom, the central mysteries of his life, his art, and his madness remaining felt but never quite pinned down. Ondaatje's prose is at times startlingly lyrical, and as he chases Bolden through documents and scenes, the novel partakes of the very best sort of modern detective novel--one where the enigma is never resolved, but allowed to manifest in its fullness. Though more 'experimental' in form than either The English Patient or In the Skin of a Lion , it is a fitting addition to the renowned Ondaatje oeuvre .
With ravishing beauty and unsettling intelligence, Michael Ondaatje's Booker Prize-winning novel traces the intersection of four damaged lives in an Italian villa at the end of World War II. Hana, the exhausted nurse; the maimed thief, Caravaggio; the wary sapper, Kip: each is haunted by the riddle of the English patient, the nameless, burned man who lies in an upstairs room and whose memories of passion, betrayal,and rescue illuminates this book like flashes of heat lightening.
Bristling with intelligence and shimmering with romance, this novel tests the boundary between history and myth. Patrick Lewis arrives in Toronto in the 1920s and earns his living searching for a vanished millionaire and tunneling beneath Lake Ontario. In the course of his adventures, Patrick's life intersects with those of characters who reappear in Ondaatje's Booker Prize-winning The English Patient.
From the celebrated author of The English Patient and Anil's Ghost comes a remarkable, intimate novel of intersecting lives that ranges across continents and time. In the 1970s in Northern California a father and his teenage daughters, Anna and Claire, work their farm with the help of Coop, an enigmatic young man who makes his home with them. Theirs is a makeshift family, until it is shattered by an incident of violence that sets fire to the rest of their lives. Divisadero takes us from San Francisco to the raucous backrooms of Nevada's casinos and eventually to the landscape of southern France. As the narrative moves back and forth through time and place, we find each of the characters trying to find some foothold in a present shadowed by the past.
In the late 1970s Ondaatje returned to his native island of Sri Lanka. As he records his journey through the drug-like heat and intoxicating fragrances of that "pendant off the ear of India, " Ondaatje simultaneously retraces the baroque mythology of his Dutch-Ceylonese family. An inspired travel narrative and family memoir by an exceptional writer.
Drawing on contemporary accounts, period photographs, dime novels, and his own prodigious fund of empathy and imagination, Michael Ondaatje’s visionary novel traces the legendary outlaw’s passage across the blasted landscape of 1880 New Mexico and the collective unconscious of his country. The Collected Works of Billy the Kid is a virtuoso synthesis of storytelling, history, and myth by a writer who brings us back to our familiar legends with a renewed sense of wonder.
Michael Ondaatje’s new selected poems, The Cinnamon Peeler, brings together poems written between 1963 and 1990, including work from his most recent collection, Secular Love. These poems bear witness to the extraordinary gifts that have won high praise for this truly original poet and novelist.
The Conversations is a treasure, essential for any lover or student of film, and a rare, intimate glimpse into the worlds of two accomplished artists who share a great passion for film and storytelling, and whose knowledge and love of the crafts of writing and film shine through.It was on the set of the movie adaptation of his Booker Prize-winning novel, The English Patient, that Michael Ondaatje met the master film and sound editor Walter Murch, and the two began a remarkable personal conversation about the making of films and books in our time that continued over two years. From those conversations stemmed this enlightened, affectionate book -- a mine of wonderful, surprising observations and information about editing, writing and literature, music and sound, the I-Ching, dreams, art and history.The Conversations is filled with stories about how some of the most important movies of the last thirty years were made and about the people who brought them to the screen. It traces the artistic growth of Murch, as well as his friends and contemporaries -- including directors such as Francis Ford Coppola, George Lucas, Fred Zinneman and Anthony Minghella -- from the creation of the independent, anti-Hollywood Zoetrope by a handful of brilliant, bearded young men to the recent triumph of Apocalypse Now Redux.Among the films Murch has worked on are American Graffiti, The Conversation, the remake of A Touch of Evil, Julia, Apocalypse Now, The Godfather (all three), The Talented Mr. Ripley, and The English Patient."Walter Murch is a true oddity in Hollywood. A genuine intellectual and renaissance man who appears wise and private at the centre of various temporary storms to do with film making and his whole generation of filmmakers. He knows, probably, where a lot of the bodies are buried."
"Tumultuous, vibrant, tragic and over too soon." -- NewsdayHandwriting is Michael Ondaatje's first new book of poetry since The Cinnamon Peeler . The exquisite poems collected here draw on history, mythology, landscape, and personal memories to weave a rich tapestry of images that reveal the longing for--and expose the anguish over--lost loves, homes, and language, as the poet contemplates scents and gestures and evokes a time when "handwriting occurred on waves, / on leaves, the scripts of smoke" and remembers a woman's "laughter with its / intake of breath. Uhh huh."Crafted with lyrical delicacy and seductive power, Handwriting reminds us of Michael Ondaatje's stature as one of the finest poets writing today.
With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, where he began his career over fifty years ago, and what a return it is.Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived here since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a “mongrel,” someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Moliere’s chair during his last stage performance, from icons in Bulgarian churches to the California coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. At first sight it is a glittering collection of fragments and memories – but small, intricate pieces of a life are precisely what matter most to Ondaatje. They make an emotional history. As he writes in the opening poem: “Reading the lines he loves / he slips them into a pocket, / wishes to die with his clothes / full of torn free stanzas / and the telephone numbers / of his children in far cities”. Poetry – where language is made to work hardest and burns with a gem-like flame – is what Ondaatje has returned to in this intimate history.
Selected and new poems offer glimpses of a private world in which images of horror are viewed through mirrors and prisms and in which madmen and animals inhabit a landscape of fearful natural beauty.
Contains copies of four Michael Ondaatje The Collected Works of Billy the Kid, Running in the Family, In the Skin of a Lion, and The Cinnamon Peeler.
Bilingual Traveller?s Edition pour Voyageurs. French translation by Lola Lemire Tostevin. An elimination dance begins with a crowded dance floor. At a signal, the band stops playing and the announcer reads an elimination, say, "Any lover who has gone into a flower shop on Valentine's Day and asked for clitoris when he meant clematis." Any dancer answering this description must sit down, and his partner is also disqualified. The process continues (e.g. "Any person who has burst into tears at the Liquor Control Board") until a single couple remains. And now, the post-Meech Lake edition. Brick Books reaches out to ?Tout amant qui, à la Saint-Valentin, est entré dans une boutique de fleuriste et a demandé pour un clitoris au lieu d?une clématile.?
The first full-length book of new poems from this poet in more than a decade, this collection is marked by Ondaatje's command of a broad range of poetic forms and by his characteristic juxtapositions of the everyday and the exotic
From Ink Canadian Stories
Michael Ondaatje's poems have been celebrated by readers and writers alike for containing some of the most memorable and moving verse written in the past half-century. The Story combines Ondaatje's sensual writing with watercolor illustrations by celebrated painter David Bolduc, making a unique item. Left-hand pages contain Bolduc's art while right-hand pages contain Ondaatje's poem — both typeset and in the author's own handwriting. This elegant housing is a fitting accompaniment to Ondaatje's elegaic poem, which follows his larger themes — love, memory, family, exile — even as it unfolds into "our dismantled childhoods," and offers readers the opportunity to extend its narrative into their own lives.
Michael Ondaatje's first book of poems. Originally published in 1967.
In his novels, poetry, and memoirs, Booker Prize winner Michael Ondaatje moves from the blasted landscape of Billy the Kid in 1880s New Mexico to the New Orleans jazz world of the legendary Buddy Bolden at the turn of the century, from his native Sri Lanka to the African desert of World War II. Compassionate, lyrical, spellbinding, the work he has created unfolds with mystery and eloquence and enlarges our literature.Included in Vintage Ondaatje are portions of the novels Anil’s Ghost , In the Skin of the Lion , Coming Through Slaughter , and The English Patient ; the memoir Running in the Family ; sections from The Collected Works of Billy the Kid ; and a selection of the poetry.Vintage Readers are a perfect introduction to some of the great modern writers, presented in attractive, affordable paperback editions.
From "Point Narrative in Michael Ondaatje's 'the man with seven toes'" by Sam In the man with seven toes, the reader enters the nightmarelike world of an anomymous white woman who spends a period of time living with a group of primitives before being rescued by a white man and taken back to civilization. A brief note at the end of the book indicates that the source of Onedaatje's story lies in the experiences of a Mrs. Fraser who, in 1836, was shipwrecked off the Queensland coast of Australia, captured by aborigines, and finally rescued by a convict named Bracefell whom she betrayed once they reached civilization. In his hands the story becomes a mythic exploration, in the form of related brief and often imagistic poems, of how an unnamed white woman perceives and experiences a primitive and anarchic world totally alien to her civilized assumptions and mode of being.
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Contains 9 long poems by Robert Kroetsch, Stuart MacKinnon, Daphne Marlatt, Don McKay, Robin Blaser, Frank Davey, George Bowering, Roy Kiyooka and bpNichol. Edited and with an introduction by Ondaatje. Also included is a brief bibliography of each poet, and a statement by them about the writing of each poem.