Matthew Salesses

A groundbreaking resource for fiction writers, teachers, and students, this manifesto and practical guide challenges current models of craft and the writing workshop by showing how they fail marginalized writers, and how cultural expectations inform storytelling. The traditional writing workshop was established with white male writers in mind; what we call craft is informed by their cultural values. In this bold and original examination of elements of writing—including plot, character, conflict, structure, and believability—and aspects of workshop—including the silenced writer and the imagined reader—Matthew Salesses asks questions to invigorate these familiar concepts. He upends Western notions of how a story must progress. How can we rethink craft, and the teaching of it, to better reach writers with diverse backgrounds? How can we invite diverse storytelling traditions into literary spaces?Drawing from examples including One Thousand and One Nights, Curious George, Ursula K. Le Guin's A Wizard of Earthsea, and the Asian American classic No-No Boy, Salesses asks us to reimagine craft and the workshop. In the pages of exercises included here, teachers will find suggestions for building syllabi, grading, and introducing new methods to the classroom; students will find revision and editing guidance, as well as a new lens for reading their work. Salesses shows that we need to interrogate the lack of diversity at the core of published fiction: how we teach and write it. After all, as he reminds us, "When we write fiction, we write the world."

In the shadow of a looming flood that comes every one hundred years, Tee tries to convince himself that living in a new place will mean a new identity and a chance to shed the parallels between him and his adopted father.This beautiful and dreamlike story follows Tee, a twenty-two-year-old Korean-American, as he escapes to Prague in the wake of his uncle’s suicide and the aftermath of 9/11. His life intertwines with Pavel, a painter famous for revolution; Katka, his equally alluring wife; and Pavel's partner—a giant of a man with an American name. As the flood slowly makes its way into the old city, Tee contemplates his own place in life as both mixed and adopted and as an American in a strange land full of heroes, myths, and ghosts.In the tradition of Native Speaker and The Family Fang, the Good Men Project’s Matthew Salesses weaves together the tangled threads of identity, love, growing up, and relationships in his stunning first novel, The Hundred-Year Flood.

A look at the ways Asian Americans navigate the thorny worlds of sports and entertainment when everything is stacked against them.An Asian American basketball star walks into a gym. No one recognizes him, but everyone stares anyway. It is the start of a joke but what is the punchline? When Won Lee, the first Asian American in the NBA, stuns the world in a seven-game winning streak, the global media audience dubs it “The Wonder”—much to Won’s chagrin. Meanwhile, Won struggles to get attention from his coach, his peers, his fans, and most importantly, his hero, Powerball!, who also happens to be Won’s teammate and the captain. Covering it all is sportswriter Robert Sung, who writes about Won's stardom while grappling with his own missed hoops opportunities as well as his place as an Asian American in media. And to witness it all is Carrie Kang, a big studio producer, who juggles a newfound relationship with Won while attempting to bring K-drama to an industry not known to embrace anything new or different.The Sense of Wonder follows Won and Carrie as they chronicle the human and professional tensions exacerbated by injustices and fight to be seen and heard on some of the world’s largest stages.

Finalist for the PEN/Faulkner Award for Fiction.From the bestselling author of The Hundred-Year Flood comes an incredibly entertaining and profoundly affecting tour de force about a Korean American man’s strange and ordinary attempts to exist.Matt Kim is always tired. He keeps passing out. His cat is dead. His wife and daughter have left him. He’s estranged from his adoptive family. People bump into him on the street as if he isn’t there.He is pretty sure he’s disappearing. His girlfriend, Yumi, is less convinced. But then she runs into someone who looks exactly like her, and her doppelgänger turns out to have dated someone who looks exactly like Matt. Except the other Matt was superior in every way. He was clever, successful, generous, and beloved—until one day he suddenly and completely vanished without warning. How can Matt Kim protect his existence when a better version of him wasn’t able to? Or is his worse life a reason for his survival?Set in a troubling time in which a presidential candidate is endorsed by the KKK and white men in red hats stalk Harvard Square, Disappear Doppelgänger Disappear is a haunting and frighteningly funny novel about Asian American stereotypes, the desires that make us human, puns, and what happens to the self when you have to become someone else to be seen.

I'm Not Saying, I'm Just Saying, a novel in flash fiction, is a raw, honest look at parenting, commitment, morality, and the spaces that grow between and within us when we don't know what to say. In these 115 titled chapters, a man, who learns he has a 5-year-old son, is caught between the life he knows and a life he may not yet be ready for. This is a book that tears down the boundaries in relationships, sentences, origin and identity, no matter how quickly its narrator tries to build them up.“In Matt Salesses’s smart novel-in-shorts, a newly-minted father flees telling his own story by any means necessary—by sarcasm, by denial, by playful and precise wordplay—rarely allowing space for his emerging feelings to linger. But the truth of who we might be is not so easily escaped, and it is in the accumulation of many such moments that our narrator, like us, is revealed: both the people we have been, and the better people we might be lucky enough to one day hope to become.”– Matt Bell, author of In the House upon the Dirt between the Lake and the Woods“Matthew Salesses has written an extraordinary and startlingly original novel that explores connection and disconnection, the claims and limitations of the self, and the shifting terrain of truth. Poetic, unforgettable, shot through with fury and yearning, I’m Not Saying, I’m Just Saying captures in clear and chilling flashes our capacity for the cruelty and tenderness of love.”–Catherine Chung, author of Forgotten Country“Matthew Salesses’ I’m Not Saying, I’m Not Saying is an absolute stunner of a novel. Told is short, sharp vignettes with prose that is taut, yet overflowing with meaning, this is the story of a year in the life of a complex and haunted, cobbled together family. The beauty of Salesses’ writing here lies in his fearlessness, the emotional blows to the heart and head and gut he’s willing to deliver, as if to say: This, this is life! And we are all, in one way or another, survivors.”– Kathy Fish, author of Together We Can Bury It“I’m not Saying, I’m just Saying renders the messiness of life, family, love in its myriad complex forms—romance lost and found, blood ties, squandered, unrequited—via 115 micro-stories that add up to a pointillist masterpiece.”– Marie Myung-Ok Lee, author of Somebody’s Daughter

Fiction. Asian American Studies. In 1953, after the end of the Korean War, 23 POWs refused to repatriate to America. THE LAST REPATRIATE tells the story of Theodore Dickerson, a prisoner who eventually returns to his home in Virginia in the midst of the McCarthy Era. He is welcomed back as a hero, though he has not returned unscathed. The lasting effects of the POW camp and troubles with his ex-fiancée complicate his new marriage as he struggles to readjust to the Virginia he holds dear."A harrowing story rendered in balletic prose, THE LAST REPATRIATE draws us inside a war of the body and of the heart-a confirmation of Salesses's inventive, ambitious, big-hearted brilliance."—Laura van den Berg"Matthew Salesses is a writer to embrace. In their beauty, strangeness, and heart, his fictions are a gift."—Paul Yoon"Salesses's examination of the troubled mind of a Korean War POW returning home is pensive and brooding. A subtly painful psychological journey."—James Franco

In Different Racisms, Matthew Salesses explores the unique racism Asian Americans face, including the model minority myth, the impact of Jeremy Lin’s fame on Asian American representation in national media, and America’s perception of “Gangnam Style” singer and K-Pop sensation, Psy.Salesses' essays (and his insightful and anecdote-filled footnotes) also give an honest and personal account of growing up as a Korean adoptee raised by white parents, all the while struggling with the many conflicts associated with double-consciousness, and reflecting on the common experience the adopted child has when he looks into the mirror and all of a sudden realizes that his skin color is not the same as his parents’.

Fourteen tiny tales recount the story of a community of island dwellers who catch their island’s strange and fleeting epidemics—epidemics like memory loss, unrequited love, magic, extrasensitive hearing, talking to animals, and dissociation—and the relationship that the people of the island have with their home, with each other, and with the diseases. That is, until one man becomes immune.Told in the collective first-person, Our Island of Epidemics examines the nature of tale-telling when the audience for the tale includes the tellers themselves.

Told in 65 short sections, the story is about the writing of a story about a spate of bad luck, and how the writing plays a role and helps the writer adjust.

This story was originally published in Day One, a weekly literary journal dedicated to short fiction and poetry from emerging writers.Before Teddy and his parents moved to Korea, the adopted nine-year-old knew almost nothing about his birth mother. But once they arrive in Seoul, the boy begins to scan the face of every passing woman, wondering if she might be the one who gave him away.One evening, Teddy’s father brings home Mrs. Kim, a woman he claims is his colleague. Teddy is taken with her immediately, but he doesn’t understand why his mother doesn’t seem to want this woman around. So when she unexpectedly agrees to a trip with Mrs. Kim, the boy is happily surprised. As the three of them—two dark-eyed and dark-haired, one blue-eyed and fair—journey to the national park, his mother finally reveals the long-kept the true identity of Mrs. Kim. Faced with the reality of someone he’d spent so long imagining, Teddy is forced into a painful understanding of his own oblique past.