
Following the Brontë sisters through their many reincarnations at the hands of biographers, Lucasta Miller reveals as much about the impossible art of biography as she does about the Brontës themselves. Their first biographer, Mrs Gaskell, transformed their story of literary ambition into one of the great legends of the 19th century, a dramatic tale of three lonely sisters playing out their tragic destiny on top of a windswept moor. Lucasta Miller reveals where this image came from and how it took such a hold on the popular imagination.Each generation has rewritten the Brontës to reflect changing attitudes - towards the role of the woman writer, towards sexuality, towards the very concept of personality. The Brontë Myth gives vigorous new life to our understanding of the novelists and their culture. It is a witty, erudite and refreshingly unsentimental unravelling of what Henry James described as "the most complete intellectual muddle ever achieved on a literary question by our wonderful public."
*A BOOK TO LOOK FORWARD TO IN 2021 IN THE TIMES, FINANCIAL TIMES, DAILY MAIL, SUNDAY TIMES AND GUARDIAN *The epitaph John Keats composed for his own gravestone - 'Here lies one whose name was writ in water' - seemingly damned him to oblivion. When he died at the age of twenty-five, having taken a battering from the conservative press, few critics imagined he would be considered one of the great English poets two hundred years later, though he himself had an inkling.In this brief life, Lucasta Miller takes Keats's best-known poems - the ones you are most likely to have read - and excavates their backstories. In doing so, she resurrects the real a lower-middle-class outsider from a tragic and dysfunctional family, whose extraordinary energy and love of language allowed him to pummel his way into the heart of English literature; a freethinker and a liberal at a time of repression; a human being who delighted in the sensation of the moment; but a complex individual, not the ethereal figure of his posthumous myth.Combining close-up readings of his writings with the story of his brief but teeming existence, Lucasta Miller shows us how Keats made his poetry, and explains why it retains its vertiginous originality and continues to speak to us across the generations.
by Lucasta Miller
Rating: 3.9 ⭐
A lost nineteenth-century literary life, brilliantly rediscovered--Letitia Elizabeth Landon, hailed as the female Byron; she changed English poetry; her novels, short stories, and criticism, like Byron though in a woman's voice, explored the dark side of sexuality."None among us dares to say / What none will choose to hear"--L.E.L., "Lines of Life" Letitita Elizabeth Landon--pen name L.E.L.--dared to say it and made sure she was heard. Hers was a life lived in a blaze of scandal and worship, one of the most famous women of her time, the Romantic Age in London's 1820s, her life and writing on the ascendency as Byron's came to an end. Lucasta Miller tells the full story and re-creates the literary London of her time. She was born in 1802 and was shaped by the aftermath of the Napoleonic Wars, a time of conservatism when values were in flux. She began publishing poetry in her teens and came to be known as a daring poet of thwarted romantic love. We see L.E.L. as an emblematic figure who embodied a seismic cultural shift, the missing link between the age of Byron and the creation of Victorianism. Miller writes of Jane Eyre as the direct connection to L.E.L.--its first-person confessional voice, its Gothic extremes, its love triangle, and in its emphasis on sadomasochistic romantic passion.