Lena Dunham

For readers of Nora Ephron, Tina Fey, and David Sedaris, this hilarious, poignant, and extremely frank collection of personal essays confirms Lena Dunham – the acclaimed creator, producer, and star of HBO’s ‘Girls’ – as one of the brightest and most original writers working today.“If I could take what I’ve learned and make one menial job easier for you, or prevent you from having the kind of sex where you feel you must keep your sneakers on in case you want to run away during the act, then every misstep of mine was worthwhile. I’m already predicting my future shame at thinking I had anything to offer you, but also my future glory in having stopped you from trying an expensive juice cleanse or thinking that it was your fault when the person you are dating suddenly backs away, intimidated by the clarity of your personal mission here on earth. No, I am not a sexpert, a psychologist, or a dietician. I am not a mother of three or the owner of a successful hosiery franchise. But I am a girl with a keen interest in having it all, and what follows are hopeful dispatches from the frontlines of that struggle.”

Is it evil not to be sure? is a collection of entries from Lena Dunham's diary--or what she called her "Creative Snippets and Observations Journal"--from the fall of 2005 and the spring of 2006. It is a candid, chaotic, and occasionally poetic snapshot of a young person becoming an adult. Profits from the sales of Is it evil not to be sure? are going to Girls Write Now to support their mission to give young women the tools to tell their own stories.

Check out Lena Dunham's twitter journal chronicling her experiences shooting season one of HBO's newest comedy hit, Girls. Relive Lena's experience by following her tweets and seeing pictures she took on her iPhone from the time the show was picked up through the season one wrap. Created with Apple's iBooks Author app, this exclusive interactive book also contains video clips from the show, excerpts from behind-the-scenes features, and links to discover where key scenes were shot.

Lena Dunham, creator of the critically acclaimed HBO series Girls , and author of the internationally bestseller Not That Kind of Girl , returns with a dazzling collection of short stories. 'I shrug, a shrug that simultaneously says You know nothing and Please rescue me.' Lena Dunham follows up her bestselling memoir Not That Kind of Girl with Best & Always , a dazzling collection of clear-eyed, observant, rueful, witty and heartbreaking stories. Praise for Not That Kind of 'The gifted Ms. Dunham not only writes with observant precision, but also brings a measure of perspective, nostalgia and an older person's sort of wisdom to her portrait of her (not all that much) younger self and her world. . . . As acute and heartfelt as it is funny.' Michiko Kakutani The New York Times 'It's not Lena Dunham's candor that makes me gasp. Rather, it's her writing, which is full of surprises where you least expect them. A fine, subversive book.' David Sedaris 'Witty, illuminating, maddening, bracingly bleak . . . [Dunham] is a genuine artist, and a disturber of the order.' The Atlantic

In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain.For the last decade, as she’s spent countless hours in doctor’s waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham’s body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It’s not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you – as a twenty-five-year-old – are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist’s office to discuss the latest internet disaster. But Dunham does it – even if it means interminable hospital stays, vomiting in the bathroom when she’s meant to be meeting Oprah, or terrifying those closest to her – because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again – if only she could remember who that self was.As Dunham takes us through her journey, tracking her rise to fame – from selling the pilot of Girls to the present – in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can’t protect you from pain – and begins to control your every move – being famous doesn’t stand a chance against the darker corners of the human experience.In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can’t change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.