Kaveh Akbar

"The struggle from late youth on, with and without God, agony, narcotics and love is a torment rarely recorded with such sustained eloquence and passion as you will find in this collection." —Fanny HoweThis highly-anticipated debut boldly confronts addiction and courses the strenuous path of recovery, beginning in the wilds of the mind. Poems confront craving, control, the constant battle of alcoholism and sobriety, and the questioning of the self and its instincts within the context of this never-ending fight.“In Calling a Wolf a Wolf, Kaveh Akbar exquisitely and tenaciously braids astonishment and atonement into a singular lyric voice. The desolation of alcoholism widens into hard-won insight: ‘the body is a mosque borrowed from Heaven.’ Doubt and fear spiral into grace and beauty. Akbar’s mind, like his language, is perpetually in motion. His imagery—wounded and resplendent—is masterful and his syntax ensnares and releases music that’s both delicate and muscular. Kaveh Akbar has crafted one of the best debuts in recent memory. In his hands, awe and redemption hinge into unforgettable and gorgeous poems.” —Eduardo C. Corral

A newly sober, orphaned son of Iranian immigrants, guided by the voices of artists, poets, and kings, embarks on a remarkable search for a family secret that leads him to a terminally ill painter living out her final days in the Brooklyn Museum. Electrifying, funny, and wholly original, Martyr! heralds the arrival of an essential new voice in contemporary fiction.Cyrus Shams is a young man grappling with an inheritance of violence and loss: his mother’s plane was shot down over the skies of the Persian Gulf in a senseless accident; and his father’s life in America was circumscribed by his work killing chickens at a factory farm in the Midwest. Cyrus is a drunk, an addict, and a poet, whose obsession with martyrs leads him to examine the mysteries of his past—toward an uncle who rode through Iranian battlefields dressed as the angel of death to inspire and comfort the dying, and toward his mother, through a painting discovered in a Brooklyn art gallery that suggests she may not have been who or what she seemed.Kaveh Akbar’s Martyr! is a paean to how we spend our lives seeking meaning—in faith, art, ourselves, others.

Kaveh Akbar’s exquisite, highly anticipated follow-up to Calling a Wolf a Wolf. With formal virtuosity and ruthless precision, Kaveh Akbar’s second collection takes its readers on a spiritual journey of disavowal, fiercely attendant to the presence of divinity where artifacts of self and belonging have been shed. How does one recover from addiction without destroying the self-as-addict? And if living justly in a nation that would see them erased is, too, a kind of self-destruction, what does one do with the body’s question, “what now shall I repair?” Here, Akbar responds with prayer as an act of devotion to dissonance—the infinite void of a loved one’s absence, the indulgence of austerity, making a life as a Muslim in an Islamophobic nation—teasing the sacred out of silence and stillness.Richly crafted and generous, Pilgrim Bell’s linguistic rigor is tuned to the register of this moment and any moment. As the swinging soul crashes into its limits, against the atrocities of the American empire, and through a profoundly human capacity for cruelty and grace, these brilliant poems dare to exist in the empty space where song lives—resonant, revelatory, and holy.

"Was it Jung who speculated that alcoholism might be an attempt at a material solution for a spiritual problem? Kaveh Akbar seems able to contain both--he's a demotic, as well as a spiritual, poet (the only type of either I trust). Each word in this little book might rise up from somewhere deep in the earth, but they turn into stars." - Nick Flynn"In Islam prayer is not transactional, poetry is not divorced from the quotidian and portraiture is embraced only in the abstract. And yet here in Kaveh Akbar's book, entreaty is earnest, aimed at the human and particular more often than the divine but at the same time the language and form elevate themselves to the fevered register of desperation. Yes, sure, fine, you would think that a Muslim writing about being a drunk would have to adopt unconventional approaches, but drunkenness in the Islamic literary tradition is a long and time-honored metaphor. For what? Abandonment to God, a cessation of the self--but not so here; no. Here it's real, it's coarse, it's dangerous. The reason we Muslims do not pray for things is that it is similarly dangerous for one to call God's attention onto oneself. But for Kaveh Akbar, whose very name means 'poetry, ' it is a risk every poem takes with gusto. And speaking purely for myself, these poems give me life because 'for so long every step I've taken/ has been from one tongue to another.' Be careful, little brother. God's got His eye on you now." - Kazim Ali

Poets have always looked to the skies for inspiration, and have written as a way of getting closer to the power and beauty they sense in nature, in each other and in the cosmos. This anthology serves as a truly holistic and global survey to a lyric conversation about the divine that has been going on for millenia.Beginning with the earliest attributable author in all of human literature, the twenty-third century BC Sumerian High Priestess Enheduanna, and taking in a constellation of voices - from King David, to Lao Tzu, to the fourteenth century Ethiopian national religious epic, the Kebra Nagast - this anthology presents a number of canonical voices like Blake, Rumi, Dickinson and Tagore, alongside lesser-anthologized diverse voices that showcase the breathtaking multiplicity of ways in which humanity has responded to the Divine across the centuries.These poets' voices commune across the centuries, offering readers a chance to experience for themselves the vast and powerful interconnectedness of these incantations orbiting the most elemental of all subjects - our spirit.

A poet considers America, and what it means to call a country home.

The 3rd quarterly from Monster House Press.

Il miracolo è un racconto in versi, una meditazione che interroga il rapporto tra fede e dubbio, corpo e parola, memoria e silenzio. In questa raccolta Kaveh Akbar esplora la tensione che lega il sacro e l'umano, lasciando scivolare all'interno di ogni poesia frammenti di vita quotidiana e ritualità antiche, e cucendo ogni verso attorno a gesti semplici e universali come inginocchiarsi, respirare, ricordare. In una moschea deserta, la voce del muezzin rimbomba tra le mura vuote come un richiamo senza destinatario. Un uomo recita una preghiera con il fiato sospeso, mentre il ricordo di un padre severo si sovrappone alle parole della fede. La lingua è carne e suono, e nel mormorarla si intrecciano amore, rimpianto e le parole scelte da Akbar sono immagini sospese – il rintocco di una campana che vibra nell'aria, un tappeto steso per la preghiera – che si trasformano sulla pagina nei simboli concreti di un dialogo che non smette di risuonare in chi sa ascoltare. Come l'arcangelo Gabriele, che ordina di leggere nel vuoto, Akbar ci invita allora a scrutare nel respiro spezzato di coloro che ogni giorno indagano la vita sperando di trovarvi un senso, per scorgere in esso una bellezza impossibile. Il miracolo è il frutto di una ricerca poetica che riflette sulla possibilità della meraviglia in un mondo ferito ma ancora in attesa di redenzione. La sacralità, qui, non è qualcosa di intangibile, ma si manifesta nelle imperfezioni della vita e nella resistenza dei corpi, nella forza di chi cade e si rialza, con la voce piena di crepe, ma ancora capace di cantare.

Um órfão, filho de imigrantes iranianos, guiado pelas vozes de artistas, poetas e reis ecoando em sua mente, embarca em busca de um segredo de família que o leva a uma artista plástica com câncer terminal, no Museu do Brooklyn. Com profundidade, bom-humor e originalidade, Mártir! é a estreia de uma nova voz essencial na ficção contemporânea, finalista do National Book Award de 2024.Cyrus é um jovem poeta, alcoolista, que vive às voltas com sua herança de violência e o avião em que a mãe estava foi abatido pelo exército americano em um ataque sem sentido, e a vida do pai nos Estados Unidos foi marcada pelo trabalho pesado num abatedouro industrial de galinhas. Obcecado pela figura dos mártires, Cyrus começa a investigar os mistérios de seu passado, que o levam em direção a um tio que cavalgava pelos campos de batalha iranianos vestido como o Anjo da Morte para inspirar e confortar os moribundos, e em direção à própria mãe, por meio de uma pintura descoberta milagrosamente em uma galeria de arte do Brooklyn, que sugere que ela talvez não fosse quem parecia ser."Akbar criou um protagonista indelével, perturbado, curioso, incrivelmente magnético. Um escritor maravilhoso, de um nível inacreditável... O que Akbar alcança com Mártir! é nada menos que um milagre." – The New York Times"Um livro cheio de amor, fúria, humor e sabedoria. O protagonista Cyrus Shams, poeta e alcoolista em recuperação, vai roubar o seu coração." – People"Uma joia, um verdadeiro diamante. Há muitos anos eu não amava tanto um livro. Mártir! é engraçado e triste e sincero e lindo. Kaveh Akbar é um dos meus autores favoritos de todos os tempos." – Tommy Orange, autor de Lá não existe lá e Estrelas errantes"Kaveh Akbar explora todo o espectro da vida e da morte com grande beleza e cuidado." – Raven Leilani, autora de Luxúria