
Joshua Ferris is the author of novels Then We Came to the End, The Unnamed and To Rise Again at a Decent Hour as well as a story collection, The Dinner Party. He has been a finalist for the National Book Award, winner of the Barnes and Noble Discover Award and the PEN/Hemingway Award, short-listed for the Man Booker Prize, and winner of the International Dylan Thomas Prize. He was named one of The New Yorker's "20 Under 40" writers in 2010. He lives in Hudson, New York with his wife and son.
A big, brilliant, profoundly observed novel about the mysteries of modern life by National Book Award Finalist Joshua Ferris, one of the most exciting voices of his generationPaul O'Rourke is a man made of contradictions: he loves the world, but doesn't know how to live in it. He's a Luddite addicted to his iPhone, a dentist with a nicotine habit, a rabid Red Sox fan devastated by their victories, and an atheist not quite willing to let go of God.Then someone begins to impersonate Paul online, and he watches in horror as a website, a Facebook page, and a Twitter account are created in his name. What begins as an outrageous violation of his privacy soon becomes something more soul-frightening: the possibility that the online "Paul" might be a better version of the real thing. As Paul's quest to learn why his identity has been stolen deepens, he is forced to confront his troubled past and his uncertain future in a life disturbingly split between the real and the virtual.At once laugh-out-loud funny about the absurdities of the modern world, and indelibly profound about the eternal questions of the meaning of life, love and truth, To Rise Again at a Decent Hour is a deeply moving and constantly surprising tour de force.
This wickedly funny, big-hearted novel about life in the office signals the arrival of a gloriously talented new writer. The characters in Then We Came To The End cope with a business downturn in the time-honored way: through gossip, secret romance, elaborate pranks, and increasingly frequent coffee breaks. By day they compete for the best office furniture left behind and try to make sense of the mysterious pro-bono ad campaign that is their only remaining "work."
What drives a man to stay in a marriage, in a job? What forces him away? Is love or conscience enough to overcome the darker, stronger urges of the natural world? The Unnamed is a deeply felt, luminous novel about modern life, ancient yearnings, and the power of human understanding.During their 20-year marriage, Tim and Jane Farnsworth have savored the fruits of his labor as a high-powered lawyer: they live in a beautiful home, they travel on exotic vacations, they don’t worry about money. Tim has battled a bizarre, inexplicable illness, but those episodes, while not exactly forgotten, have passed. Then it comes back, causing him to behave in a frighteningly new way, driving him out of his life and into a world and a self that he can’t recognize and Jane is helpless to control. How far will he go to fight his body’s incomprehensible desires, and what will they both risk to find the way back to the people they love? A heartbreaking story of family and marriage, a meditation on the unseen forces of nature and desire, The Unnamed is a deeply felt, luminous novel about modern life, ancient yearnings, and the power of human connection.
From National Book Award Finalist Joshua Ferris comes a “murderously funny” novel about a modern American family and one man’s attempt to come to understand the many lives of his father. (Janet Maslin, New York Times)Someone is telling the story of the life of Charlie Barnes, and it doesn't appear to be going well. Too often divorced, discontent with life's compromises and in a house he hates, this lifelong schemer and eternal romantic would like out of his present circumstances and into the American dream. But when the twin calamities of the Great Recession and a cancer scare come along to compound his troubles, his dreams dwindle further, and an infinite past full of forking paths quickly tapers to a black dot.Then, against all odds, something goes right for a change: Charlie is granted a second act. With help from his storyteller son, he surveys the facts of his life and finds his true calling where he least expects it—in a sacrifice that redounds with selflessness and love—at last becoming the man his son always knew he could be.A Calling for Charlie Barnes is a profound and tender portrait of a man whose desperate need to be loved is his downfall, and a brutally funny account of how that love is ultimately earned.
The first collection of short stories from the author of To Rise Again at a Decent Hour. Eleven stories by Joshua Ferris, many of which were first published in The New Yorker, on topics such as the modern tribulations of marriage, ambition, and the fear of missing out.The dinner party --The valetudinarian --The pilot --A night out --The breeze --Ghost town choir --More abandon (or whatever happened to Joe Pope?) --Fragments --The stepchild --Life in the heart of the dead --A fair price
My old flame and I met in the hallway of a dorm in Iowa City. I didn’t think much of her, but I was sure she had never seen anyone quite so handsome. That was the year the weather never cleared of hand-rolled smoke and a mild hangover. I was arrogant with the ignorance of all that I didn’t know. She was dating the Philosopher, a theoretical proponent of free love who disapproved of her seeing other men. The onetime incident behind the pool table in her basement meant almost nothing to us. Then my old flame graduated early and was gone. There were rumors of a new boyfriend and a life in Ireland. I didn’t miss her. By then, I was in this terrible on-off thing with Sisyphus, who kept dragging me up a pretty blond hill and hurtling me down.A few years later, my old flame and I caught up with each other in Chicago. She was a whole new person. Her interest in medieval theory had given way to Scotch on the rocks. Everyone had a little pocket money. We drank in a hotel bar and ate fried chicken in the suburbs. She had moved on to the Writer, but she still wore the same weird pants. We had a brief thing in front of the television. The Writer moved out. What a poisoned letter he wrote! Then I insulted . . .
Dans la boîte de pub où travaille le narrateur d’Open Space, c’est vache maigre. Les budgets dégringolent, les bagels gratuits disparaissent de la cafétéria, et il n’y a plus de bouquets de fleurs dans l’entrée. Les rumeurs sur le cancer qui rongerait la glaciale et très compétente directrice Lynn Mason achèvent d’inquiéter tout le monde. L’activité décroît à vue d’œil et l’on baye aux corneilles entre deux sessions de bruits de couloir. Les têtes commencent à tomber. La tension monte.Soudain, une lueur d’espoir : l’agence doit répondre à un mystérieux appel d’offres pour une campagne sur le cancer du sein dont l’objectif est de faire rire les malades de leurs symptômes. Qui saura trouver le slogan adapté? Qui échappera à la machine à licencier? Marcia Dwyer, la langue de vipère? Tom Mota, l’original du service toujours à la limite du dérapage? Benny Shassburger, le boute-en-train de la boîte? Jim Jackers, le rouquin fayot? Ou encore Yop qui, fraîchement viré, s’obstine à revenir travailler clandestinement dans les bureaux désertés…D’une main de maître, Ferris suit tout ce petit monde à la trace, débusquant avec humour et tendresse les mille et un détails et travers de la vie de bureau, qui est parfois, pour tant d’entre nous, la vie tout court…
by Joshua Ferris
by Joshua Ferris
by Joshua Ferris
by Joshua Ferris
by Joshua Ferris