James Lord

Alberto Giacometti was born in Switzerland and became a student of the arts early in life. He travelled to Paris in his early twenties and became a painter, sculptor and printmaker. Throughout his life and work he focused on three core themes, standing women, busts and a man in movement. He experimented with surrealism and cubism and kept a riotously colourful list of acquaintances and contemporaries including Picasso and Miró.Giacometti was in many ways the perfect subject for a study on the creative process. He was bohemian but still driven. James Lord, an author and his biographer, agreed to sit for a portrait by the artist and this book is the result of his recording of those days. He did not merely experience the day to day activity in the studio or Giacometti’s many idiosyncrasies, Lord recorded the artist’s emotional state and the tribulations and distractions that occurred over the 18 days of sitting. Lord shows us a man who seems irritable but warm, engaging but absorbed in his work.‘Giacometti’s Portrait’ details Alberto’s fixation on his younger brother as a model for his work, his messy surroundings and the cigarette ash dropping to the floor as he became distracted. Creatives of all kinds will appreciate the reliance of Giacometti on the ritual and instinctive in striving to create a meaningful work of art. The two eggs the artist needed to eat, the two glasses of beaujolais and the two cups of coffee that were required are familiar to all of us from the student writing an essay to the artist creating a masterpiece. The earthly fortifications that surround the creation of art which is supposed to transcend them remain fascinating.About the PublisherForgotten Books publishes hundreds of thousands of rare and classic books.This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. This text has been digitally restored from a historical edition. Some errors may persist, however we consider it worth publishing due to the work's historical value.The digital edition of all books may be viewed on our website before purchase.

A POWERFUL STORY OF SEXUAL AWAKENING DURING THE SECOND WORLD WAR FROM THE MEMORIST AND CRITIC In My Queer War, James Lord tells the story of a young man’s exposure to the terrors, dislocations, and horrors of armed conflict. In 1942, a timid, inexperienced twenty-one-year-old Lord reports to Atlantic City, New Jersey, to enlist in the U.S. Army. His career in the armed forces takes him to Nevada and California, to Boston, to England, and eventually to France and Germany, where he witnesses firsthand the ravages of total war on Europe’s land and on its people. Along the way he comes to terms with his own sexuality, experiences the thrill of first love and the chill of disillusionment with his fellow man, and in a moment of great rashness makes the acquaintance of the world’s most renowned artist, who will show him the way to a new life. My Queer War is a rich and moving record of one man’s maturation in the crucible of the greatest war the world has known. If his war is queer, it is because each man’s experience is strange in its own way. His is a story of universal significance and appeal, told by a wry and eloquent observer of the world and of himself.

The work of one of the towering creative spirits of the century, Alberto Giacometti's visionary sculptures and paintings from a testament to the artist's intriguing life story. From modest beginnings in a Swiss village, Giacometti went on to flourish in the picturesque milieu of prewar Paris and then to achieve international acclaim in the fifties and sixties. Picasso, Balthus, Samuel Beckett, Stravinsky and Sartre have parts in his story, along with flamboyant art dealers, whores, shady drifters, unscrupulous collectors, poets and thieves. Women were a complex yet important element of his life--particularly his wife, Annette, and his last mistress and model, Caroline--as was the intimate relationship he shared with his brother Diego, who was both Alberto's confidant and collaborator.James Lord was personally acquainted with Giacometti and his entourage, and combines firsthand experience with a unique knowledge gathered during many years of observation and research. In this exceptional biography Lord unfolds the personal history of a man who managed to achieve a heroic destiny by remaining utterly true to himself and to his calling. A Biography was nominated for the National Book Critics Circle Award. James Lord has subsequently published three volumes of memoirs. In recognition of his contribution to French culture he has been made an officer of the Legion of Honour.

As a young soldier at the end of World War II, Lord achieved his ambition of meeting Picasso. This elegantly written memoir recounts his subsequent intense and enduring relationship with the artist and with Picasso's mistress, Dora Maar, a legendary and reclusive figure. Annotation copyright Book News, Inc. Portland, Or.

James Lord continues his series of intimate portraits with a cast of female Alice B. Toklas, Getrude Stein, Marie-Laure de Noailles, the French actress Arletty, Errieta Perdikidi, and his own mother, Loise Bennett Lord.

The Swiss artist Alberto Giacometti (1901-66) was arguably the greatest sculptor of the twentieth century. He was also--as James Lord persuasively argued in A Biography --a heroic figure whose vocation sustained him through a life of crippling anxiety and erotic guilt.Almost twenty years after it first appeared, Giacometti has attained the status of a classic, one of the most candid and complete biographies of an artist in our time. In Mythic Giacometti , Lord reveals the hidden "blueprint" of that a daringly literal, visionary interpretation of the myth of Oedipus as it affected the conduct and outcome of Giacometti's life. The result is a case study both in the development of an artist and in the writing of biography. Lord concentrates on the private totems of Giacometti's life-family legend, childhood memory,illness and injury, crucial sexual encounters, intimations of mortality-that amounted, in Lord's view, to signs of a tragic destiny directly linked to the central tragedy of Western literature.

With his critically acclaimed acute eye, James Lord has created another series of inimitably spirited, witty, profoundly moving portraits. Haunting, mesmerizing, and endlessly entertaining, Some Remarkable Men reverberates with Lord's unique gift for the intimate portrait.

Incisive reflections on more than twenty portraits of the author by some of the greatest artists of the last centuryOver the course of his life as a friend and confidant of artists and collectors, and as a lover of art himself, James Lord has written some of the best accounts we have of modern aesthetic genius; his biography of Giacometti was widely acclaimed for succeeding, in the words of one reviewer, "in every way as one of the most readable, fascinating and informative documents, not just on an artist, but on art and artists in general" (The Washington Times). And yet through his connection with the great artists of his day, it was inevitable that Lord would himself become the object of the artist's gaze. In fact, from the time he was a young man, Lord sat for many of the major and minor painters and photographers of his day, including Balthus, Cocteau, Cartier-Bresson, Freud, Giacometti, and Picasso―in all but one case at the artist's request. In Plausible Portraits , Lord gathers, alongside these images, his reflections, penetrating the mind of artist and model alike in a sequence of illuminating double portraits of two masters at work.

Six intimate portraits of some of the 20th century's most successful promoters of the arts: Henry McIlhenny, Isabel Rawsthorne, Peggy Guggenheim, Sonia Orwell and Peter Watson, and Ethel Bliss Platt.

Jeune G.I. américain arrivé à Paris à la fin de la Seconde Guerre mondiale, James Lord a été très vite introduit dans le milieu artistique si fécond de l'époque. Il rencontre peu à peu de nombreux peintres qui tous feront son portrait, de Balthus à Picasso. Il a aussi posé pour Giacometti dont il deviendra un des plus fidèles amis et le biographe. Pendant les longues heures de pose, James Lord a approché au plus près la quête désespérée de l'artiste qui semblait détruire sans cesse ce portrait, comme pour saisir une réalité qui s'effaçait de la toile au fil des jours. Au début de chaque pose, le modèle photographiait l'oeuvre, et les états successifs de ce portrait accompagnent ce saisissant "journal" de la démarche créatrice d'un des grands artistes du XXᵉ siècle. Suit un récit non moins passionnant, celui de la rencontre, dès 1945, par notre amateur d'art, de deux monstres sacrés, Picasso et Gertrude Stein. James Lord décrit avec vivacité, humour et quelquefois tendresse, la vie de ces deux curieuses dames américaines, Gertrude Stein et Alice Toklas. Comme l'écrit l'auteur, les brèves évocations d'Alberto, Gertrude et Alice rassemblées ici "forment un ensemble parce qu'il est question de la même chose : de l'acte créatif, de ses origines, motivations, secrets et effets".