Hunter S. Thompson

Fear and Loathing in Las Vegas is the best chronicle of drug-soaked, addle-brained, rollicking good times ever committed to the printed page. It is also the tale of a long weekend road trip that has gone down in the annals of American pop culture as one of the strangest journeys ever undertaken.

Begun in 1959 by a twenty-two-year-old Hunter S. Thompson, The Rum Diary is a tangled love story of jealousy, treachery, and violent alcoholic lust in the Caribbean boomtown that was San Juan, Puerto Rico, in the late 1950s. The narrator, freelance journalist Paul Kemp, irresistibly drawn to a sexy, mysterious woman, is soon thrust into a world where corruption and get-rich-quick schemes rule and anything (including murder) is permissible.

The 50th anniversary edition of “the best account yet published of what it feels like to be out there in the middle of the American political process” ( The New York Times Book Review ) featuring a new foreword from Johnny Knoxville.A half-century after its original publication, Hunter S. Thompson’s Fear and Loathing on the Campaign Trail ’72 remains a cornerstone of American political journalism and one of the bestselling campaign books of all time. Thompson’s searing account of the battle for the 1972 presidency—from the Democratic primaries to the eventual showdown between George McGovern and Richard Nixon—is infused with the characteristic wit, intensity, and emotional engagement that made Thompson “the flamboyant apostle and avatar of gonzo journalism” ( The New York Times ). Hilarious, terrifying, insightful, and compulsively readable, Fear and Loathing on the Campaign Trail ’72 is an epic political adventure that captures the feel of the American democratic process better than any other book ever written—and that is just as relevant to the many ills and issues roiling the nation today. As Johnny Knoxville writes in his foreword to this 50th anniversary “Hunter predicted it all.”

A book about the world of drugs in Las Vegas. "The best book on the dope decade." -- "NY Times Book Review"

Au début des années soixante, Thompson, alors journaliste à San Francisco, est fasciné par les Hell's Angels. Son article sur ces seigneurs de la route fait sensation, il se lance dans la version longue : un an passé à rouler et à écrire à leurs côtés. Mais l'équipée se termine sauvagement : parce qu'il refuse de partager ses royalties, les Angels abandonnent l'homme de lettres sur une route, à moitié mort et le crâne défoncé à coups de pierres... " En France on n'a pas ça et aux Etats-unis, pays pourtant pas avare en déjantés, ils n'en ont qu'un comme lui. Même s'il n'a rien écrit depuis plus de vingt ans, Hunter S. Thompson demeure là-bas une légende. ", Eric Neuhoff, Le Figaro littéraire.

The first volume in Hunter S. Thompson’s bestselling Gonzo Papers offers brilliant commentary and outrageous humor, in his signature style.Originally published in 1979, the first volume of the bestselling “Gonzo Papers” is now back in print. The Great Shark Hunt is Dr. Hunter S. Thompson’s largest and, arguably, most important work, covering Nixon to napalm, Las Vegas to Watergate, Carter to cocaine. These essays offer brilliant commentary and outrageous humor, in signature Thompson style.Ranging in date from the National Observer days to the era of Rolling Stone, The Great Shark Hunt offers myriad, highly charged entries, including the first Hunter S. Thompson piece to be dubbed “gonzo”—“The Kentucky Derby Is Decadent and Depraved,” which appeared in Scanlan's Monthly in 1970. From this essay a new journalistic movement sprang which would change the shape of American letters. Thompson's razor-sharp insight and crystal clarity capture the crazy, hypocritical, degenerate, and redeeming aspects of the explosive and colorful ‘60s and ‘70s.

The Gonzo memoir from one of the most influential voices in American literature, Kingdom of Fear traces the course of Hunter S. Thompson’s life as a rebel—from a smart-mouthed Kentucky kid flaunting all authority to a convention-defying journalist who came to personify a wild fusion of fact, fiction, and mind-altering substances.Brilliant, provocative, outrageous, and brazen, Hunter S. Thompson's infamous rule breaking—in his journalism, in his life, and under the law—changed the shape of American letters, and the face of American icons. Call it the evolution of an outlaw. Here are the formative experiences that comprise Thompson’s legendary trajectory alongside the weird and the ugly. Whether detailing his exploits as a foreign correspondent in Rio, his job as night manager of the notorious O’Farrell Theatre in San Francisco, his epic run for sheriff of Aspen on the Freak Power ticket, or the sensational legal maneuvering that led to his full acquittal in the famous 99 Days trial, Thompson is at the peak of his narrative powers in Kingdom of Fear. And this boisterous, blistering ride illuminates as never before the professional and ideological risk taking of a literary genius and transgressive icon.

From the bestselling author of Fear and Loathing in Las Vegas, the legendary Hunter S. Thompson's second volume of the "Gonzo Papers" is back. Generation of Swine collects hundreds of columns from the infamous journalist's 1980s tenure at the San Francisco Examiner.Here, against a backdrop of late-night tattoo sessions and soldier-of-fortune trade shows, Dr. Thompson is at his apocalyptic best―covering emblematic events such as the 1987-88 presidential campaign, with Vice President George Bush, Sr., fighting for his life against Republican competitors like Alexander Haig, Pat Buchanan, and Pat Robertson; detailing the GOP's obsession with drugs and drug abuse; while at the same time capturing momentous social phenomena as they occurred, like the rise of cable, satellite TV, and CNN―24 hours of mainline news. Showcasing his inimitable talent for social and political analysis, Generation of Swine is vintage Thompson―eerily prescient, incisive, and enduring.

A wild ride to the dark side of Americana The Curse of Lono is to Hawaii what Fear and Loathing was to Las Vegas: the crazy tales of a journalist's ""coverage"" of a news event that ends up being a wild ride to the dark side of Americana. Originally published in 1983, Curse features all of the zany, hallucinogenic wordplay and feral artwork for which the Hunter S. Thompson/Ralph Steadman duo became known and loved. This curious book, considered an oddity among Hunter's oeuvre, was long out of print, prompting collectors to search high and low for an original copy. TASCHEN's signed, limited edition sold out before the book even hit the stores, but this unlimited version, in a different, smaller format, makes The Curse of Lono accessible to everyone.

"Hunter S. Thompson is to drug-addled, stream-of-consciousness, psycho-political black humor what Forrest Gump is to idiot savants."—The Philadelphia InquirerSince his 1972 trailblazing opus, Fear and Loathing on the Campaign Trail, Hunter S. Thompson has reported the election story in his truly inimitable, just-short-of-libel style. In Better than Sex, Thompson hits the dusty trail again—without leaving home—yet manages to deliver a mind-bending view of the 1992 presidential campaign—in all of its horror, sacrifice, lust, and dubious glory. Complete with faxes sent to and received by candidate Clinton's top aides, and 100 percent pure gonzo screeds on Richard Nixon, George Bush, and Oliver North, here is the most true-blue campaign tell-all ever penned by man or beast."[Thompson] delivers yet another of his trademark cocktail mixes of unbelievable tales and dark observations about the sausage grind that is the U.S. presidential sweepstakes. Packed with egocentric anecdotes, musings and reprints of memos, faxes and scrawled handwritten notes...Memorable."--Los Angeles Daily News"What endears Hunter Thompson to anyone who reads him is that he will say what others are afraid to....[He] is a master at the unlikely but invariably telling line that sums up a political figure....In a year when all politics is—to much of the public—a tendentious and pompous bore, it is time to read Hunter Thompson."—Richmond Times-Dispatch"While Tom Wolfe mastered the technique of being a fly on the wall, Thompson mastered the art of being a fly in the ointment. He made himself a part of every story, made no apologies for it and thus produced far more honest reporting than any crusading member of the Fourth Estate....Thompson isn't afraid to take the hard medicine, nor is he bashful about dishing it out....He is still king of beasts, and his apocalyptic prophecies seldom miss their target."—Tulsa World"This is a very, very funny book. No one can ever match Thompson in the vitriol department, and virtually nobody escapes his wrath."—The Flint Journal

From the king of "Gonzo" journalism and bestselling author who brought you Fear and Loathing in Las Vegas comes another astonishing volume of letters by Hunter S. Thompson.Brazen, incisive, and outrageous as ever, this second volume of Thompson's private correspondence is the highly anticipated follow-up to The Proud Highway. When that first book of letters appeared in 1997, Time pronounced it "deliriously entertaining"; Rolling Stone called it "brilliant beyond description"; and The New York Times celebrated its "wicked humor and bracing political conviction."Spanning the years between 1968 and 1976, these never-before-published letters show Thompson building his legend: running for sheriff in Aspen, Colorado; creating the seminal road book Fear and Loathing in Las Vegas; twisting political reporting to new heights for Rolling Stone; and making sense of it all in the landmark Fear and Loathing on the Campaign Trail '72. To read Thompson's dispatches from these years--addressed to the author's friends, enemies, editors, and creditors, and such notables as Jimmy Carter, Tom Wolfe, and Kurt Vonnegut--is to read a raw, revolutionary eyewitness account of one of the most exciting and pivotal eras in American history.

Hunter S. Thompson's legions of fans have waited a decade for this book. They will not be disappointed. His notorious Screwjack is as salacious, unsettling, and brutally lyrical as it has been rumored to be since the private printing in 1991 of three hundred fine collectors' copies and twenty-six leather-bound presentation copies. Only the first of the three pieces included here—"Mescalito," published in Thompson's 1990 collection Songs of the Doomed—has been available to the public, making the trade edition of Screwjack a major publishing event. "We live in a jungle of pending disasters," Thompson warns in "Mescalito," a chronicle of his first mescaline experience and what it sparked in him while he was alone in an L.A. hotel room in February 1969—including a bout of paranoia that would have made most people just scream no, once and for all. But for Thompson, along with the downside came a burst of creativity too powerful to ignore. The result is a poetic, perceptive, and wildly funny stream-of-consciousness take on 1969 America as only Hunter S. Thompson could see it. Screwjack just gets weirder with its second offering, "Death of a Poet." As Thompson describes this trailer-park confrontation with the dark side of a deservingly doomed friend: "Whoops, I thought. Welcome to the night train." The heart of the collection lies in its final, title piece, an unnaturally poignant love story. What makes the romantic tale "Screwjack" so touching, for all its queerness, is the aching melancholy in its depiction of the modern man's burden: that "we are doomed. Mama has gone off to Real Estate School...and after that maybe even to Law School. We will never see her again." Ostensibly written by Raoul Duke, "Screwjack" begins with an editor's note explaining of Thompson's alter ego that "the first few lines contain no warning of the madness and fear and lust that came more and more to plague him and dominate his life...." "I am guilty, Lord," Thompson writes, "but I am also a lover—and I am one of your best people, as you know; and yea tho I have walked in many strange shadows and acted crazy from time to time and even drooled on many High Priests, I have not been an embarrassment to you...." Nor has Hunter S. Thompson been to American literature. Quite the contrary: What the legendary Gonzo journalist proves with Screwjack is just how brilliant a prose stylist he really is, amid all the hilarity. As Thompson puts it in his introduction, the three stories here "build like Bolero to a faster & wilder climax that will drag the reader relentlessly up a hill, & then drop him off a cliff....That is the Desired Effect."

First published in 1990, Songs of the Doomed is back in print -- by popular demand! In this third and most extraordinary volume of the Gonzo Papers, Dr. Hunter S. Thompson recalls high and hideous moments in his thirty years in the Passing Lane -- and no one is safe from his hilarious, remarkably astute social commentary. With Thompson's trademark insight and passion about the state of American politics and culture, Songs of the Doomed charts the long, strange trip from Kennedy to Quayle in Thompson's freewheeling, inimitable style. Spanning four decades -- 1950 to 1990 -- Thompson is at the top of his form while fleeing New York for Puerto Rico, riding with the Hell's Angels, investigating Las Vegas sleaze, grappling with the "Dukakis problem," and finally, detailing his infamous lifestyle bust, trial documents, and Fourth Amendment battle with the Law. These tales -- often sleazy, brutal, and crude -- are only the tip of what Jack Nicholson called "the most baffling human iceberg of our time." Songs of the Doomed is vintage Thompson -- a brilliant, brazen, bawdy compilation of the greatest sound bites of Gonzo journalism from the past thirty years.

Here, for the first time, is the private and most intimate correspondence of one of America's most influential and incisive journalists—Hunter S. Thompson. In letters to a Who's Who of luminaries from Norman Mailer to Charles Kuralt, Tom Wolfe to Lyndon Johnson, William Styron to Joan Baez—not to mention his mother, the NRA, and a chain of newspaper editors—Thompson vividly catches the tenor of the times in 1960s America and channels it all through his own razor-sharp perspective. Passionate in their admiration, merciless in their scorn, and never anything less than fascinating, the dispatches of The Proud Highway offer an unprecedented and penetrating gaze into the evolution of the most outrageous raconteur/provocateur ever to assault a typewriter.

SPORTS, POLITICS, AND SEX COLLIDE IN HUNTER S. THOMPSON'S WILDLY POPULAR ESPN.COM COLUMNS.Insightful, incendiary, outrageously brilliant, such was the man who galvanized American journalism with his radical ideas and gonzo tactics. For over half a century, Hunter S. Thompson devastated his readers with his acerbic wit and uncanny grasp of politics and history. His reign as "The Unabomber of contemporary letters" (Time) is more legendary than ever with Hey Rube. Fear, greed, and action abound in this hilarious, thought-provoking compilation as Thompson doles out searing indictments and uproarious rants while providing commentary on politics, sex, and sports—at times all in the same column.With an enlightening foreword by ESPN executive editor John Walsh, critics' favorites, and never-before-published columns, Hey Rube follows Thompson through the beginning of the new century, revealing his queasiness over the 2000 election ("rigged and fixed from the start"); his take on professional sports (to improve Major League Baseball "eliminate the pitcher"); and his myriad controversial opinions and brutally honest observations on issues plaguing America―including the Bush administration and the inequities within the American judicial system.Hey Rube gives us a lasting look at the gonzo journalist in his most organic form―unbridled, astute, and irreverent.

Gonzo is a tour de force that will take you into the world of American writer and iconoclast Hunter S. Thompson.

From Hunter S. Thompson's first piece for Rolling Stone--the story of his infamous run for sheriff of Aspen in 1970--to his last--an examination of the Kerry/Bush showdown in 2004--FEAR AND LOATHING AT ROLLING STONE presents more than 40 examples of his best work. Thompson takes us on a roller-coaster ride filled with the likes of McGovern and Nixon, Watergate and Vietnam, Ali and Clinton. And buttressing the narrative throughout are letters and memos that illuminate the stories behind the stories--from the original back-and-forth resulting in Thompson's first pieces to the meticulous planning for his reporting of the '72 campaign. Simply put, FEAR AND LOATHING AT ROLLING STONE is the definitive work of the magazine's most popular writer.

This was a seminal sports article by Hunter S. Thompson on the 1970 Kentucky Derby in Louisville, Kentucky, first appearing in an issue of Scanlan's Monthly in June of that year. Though not known at the time, the article marked the first appearance of gonzo journalism, the style that Thompson came to epitomize through the 1970s.The article's focus is less on the actual race itself—indeed, Thompson and Steadman could not actually see the race from their standpoint—and more on the celebration and depravity that surrounds the event, as well as other events in Louisville (Thompson's home town) in the surrounding days.

Bristling with inspired observations and wild anecdotes, this first collection offers a unique insight into the voice and mind of the inimitable Hunter S. Thompson, as recorded in the pages of Playboy, The Paris Review, Esquire, and elsewhere.Fearless and unsparing, the interviews detail some of the most storied episodes of Thompson's a savage beating at the hands of the Hells Angels, talking football with Nixon on the 1972 Campaign Trail (“the only time in 20 years of listening to the treacherous bastard that I knew he wasn't lying”), and his unlikely run for sheriff of Aspen. Elsewhere, passionate tirades about journalism, culture, guns, drugs, and the law showcase Thompson's voice at its fiercest.Arranged chronologically, and prefaced with Anita Thompson's moving account of her husband's last years, the interviews present Hunter in all his fractured brilliance and provide an exceptional portrait of his times.

High priest of hedonism and godfather of gonzo journalism, Hunter S. Thompson was renowned for his counterculture masterpiece Fear and Loathing in Las Vegas, which described his chemical-addled adventures in 1970s America. Taken from Thompson's brilliantly entertaining autobiography, Kingdom of Fear - the last book published before his death earlier this year - these pieces provide a hilarious but now also painful insight into the life and the mind of a true literary outlaw.

Suggesting the nascent ideas and energy of his seminal book on the 60s experience, Fear and Loathing in Las Vegas, "Mescalito" features Duke's first mescaline trip. "We live in a jungle of pending disasters," the author warns. Alone in a hotel room in Los Angeles in February, 1969, Duke sustains a fever-pitched bout of paranoia so dark and depraved, it would make most mortals run fast -- and far -- from this kind of suicidal experimentation.

Hunter S. Thompson was the creator of a new kind of journalism and invented a new style of writing. Gonzo was a wild often drug- and drink-fuelled adventure, in which Thompson examined the politics, people, and values of his times.In the three great collections of Gonzo writings, "The Great Shark Hunt", "Generation of Swine", and "Songs of the Doomed", he dissected the 60s, 70s, and 80s with violence, wit, anger, and occasional compassion.Collected together for the first time, "The Gonzo Papers Anthology" is an indispensable compendium of decadence, depravity, and a remarkably skewed common sense.'No other reporter reveals how much we have to fear and loathe, yet does it so hilariously' Nelson Algren

While gathering material for the 2008 documentary Gonzo: The Life and Work of Dr. Hunter S. Thompson, filmmaker Alex Gibney and archivist Don Fleming were given permission by Thompson's widow to explore boxes of tapes stored in the basement of his Owl Farm home in Woody Creek, Colorado. Recorded by Thompson between 1965 and 1975, these audio notes capture his thoughts and descriptions both as they're happening and during the writing process, from his travels with Terry the Tramp and the rest of the Hell's Angels, through the infamous Las Vegas trips, to Thompson's trek across Southeast Asia during the fall of South Vietnam. Fleming—former front man of the band Velvet Monkeys and now a music producer for the likes of Sonic Youth and Alice Cooper—transferred the tapes and cassettes to digital files for use in the film, but also realized their tremendous value as a direct window into Thompson's thoughts and methods. Here Fleming presents these recordings in a 5-CD set, boxed in a 6 x 12-inch coffee-table format with a booklet full of never-before published images from Thompson's estate, as well as photos and an introduction from Gibney, and an essay by Thompson's fellow correspondent Loren Jenkins.- Daedalus Books Online

Hunter S. Thompson was so outside the box, a new word was invented just to define Gonzo. He was a journalist who mocked all the rules, a hell-bent fellow who loved to stomp on his own accelerator, the writer every other writer tried to imitate. In these brutally candid and very funny interviews that range across his fabled career, Thompson reveals himself as mad for politics, which he thought was both the source of the country’s despair and, just maybe, the answer to it. At a moment when politics is once again roiling America, we need Thompson’s guts and wild wisdom more than ever.

In mid-1962, Playboy founder Hugh Hefner was given a partial transcript of an interview with Miles Davis. It covered jazz, of course, but it also included Davis’s ruminations on race, politics and culture. Fascinated, Hef sent the writer—future Pulitzer-Prize-winning author Alex Haley, an unknown at the time—back to glean even more opinion and insight from Davis. The resulting exchange, published in the September 1962 issue, became the first official Playboy Interview and kicked off a remarkable run of public inquisition that continues today—and that has featured just about every cultural titan of the last half century.To celebrate the Interview’s 50th anniversary, the editors of Playboy have culled 50 of its most (in)famous Interviews and will publish them over the course of 50 weekdays (from September 4, 2012 to November 12, 2012) via Amazon’s Kindle Direct platform. Here is the interview with the journalist Hunter S. Thompson from the November 1974 issue.

Hunter S. Thompson, roi de la controverse et inventeur du reportage « gonzo », laisse derrière lui cinquante ans de correspondance sauvage. Écrire aux grands de ce monde – Faulkner, Nixon, Joan Baez, Carter – comme à son entourage – créanciers, rédacteurs en chef, petites amies, dentistes – était pour lui une manière plus directe de se faire comprendre. Sa plume explosive transforme ses destinataires en ennemis potentiels et dévoile un esprit vif, halluciné, un sens inné de la moquerie et un goût démesuré pour l'excès. Gonzo Highway recueille quelque deux cents de ses missives. Un condensé féroce d'un demi-siècle de vie américaine.

Previously published in the short story collected Screwjack from legendary “Gonzo” writer Hunter S Thompson, “Death of a Poet” chronicles a doomed rendezvous in a Green Bay trailer park. The Packers have lost, and the author's friend―"a bad drinker and a junkie for mass hysteria"―has come unhinged."Welcome to the night train."

Hunter S. Thompson's seminal first three volumes of the "Gonzo Papers" are now available in a complete paperback set. Hunter S. Thompson's writing has had a profound effect on the literary world and contemporary culture. His signature searing commentary and outrageous humor once prompted a friend to comment, "I don't know what the f*** you're doing, but it's changed everything. It's totally gonzo." And from that moment, a new journalistic movement was born; a direct descendant of the New Journalism. Long after his death, his work remains brilliant, relevant, and exceptionally entertaining."Thompson is a genuinely unique figure in American journalism, a superb comic writer and a ferociously outspoken social and political critic." —The Washington Post"Hunter Thompson is the most creatively crazy and vulnerable of the New Journalists. His ideas are brilliant and honorable and valuable the literary equivalent of Cubism: all rules are broken." —Kurt Vonnegut, Jr."His hallucinated vision strikes one as having been, after all, the sanest." —Nelson Algren"He amuses; he frightens; he flirts with doom. His achievement is substantial." —Garry WillsThe Great Shark HuntOriginally published in 1979, this is Dr. Hunter S. Thompson's largest and, arguably, most important work, covering Nixon to napalm, Las Vegas to Watergate, Carter to cocaine. Ranging in date from the National Observer days to the era of Rolling Stone, this collection offers highly charged entries, including the first Thompson piece to be dubbed "gonzo" ("The Kentucky Derby Is Decadent and Depraved," which appeared in Scanlan's Monthly in 1970). From this essay, a new form of journalism sprang which would change the shape of American letters. Thompson's razor-sharp insight and crystal clarity capture the crazy, hypocritical, degenerate, and redeeming aspects of the explosive and colorful '60s and '70s. Generation of SwineThe second volume of the legendary Dr. Hunter S. Thompson's bestselling "Gonzo Papers" was first published in 1988. Here, against a backdrop of late-night tattoo sessions and soldier-of-fortune trade shows, Thompson is at his apocalyptic best — covering emblematic events such as the 1987-88 presidential campaign, with Vice President George Bush, Sr., fighting for his life against Republican competitors like Alexander Haig, Pat Buchanan, and Pat Robertson; detailing the GOP's obsession with drugs and drug abuse; all the while capturing momentous social phenomena as they occurred, like the rise of cable, satellite TV, CNN, and the 24-hour news cycle. Thompson showcases his inimitable talent for social and political analysis, eerily prescient, incisive, and enduring. Songs of the DoomedIn this third and most extraordinary volume of the Gonzo Papers, first published in 1990, Thompson spares no one from his hilarious, remarkably astute social commentary. With his trademark insight and passion about the state of American politics and culture, Songs of the Doomed charts the long, strange trip from Kennedy to Quayle in freewheeling gonzo style. Spanning four decades — 1950 to 1990 — Thompson is at the top of his form while fleeing New York for Puerto Rico, riding with the Hell's Angels, investigating Las Vegas sleaze, grappling with the "Dukakis problem," and finally, detailing his infamous lifestyle bust, trial documents, and Fourth Amendment battle with the Law. These tales — often sleazy, brutal, and crude — are only the tip of what Jack Nicholson called, "the most baffling human iceberg of our time." This is vintage Thompson.