Eula Biss
Eula Biss holds a BA in nonfiction writing from Hampshire College and an MFA in nonfiction writing from the University of Iowa. She is currently an Artist in Residence at Northwestern University, where she teaches nonfiction writing, and she is a founding editor of Essay Press, a new press dedicated to innovative nonfiction. Her essays have recently appeared in The Best Creative Nonfiction and the Touchstone Anthology of Contemporary Nonfiction as well as in The Believer, Gulf Coast, Columbia, Ninth Letter, The North American Review, The Bellingham Review, the Seneca Review, and Harper’s.
7 Books Written
“ On Immunity is a book I’ve recommended too many times to count―a searching, empathetic, ultimately unassailable argument, not just for vaccination but for thoroughly acknowledging our interdependence, and for all that becomes necessary and possible once we do. Written before COVID, it nonetheless speaks directly to the concerns of the pandemic era―to the fact that we are dangerous as well as vulnerable, to the way collective well-being and individual self-interest are configured at odds to one another when they are fundamentally intertwined.”―Jia TolentinoIn this bold, fascinating book, Eula Biss addresses our fear of the government, the medical establishment, and what may be in our children's air, food, mattresses, medicines, and vaccines. Reflecting on her own experience as a new mother, she suggests that we cannot immunize our children, or ourselves, against the world. As she explores the metaphors surrounding immunity, Biss extends her conversations with other mothers to meditations on the myth of Achilles, Voltaire's Candide , Bram Stoker's Dracula , Rachel Carson's Silent Spring , Susan Sontag's AIDS and Its Metaphors , and beyond. On Immunity is an inoculation against our fear and a moving account of how we are all interconnected-our bodies and our fates.
"My adult life can be divided into two distinct parts," Eula Biss writes, "the time before I owned a washing machine and the time after." Having just purchased her first home, she now embarks on a roguish and risky self-audit of the value system she has bought into. The result is a radical interrogation of work, leisure, and capitalism. Described by The New York Times as a writer who "advances from all sides, like a chess player," Biss brings her approach to the lived experience of capitalism. Ranging from IKEA to Beyoncé to Pokemon, across bars and laundromats and universities, she asks, of both herself and her class, "In what have we invested?"
Winner of the National Book Critics Circle Award for CriticismWinner of the Graywolf Press Nonfiction PrizeA frank and fascinating exploration of race and racial identityNotes from No Man's Land: American Essays begins with a series of lynchings and ends with a series of apologies. Eula Biss explores race in America and her response to the topic is informed by the experiences chronicled in these essays -- teaching in a Harlem school on the morning of 9/11, reporting for an African American newspaper in San Diego, watching the aftermath of Katrina from a college town in Iowa, and settling in Chicago's most diverse neighborhood.As Biss moves across the country from New York to California to the Midwest, her essays move across time from biblical Babylon to the freedman's schools of Reconstruction to a Jim Crow mining town to post-war white flight. She brings an eclectic education to the page, drawing variously on the Eagles, Laura Ingalls Wilder, James Baldwin, Alexander Graham Bell, Joan Didion, religious pamphlets, and reality television shows.These spare, sometimes lyric essays explore the legacy of race in America, artfully revealing in intimate detail how families, schools, and neighborhoods participate in preserving racial privilege. Faced with a disturbing past and an unsettling present, Biss still remains hopeful about the possibilities of American diversity, "not the sun-shininess of it, or the quota-making politics of it, but the real complexity of it."
Poetry. "Eula Biss writes in spare brushstrokes that evoke an emotional universe, by turns funny, scary, dreamlike, haunting. These prose poems are shards of gleaming observation, fragments of intimacy and illusion. Here we find our families and ourselves, our words and our silences"-Martin Espada. "With deceptively quiet, unflinching compassion, Eula Biss records the perceptual wedges that cleave the self from its origins. The family history refracted here is mutable, notable, more gravid than grave. THE BALLOONISTS holds a fresh line on confession, biography, and the formal uses of information in poetry"-Rebecca Wolff.
Eula Biss in queste pagine interroga sé stessa e il mondo con la pietosa ma radicale sincerità dei grandi saggisti, intrecciando il racconto della sua esperienza personale a quello del mito di fondazione americano, che affonda le proprie radici nell'epoca violenta degli indiani e della frontiera. E ci offre così un meditato antidoto a tutti quei discorsi che, nel tentativo di respingerla o assoggettarla, demonizzano e svuotano di senso ogni diversità.