
ELLIOT ACKERMAN is the New York Times bestselling author of the novels Halcyon, 2034, Red Dress In Black and White, Waiting for Eden, Dark at the Crossing, and Green on Blue, as well as the memoir The Fifth Act: America’s End in Afghanistan, and Places and Names: On War, Revolution and Returning. His books have been nominated for the National Book Award, the Andrew Carnegie Medal in both fiction and nonfiction, and the Dayton Literary Peace Prize among others. He is a contributing writer at The Atlantic and Marine veteran who served five tours of duty in Iraq and Afghanistan, where he received the Silver Star, the Bronze Star for Valor, and the Purple Heart. He divides his time between New York City and Washington, D.C.
On March 12, 2034, US Navy Commodore Sarah Hunt is on the bridge of her flagship, the guided missile destroyer USS John Paul Jones, conducting a routine freedom of navigation patrol in the South China Sea when her ship detects an unflagged trawler in clear distress, smoke billowing from its bridge. On that same day, US Marine aviator Major Chris "Wedge" Mitchell is flying an F35E Lightning over the Strait of Hormuz, testing a new stealth technology as he flirts with Iranian airspace.By the end of that day, Wedge will be an Iranian prisoner, and Sarah Hunt's destroyer will lie at the bottom of the sea, sunk by the Chinese Navy. Iran and China have clearly coordinated their moves, which involve the use of powerful new forms of cyber weaponry that render US ships and planes defenseless. In a single day, America's faith in its military's strategic pre-eminence is in tatters. A new, terrifying era is at hand.So begins a disturbingly plausible work of speculative fiction, co-authored by an award-winning novelist and decorated Marine veteran and the former commander of NATO, a legendary admiral who has spent much of his career strategically out maneuvering America's most tenacious adversaries.Written with a powerful blend of geopolitical sophistication and literary, human empathy, 2034 takes us inside the minds of a global cast of characters--Americans, Chinese, Iranians, Russians, Indians--as a series of arrogant miscalculations on all sides leads the world into an intensifying international storm. In the end, China and the United States will have paid a staggering cost, one that forever alters the global balance of power.Everything in 2034 is an imaginative extrapolation from present-day facts on the ground combined with the authors' years working at the highest and most classified levels of national security. Sometimes it takes a brilliant work of fiction to illuminate the most dire of warnings: 2034 is all too close at hand, and this cautionary tale presents the reader a dark yet possible future that we must do all we can to avoid.
Eden Malcom lies in a bed, unable to move or to speak, imprisoned in his own mind. His wife Mary spends every day on the sofa in his hospital room. He has never even met their young daughter. And he will never again see the friend and fellow soldier who didn't make it back home—and who narrates the novel. But on Christmas, the one day Mary is not at his bedside, Eden's re-ordered consciousness comes flickering alive. As he begins to find a way to communicate, some troubling truths about his marriage—and about his life before he went to war—come to the surface. Is Eden the same man he once was: a husband, a friend, a father-to-be? What makes a life worth living?
From the acclaimed authors of the runaway New York Times bestseller 2034 comes another explosive work of speculative fiction set twenty years further in the future, at a moment when a radical leap forward in artificial intelligence combines with America’s violent partisan divide to create an existential threat to the country, and the worldIt is twenty years after the catastrophic war between the United States and China that brought down the old American political order. A new party has emerged in the US, one that’s held power for over a decade. Efforts to cement its grip have resulted in mounting violent resistance. The American president has control of the media, but he is beginning to lose control of the streets. Many fear he’ll stop at nothing to remain in the White House. Suddenly, he collapses in the middle of an address to the nation. After an initial flurry of misinformation, the administration reluctantly announces his death. A cover-up ensues, conspiracy theories abound, and the country descends into a new type of civil war.A handful of elite actors from the worlds of computer science, intelligence, and business have a fairly good idea what happened. All signs point to a profound breakthrough in AI, of which the remote assassination of an American president is hardly the most game-changing ramification. The trail leads to an outpost in the Amazon rainforest, the last known whereabouts of the tech visionary who predicted this breakthrough. As some of the world’s great powers, old and new, state and nonstate alike, struggle to outmaneuver one another in this new Great Game of scientific discovery, the outcome becomes entangled with the fate of American democracy.Combining a deep understanding of AI, biotech, and the possibility of a coming Singularity, along with their signature geopolitical sophistication, Elliot Ackerman and Admiral James Stavridis have once again written a visionary work. 2054 is a novel that reads like a thriller even as it demands that we consider the trajectory of our society and its potentially calamitous destination.
From the author of the acclaimed Green on Blue, a timely new novel of stunning humanity and tension: a contemporary love story set on the Turkish border with Syria.Haris Abadi is a man in search of a cause. An Arab American with a conflicted past, he is now in Turkey, attempting to cross into Syria and join the fight against Bashar al-Assad’s regime. But he is robbed before he can make it, and is taken in by Amir, a charismatic Syrian refugee and former revolutionary, and Amir’s wife, Daphne, a sophisticated beauty haunted by grief. As it becomes clear that Daphne is also desperate to return to Syria, Haris’s choices become ever more wrenching: Whose side is he really on? Is he a true radical or simply an idealist? And will he be able to bring meaning to a life of increasing frustration and helplessness? Told with compassion and a deft hand, Dark at the Crossing is an exploration of loss, of second chances, and of why we choose to believe—a trenchantly observed novel of raw urgency and power.
From a decorated veteran of the Iraq and Afghan Wars, and White House Fellow, a stirring debut novel about a young Afghan orphan and the harrowing, intractable nature of war.Aziz and his older brother Ali are coming of age in a village amid the pine forests and endless mountains of eastern Afghanistan. There is no school, but their mother teaches them to read and write, and once a month sends the boys on a two-day journey to the bazaar. They are poor, but inside their mud-walled home, the family has stability, love, and routine.When a convoy of armed men arrives in their village one day, their world crumbles. The boys survive and make their way to a small city, where they sleep among other orphans. They learn to beg, and, eventually, they earn work and trust from the local shopkeepers. Ali saves their money and sends Aziz to school at the madrassa, but when US forces invade the country, militants strike back. A bomb explodes in the market, and Ali is brutally injured.In the hospital, Aziz meets an Afghan wearing an American uniform. To save his brother, Aziz must join the Special Lashkar, a US-funded militia. No longer a boy, but not yet a man, he departs for the untamed border. Trapped in a conflict both savage and entirely contrived, Aziz struggles to understand his place. Will he embrace the brutality of war or leave it behind, and risk placing his brother and a young woman he comes to love in jeopardy?Having served five tours of duty in Afghanistan and Iraq, Elliot Ackerman has written a gripping, morally complex debut novel, an astonishing feat of empathy and imagination about boys caught in a deadly conflict.
A powerful and revelatory eyewitness account of the American collapse in Afghanistan, its desperate endgame, and the war's echoing legacyElliot Ackerman left the American military ten years ago, but his time in Afghanistan and Iraq with the Marines and, later, as a CIA paramilitary officer marked him indelibly. When the Taliban began to close in on Kabul in August of 2021 and the Afghan regime began its death spiral, he found himself pulled back into the conflict. Afghan nationals who had, for years, worked closely with the American military and intelligence communities now faced brutal reprisal and sought frantically to flee the country with their families. The official US government evacuation process was a bureaucratic failure that led to a humanitarian catastrophe. With his former colleagues, and friends, protecting the airport in Kabul, Ackerman was drawn into an impromptu effort alongside a group of journalists, and other veterans, to arrange flights and negotiate with both Taliban and American forces to secure the safe evacuation of hundreds. These were desperate measures taken during a desperate end to America's longest war, but the success they achieved afforded a degree of redemption. And, for Ackerman, a chance to reconcile his past with his present.The Fifth Act is an astonishing human document that brings the weight of twenty years of war to bear on a single week at its bitter end. Using the dramatic rescue efforts in Kabul as his lattice, Ackerman weaves in a personal history of the war's long progress, beginning with the initial invasion in the months after 9/11. It is a play in five acts, the fifth act being the story's tragic denouement, a prelude to Afghanistan's dark future. Any reader who wants to understand what went wrong with the war's trajectory will find a trenchant accounting here. And yet The Fifth Act is not an exercise in finger-pointing: it brings readers into close contact with a remarkable group of characters, American and Afghan, who fought the war with courage and dedication, in good faith and at great personal cost. Understanding combatants' experiences and sacrifices while reckoning with the complex bottom line of the post-9/11 wars is not an easy balance; it demands reservoirs of wisdom and the gifts of an extraordinary storyteller. It asks for an author willing to grapple with certain hard-earned truths. In Elliot Ackerman, this story has found that author. The Fifth Act is a first draft of history that feels like a timeless classic.
From a decorated Marine war veteran and National Book Award finalist, an astonishing reckoning with the nature of combat and the human cost of the wars in Iraq, Afghanistan, and Syria."War hath determined us..." - John Milton, Paradise LostToward the beginning of Places and Names, Elliot Ackerman sits in a refugee camp in southern Turkey, across the table from a man named Abu Hassar, who fought for al-Qaeda in Iraq and whose connections to the Islamic State are murky. At first, Ackerman pretends to have been a journalist during the Iraq War, but after establishing a rapport with Abu Hassar, he takes a risk by revealing to him that in fact he was a Marine special operation officer. Ackerman then draws the shape of the Euphrates River on a large piece of paper, and his one-time adversary quickly joins him in the game of filling in the map with the names and dates of places where they saw fighting during the war. They had shadowed each other for some time, it turned out, a realization that brought them to a strange kind of intimacy.The rest of Elliot Ackerman's extraordinary memoir is in a way an answer to the question of why he came to that refugee camp, and what he hoped to find there. By moving back and forth between his recent experiences on the ground as a journalist in Syria and its environs and his deeper past in Iraq and Afghanistan, he creates a work of remarkable atmospheric pressurization. Ackerman shares vivid and powerful stories of his own experiences in combat, culminating in the events of the Second Battle of Fallujah, the most intense urban combat for the Marines since Hue in Vietnam, where Ackerman's actions leading a rifle platoon saw him awarded the Silver Star. He weaves these stories into the latticework of a masterful larger reckoning with contemporary geopolitics through his vantage as a journalist in Istanbul and with the human extremes of both bravery and horror.At once an intensely personal story about the terrible lure of combat and a brilliant meditation on the larger meaning of the past two decades of strife for America, the region, and the world, Places and Names bids fair to take its place among our greatest books about modern war.
Two Misfits. One Mission. Zero Back-Up. • When a high stakes heist goes wrong, an ex-CIA operative and a special operations pilot find themselves in the middle of a game of espionage and survival as they navigate a treacherous web of deception and shifting loyalties in a globe-spanning, action-packed thriller from the New York Times bestselling author of 2034."Move Sheepdogs to the top of your list!” —Jack Carr, #1 New York Times bestselling author“A thriller and comedy in one, it’s a wild ride.” —Harlan Coben, #1 New York Times bestselling authorSkwerl and Cheese are down on their luck and about to find themselves tangled in the heist of their lives. Skwerl, once an elite member of the CIA's paramilitary unit, was cast out after a raid gone wrong in Afghanistan. Big Cheese Aziz, a former Afghan pilot of legendary skill, now works the graveyard shift at a gas station.Recruited into a shadowy network of "sheepdogs," they embark on a mission to repossess a multi-million-dollar private jet stranded on a remote African airfield. But as they wind through a labyrinth of lies and hidden agendas, they discover that nothing is as it seems. Their contact vanishes, their handler's motives are suspect, and the true source of their payday remains a mystery.With the stakes skyrocketing and the women in their lives drawn into the fray, this unlikely spy duo find themselves deep in the underbelly of modern war and intelligence.From the jungles of Kampala to the glitz of Marseille, they'll need to be as cunning as they are bold to survive in a game where the line between the hunters and the hunted is razor-thin.
From the widely acclaimed author of Waiting for Eden: a stirring, timely new novel that unfolds over the course of a single day in Istanbul: the story of an American woman attempting to leave behind her life in Turkey--to leave without her husband.Catherine has been married for many years to Murat, an influential Turkish real estate developer, and they have a young son together, William. But when she decides to leave her marriage and return home to the United States with William and her photographer lover, Murat determines to take a stand. He enlists the help of an American diplomat to prevent his wife and child from leaving the country--but, by inviting this scrutiny into their private lives, Murat becomes only further enmeshed in a web of deception and corruption. As the hidden architecture of these relationships is gradually exposed, we learn the true nature of a cast of struggling artists, wealthy businessmen, expats, spies, a child pulled in different directions by his parents, and, ultimately, a society in crisis. Riveting and unforgettably perceptive, Red Dress in Black and White is a novel of personal and political intrigue that casts light into the shadowy corners of a nation on the brink.
From the best-selling author and National Book Award finalist, a chilling new novel that re-imagines the United States emerging from a different outcome in a pivotal presidential election.Virginia, 2004. Gore is entering his second term as president. Our narrator, recently divorced, is living at Halcyon, the estate of renowned lawyer and World War II hero Robert Ableson. Ableson died a few years earlier. Or did he? When it becomes clear that scientists, funded by the Gore administration, have found a cure for death, more and more of life’s certainties get called into question. Is this new science a miraculous good or an insidious evil? Is Ableson a man outside of time, or is he the product of a new era? How does America’s fate hang in the balance? Stretching from Civil War battles to the toppling of Confederate monuments, from scholarly debates to intimate family secrets, Halcyon is a profound and probing novel that grapples with what history means, who is affected by it, and how the complexities of our shared future rest on layers of memory and forgetting.
“Why do some forms of violence—the beheading of journalists by the Islamic State, a bombing in Ankara, or the attacks in San Bernardino and Orlando—make us feel so threatened, while other forms—the 372 separate mass shootings in America in 2015 or the 4,219 Syrians killed that same September—do little to challenge our sense of safety?” From his base in Istanbul, Elliot Ackerman has written letters and essays that explore how global and seemingly remote issues like terrorism, US foreign policy, and other geopolitical forces play out and wreak distress upon the quotidian lives of civilians. Here assembled into a haunting piece, the fragments of a year’s notes open a window into life under President Recep Tayyip Erdoğan’s oppressive and nationalistic right-wing regime, the civil war in Syria, and the disintegration of the old order in the Middle-East. Exposing how a pervasive rhetoric of fear can shape a society and written with intimacy and a tremendous amount of compassion, this is an astute political commentary and first-person travel narrative par excellence.
“A Meteor of Intelligent Substance” “Something was Missing in our Culture, and Here It Is” Liberties – A Journal of Culture and Politics features new essays and poetry from some of the world's best writers and artists to inspire and impact the intellectual and creative lifeblood of our current culture and today's politics. This summer issue of Liberties Elliot Ackerman on Veterans Are Not Victims; Durs Grünbein on Fascism and the Writer; R.B. Kitaj’s Three Tales; Thomas Chatterton Williams on The Blessings of Assimilation; Anita Shapira on The Fall of Israel’s House of Labor; Sally Satel on Woke Medicine; Matthew Stephenson On Corruption’s Honey and Poison; Helen Vender on Wallace Stevens; David Haziza on Illusions of Immunity; Paul Berman on the Library of America; Clara Collier’s nostalgia for strong women in film; Michael Kimmage on American Inquisitions; Leon Wieseltier (editor) on the high price of Stoicism; Celeste Marcus (managing editor) on a Native American Tragedy; and new poetry from Adam Zagajewski, A.E. Stallings, and Peg Boyers.
by Elliot Ackerman
A gripping drama and chilling prophecy about the possible path to war for a planet devastated by climate changeIn their novel 2034, decorated military officers and award-winning authors Elliot Ackerman and Admiral James Stavridis imagined a war between the US and China. In their follow-up novel, 2054, they envisioned a breakdown in American politics fueled by a radical advance in AI. Now they make their boldest, most astonishing, and arguably most necessary leap—imagining the consequences of a climate war.By the year 2084, the world is divided into the equatorial countries that bear the brunt of the climate crisis—led by Nigeria, Brazil, and Indonesia—and wealthier countries like China and the US, beset by their own problems after a series of civil wars. Tensions between the two sets of countries have reached a breaking point, until finally the so-called Reparationist nations of the equator decide that only military force can bring them justice.A fascinating and disturbingly plausible extrapolation from current realities, 2084, like other classics of the genre such as Kim Stanley Robinson’s The Ministry for the Future and Neal Stephenson’s Termination Shock, deploys a global cast of characters, all protecting their interests as the fate of human civilization hangs in the balance. Individuals often seem small in the face of the forces that drive global change, but in the end human agency proves surprisingly decisive. Big doors can swing on small hinges. We have it within ourselves to write a different destiny, if only we can imagine it.
by Elliot Ackerman