Elizabeth Wurtzel

Elizabeth Wurtzel writes with her finger in the faint pulse of an over-diagnosed generation whose ruling icons are Kurt Cobain, Xanax, and pierced tongues. In this famous memoir of her bouts with depression and skirmishes with drugs, Prozac Nation is a witty and sharp account of the psychopharmacology of an era for readers of Girl, Interrupted and Sylvia Plath's The Bell Jar.

Elizabeth Wurtzel published her memoir of depression, Prozac Nation, to astonishing literary acclaim. A cultural phenomenon by age twenty-six, she had fame, money, respecteverything she had always wanted except that one, true thing: happiness. For all of her professional success, Wurtzel felt like a failure. She had lost friends and lovers, every magazine job she'd held, and way too much weight. She couldn't write, and her second book was past due. But when her doctor prescribed Ritalin to help her focus-and boost the effects of her antidepressants -- Wurtzel was spared. The Ritalin worked. And worked. The pills became her sugar...the sweetness in the days that have none. Soon she began grinding up the Ritalin and snorting it. Then came the cocaine, then more Ritalin, then more cocaine. Then I need more. I always need more. For all of my life I have needed more... More, Now, Again is the brutally honest, often painful account of Wurtzel's descent into drug addiction. It is also a love story: How Wurtzel managed to break free of her relationship with Ritalin and learned to love life, and herself, is at the heart of this ultimately uplifting memoir that no reader will soon forget.

No one better understands the desire to be bad than Elizabeth Wurtzel. Bitch is a brilliant tract on the history of manipulative female behavior. By looking at woman who derive their power from their sexuality, Wurtzel offers a trenchant cultural critique of contemporary gender relations. Beginning with Delilah, the first woman to supposedly bring a great man down (latter day Delilahs include Yoko Ono, Pam Smart, Bess Myerson), Wurtzel finds many biblical counterparts to the men and woman in today's headlines. In five brilliant extended essays, she links the lives of women as demanding and disparate as Amy Fisher, Hillary Clinton, Margaux Hemingway, and Nicole Brown Simpson. Wurtzel gives voice to these women whose lives have been misunderstood, who have been dismissed for their beauty, their madness, their youth. She finds in the story of Amy Fisher the tragic plight of all Lolitas, our thirst for their brief and intense flame. She connects Hemingway's tragic suicide to those of Sylvia Plath, Edie Sedgwick, and Marilyn Monroe, women whose beauty was an end, ultimately, in itself. Wurtzel, writing about the wife/mistress dichotomy, explains how some women are anointed as wife material, while others are relegated to the role of mistress. She takes to task the double standard imposed on women, the cultural insistence on goodness and society's complete obsession with badness: what's a girl to do? Let's face it, if women were any real threat to male power, "Gennifer Flowers would be sitting behind the desk of the Oval Office," writes Wurtzel, "and Bill Clinton would be a lounge singer in the Excelsior Hotel in Little Rock."Bitch tells a tale both celebratory and cautionary as Wurtzel catalogs some of the most infamous women in history, defending their outsize desires, describing their exquisite loneliness, championing their take-no-prisoners approach to live and love. Whether writing about Courtney Love, Sally Hemmings, Bathsheba, Kimba Wood, Sharon Stone, Princess Di-- or waxing eloquent on the hideous success of The Rules, the evil that is The Bridges of Madison County, the twisted logic of You'll Never Make Love in This Town Again-- Wurtzel is back with a bitchography that cuts to the core. In prose both blistering and brilliant, Bitch is a treatise on the nature of desperate sexual manipulation and a triumph of pussy power.

Though she might not always follow her own advice, Elizabeth Wurtzel knows certain things to be Doing copious amounts of drugs leads nowhere you want to be; trying to be friends with your ex is always a bad idea; if you can’t afford to hire a mover, you can’t afford to move; and always doing the best you can is always good enough.Here are Wurtzel’s succinct and clever rules for living your best life. Fulfillment is within everyone’s reach. Grasping it takes enjoying your mistakes, being strong, and having opinions. Today’s woman • Be Gorgeous. Make the absolute most of what you’ve got. Believe that you are gorgeous, and you will be. It’s the only trick that really works.• Embrace Fanaticism. Harness joie de vivre by pursuing insane interests, consuming passions, and constant sources of gratification that do not depend on the approval of others.• Use All Available Resources. Let the M.D.s and the Ph.D.s help you solve your problems so that you don’t become everyone else’s problem.• Never Clear the Table at a Dinner Party Unless the Men Get Up to Help First. Cleanup should not be gendered. Change the world, one dinner table at a time. Hold a sit-in.One of the fiercest, funniest, and best-known essayists of her generation, Elizabeth Wurtzel infuses this modest gem of a rule book with a sharp wit and a real candor.

“The defining characteristic of America is our fanaticism: We dream big, we think large, we create grandeur...” And we created Elizabeth Wurtzel: A celebrated writer who has lent her voice to depression, to women scorned, to addiction, and now to the Constitution of our great states. True to form, Wurtzel brings to life the dry document that framed our nation, homing in on one key feature—the Intellectual Property clause—which she credits for everything cool in our country, from Bruce Springsteen and rock ‘n roll, to Jeff Koons and his stainless steel balloons, to Half & Half in our coffee. CREATOCRACY takes everything you thought you knew about pilgrims and their plainly puritanical sensibilities, flips it on its head, throws glitter on it, sets it to a flashy pop score, then throws it a big coming out party. In a movie version of this American origin story, Baz Luhrmann would be calling all the shots. Elizabeth Wurtzel has masterfully written a crash-course in American history and the arts, wise and witty, full of humor and insight. This is pop patriotism in book form.