Douglas Coupland

Generation X is Douglas Coupland's acclaimed salute to the generation born in the late 1950s and 1960s--a generation known vaguely up to then as "twentysomething."Andy, Claire, and Dag, each in their twenties, have quit "pointless jobs done grudgingly to little applause" in their respective hometowns and cut themselves adrift on the California desert. In search of the drastic changes that will lend meaning to their lives, they've mired themselves in the detritus of American cultural memory. Refugees from history, the three develop an ascetic regime of story-telling, boozing, and working McJobs--"low-pay, low-prestige, low-benefit, no-future jobs in the service industry." They create modern fables of love and death among the cosmetic surgery parlors and cocktail bars of Palm Springs, disturbingly funny tales of nuclear waste, historical overdosing, and mall culture.A dark snapshot of the trio's highly fortressed inner world quickly emerges--landscapes peopled with dead TV shows, "Elvis moments," and semi-disposable Swedish furniture. And from these landscapes, deeper portraits emerge, those of fanatically independent individuals, pathologically ambivalent about the future and brimming with unsatisfied longings for permanence, for love, and for their own home. Andy, Dag, and Claire are underemployed, overeducated, intensely private, and unpredictable. Like the group they mirror, they have nowhere to assuage their fears, and no culture to replace their anomie.

Narrated in the form of a Powerbook entry by Dan Underwood, a computer programmer for Microsoft, this state-of-the-art novel about life in the '90s follows the adventures of six code-crunching computer whizzes. Known as "microserfs," they spend upward of 16 hours a day "coding" (writing software) as they eat "flat" foods (such as Kraft singles, which can be passed underneath closed doors) and fearfully scan the company email to see what the great Bill might be thinking and whether he is going to "flame" one of them. Seizing the chance to be innovators instead of cogs in the Microsoft machine, this intrepid bunch strike out on their own to form a high-tech start-up company named Oop! in Silicon Valley. Living together in a sort of digital flophouse --"Our House of Wayward Mobility" -- they desperately try to cultivate well-rounded lives and find love amid the dislocated, subhuman whir and buzz of their computer-driven world.Funny, illuminating and ultimately touching, Microserfs is the story of one generation's very strange and claustrophobic coming of age.

JPod, Douglas Coupland's most acclaimed novel to date, is a lethal joyride into today's new breed of tech worker. Ethan Jarlewski and five co-workers whose surnames begin with "J" are bureaucratically marooned in jPod, a no-escape architectural limbo on the fringes of a massive Vancouver game design company. The jPodders wage daily battle against the demands of a boneheaded marketing staff, who daily torture employees with idiotic changes to already idiotic games. Meanwhile, Ethan's personal life is shaped (or twisted) by phenomena as disparate as Hollywood, marijuana grow-ops, people-smuggling, ballroom dancing, and the rise of China. JPod's universe is amoral, shameless, and dizzyingly fast-paced like our own. Praise for JPod: "JPod is a sleek and necessary device: the finely tuned output of an author whose obsolescence is thankfully years away."-New York Times Book Review"It's to [Coupland's] credit that in JPod he's still nimble enough to take the post-modern man-too young for Boomer nostalgia and too old for youthful idealism-and drown his sorrows in a willful, joyful satire that revels in the same cultural conventions that it sends up."-Rocky Mountain News "It's time to admire [Coupland's] virtuoso tone and how he has refined it over 11 novels. The master ironist just might redefine E. M. Forster's famous dictate 'Only connect' for the Google age."-USA Today "Zeitgeist surfer Douglas Coupland downloads his brain into JPod."-Vanity Fair

'What did Karen see that December night? What pictures of tomorrow could so disturb her that she would flee into a refuge of bottomless sleep? Why would she leave me?'It's 15th December, 1979, and Richard's girlfriend Karen has entered a deep coma. She only took a couple of valium washed down with a cocktail, but now she's locked away in suspended animation, oblivious to the passage of time. What if she were to wake up decades later - a 17-year-old girl in a distant future, a future where the world has gone dark?

Pregnant and secretly married, Cheryl Anway scribbles what becomes her last will and testament on a school binder shortly before a rampaging trio of misfit classmates gun her down in a high school cafeteria. Overrun with paranoia, teenage angst, and religious zeal in the massacre's wake, this sleepy suburban neighborhood declares its saints, brands its demons, and moves on. But for a handful of people still reeling from that horrific day, life remains permanently derailed. Four dramatically different characters tell their stories: Cheryl, who calmly narrates her own death; Jason, the boy no one knew was her husband, still marooned ten years later by his loss; Heather, the woman trying to love the shattered Jason; and Jason's father, Reg, whose rigid religiosity has separated him from nearly everyone he loves. Hey Nostradamus! is an unforgettable portrait of people wrestling with spirituality and with sorrow and its acceptance.

The most disastrous family reunion in the history of fiction.The Drummond family, reunited for the first time in years, has gathered near Cape Canaveral to watch the launch into space of their beloved daughter and sister, Sarah. Against the Technicolor unreality of Florida's finest tourist attractions, the Drummonds stumble into every illicit activity under the tropical sun-kidnapping, blackmail, gunplay, and black market negotiations, to name a few. But even as the Drummonds' lives spin out of control, Coupland reminds us of their humanity at every turn, hammering out a hilarious masterpiece with the keen eye of a cultural critic and the heart and soul of a gifted storyteller. He tells not only the characters' stories but also the story of our times--thalidomide, AIDS, born-again Christianity, drugs, divorce, the Internet-all bound together with the familiar glue of family love and madness.

His fans favourite book. YOU ARE THE FIRST GENERATION RAISED WITHOUT RELIGION What happens if we are raised without religion or beliefs? As we grow older, the beauty and disenchantments of the world temper our souls. We all have spiritual impulses, yet where do these impulses flow in a world of commodities and consumerism? LIFE AFTER GOD is a compellingly innovative collection of stories responding to these themes. Douglas Coupland takes us into worlds we know exist but rarely see, finding rare grace amid our pre-millennium turmoil.

The first and only story of love and looming apocalypse set in the aisles of an office supply superstore. In Douglas Coupland's ingenious new novel—sort of a Clerks meets Who's Afraid of Virginia Woolf—we meet Roger, a divorced, middle-aged aisles associate at Staples, condemned to restocking reams of 20-lb. bond paper for the rest of his life. And Roger's co-worker Bethany, in her early twenties and at the end of her Goth phase, who is looking at fifty more years of sorting the red pens from the blue in aisle 6.One day, Bethany discovers Roger's notebook in the staff room. When she opens it up, she discovers that this old guy she's never considered as quite human is writing mock diary entries pretending to be her: and, spookily, he is getting her right.These two retail workers then strike up an extraordinary epistolary relationship. Watch as their lives unfold alongside Roger's work-in-progress, the oddly titled Glove Pond, a Cheever-era novella gone horribly, horribly wrong. Through a complex layering of narratives, The Gum Thief reveals the comedy, loneliness, and strange comforts of contemporary life.Coupland electrifies us on every page of this witty, wise, and unforgettable novel. Love, death and eternal friendship can all transpire where we least expect them ...and even after tragedy seems to have wiped your human slate clean, stories can slowly rebuild you.

Eleanor Rigby is the story of Liz, a self-described drab, overweight, crabby, and friendless middle-aged woman, and her unlikely reunion with the charming and strange son she gave up for adoption. His arrival changes everything, and sets in motion a rapid-fire plot with all the twists and turns we expect of Coupland. By turns funny and heartbreaking, Eleanor Rigby is a fast-paced read and a haunting exploration of the ways in which loneliness affects us all.

Tyler Johnson is a 20-year-old MTV child. Once a baby raised in a hippie commune, he is now an ambitious Reagan youth dreaming of a career with the corporation whose offices his mother once firebombed.

“Now you young twerps want a new name for your generation? Probably not, you just want jobs, right? Well, the media do us all such tremendous favors when they call you Generation X, right? Two clicks from the very end of the alphabet. I hereby declare you Generation A, as much at the beginning of a series of astonishing triumphs and failures as Adam and Eve were so long ago.”— Kurt Vonnegut, Syracuse University commencement address May 8, 1994A brilliant, timely and very Couplandesque novel about honey bees and the world we may soon live in. Once again, Douglas Coupland captures the spirit of a generation….In the near future bees are extinct — until one autumn when five people are stung in different places around the world. This shared experience unites them in a way they never could have imagined.Generation A mirrors 1991’s Generation X . It explores new ways of looking at the act of reading and storytelling in a digital world.

From the bestselling author of Generation X and Microserfs, comes the absurd and tender story of a hard-living movie producer and a former child beauty pageant contender who only find each other by losing themselves.Waking up in an L.A. hospital, John Johnson is amazed that it was the flu and not an overdose of five different drugs mixed with cognac that nearly killed him. As a producer of high-adrenaline action flicks, he's led a decadent and dangerous life, purchasing his way through every conceivable variant of sex. But each variation seems to take him one notch away from a capacity for love, and while movie-making was once a way for him to create worlds of sensation, it now bores him. After his near-death experience, John decides to walk away from his life.Susan Colgate is an unbankable former tv star and child beauty pageant contender. Forced to marry a heavy metal singer in need of a Green Card after her parents squander her sitcom earnings, she becomes the alpha road rat. But when the band's popularity dwindles, the marriage dissolves. Flying back to Los Angeles in Economy, Susan's plane crashes and only she survives. As she walks away from the disaster virtually unscathed, Susan, too, decides to disappear.John and Susan are two souls searching for love across the bizarre, celebrity-obsessed landscape of LA, and are driven, almost fatefully, toward each other. Hilarious, fast-paced and ultimately heart-wrenching, Miss Wyoming is about people who, after throwing off their self-made identities, begin the fearful search for a love that exposes all vulnerabilities.

International bestselling author Douglas Coupland delivers a real-time, five-hour story set in an airport cocktail lounge during a global disaster. Five disparate people are trapped Karen, a single mother waiting for her online date; Rick, the down-on-his-luck airport lounge bartender; Luke, a pastor on the run; Rachel, a cool Hitchcock blonde incapable of true human contact; and finally a mysterious voice known as Player One. Slowly, each reveals the truth about themselves while the world as they know it comes to an end.In the tradition of Kurt Vonnegut and J. G. Ballard, Coupland explores the modern crises of time, human identity, society, religion, and the afterlife. The book asks as many questions as it answers, and readers will leave the story with no doubt that we are in a new phase of existence as a species — and that there is no turning back.

A razor-sharp portrait of a morally bankrupt and gleefully wicked modern man, Worst. Person. Ever. is Douglas Coupland's gloriously filthy, side-splittingly funny and unforgettable novel.Meet Raymond Gunt. A decent chap who tries to do the right thing. Or, to put it another way, the worst person ever: a foul-mouthed, misanthropic cameraman, trailing creditors, ex-wives and unhappy homeless people in his wake. Men dislike him, women flee from him.Worst. Person. Ever. is a deeply unworthy book about a dreadful human being with absolutely no redeeming social value. Gunt, in the words of the author, "is a living, walking, talking, hot steaming pile of pure id." He's a B-unit cameraman who enters an amusing downward failure spiral that takes him from London to Los Angeles and then on to an obscure island in the Pacific where a major American TV network is shooting a Survivor-style reality show. Along the way, Gunt suffers multiple comas and unjust imprisonment, is forced to re-enact the ‘Angry Dance’ from the movie Billy Elliot and finds himself at the centre of a nuclear war. We also meet Raymond's upwardly failing sidekick, Neal, as well as Raymond's ex-wife, Fiona, herself ‘an atomic bomb of pain’.Even though he really puts the ‘anti’ in anti-hero, you may find Raymond Gunt an oddly likeable character.

Douglas Coupland takes his sparkling literary talent in a new direction with this crackling collection of takes on life and death in North America -- from his sweeping portrait of Grateful Dead culture to the deaths of Kurt Cobain, Marilyn Monroe and the middle class. For years, Coupland's razor-sharp insights into what it means to be human in an age of technology have garnered the highest praise from fans and critics alike. At last, Coupland has assembled a wide variety of stories and personal "postcards" about pivotal people and places that have defined our modern lives. Polaroids from the Dead is a skillful combination of stories, fact and fiction -- keen outtakes on life in the late 20th century, exploring the recent past and a society obsessed with celebrity, crime and death. Princess Diana, Nicole Brown Simpson and Madonna are but some of the people scrutinized.

The first new work of fiction since 2013 from one of Canada's most successful, idiosyncratic and world-defining writers, Douglas Coupland. He's called it Binge because it's impossible to read just one. Imagine feeling 100% alive every moment of every minute of the day! Maybe that's how animals live. Or trees, even. I sometimes stare at the plastic bag tree visible from my apartment window and marvel that both it and I are equally alive and that there's no sliding scale of life. You're either alive, or you're not. Or you're dead or you're not.Thirty years after Douglas Coupland broke the fiction mould and defined a generation with Generation X, he is back with Binge, 60 stories laced with his observational profundity about the way we live and his existential worry about how we should be living: the very things that have made him such an influential and bestselling writer. Not to mention that he can also be really funny.Here the narrators vary from story to story as Doug catches what he calls the voice of the people, inspired by the way we write about ourselves and our experiences in online forums. The characters, of course, are Doug's own: crackpots, cranks and sweetie-pies, dad dancers and perpetrators of carbecues. People in the grip of unconscionable urges; lonely people; dying people; silly people. If you love Doug's fiction, this collection is like rain on the desert.

A highly provocative, mindbending, beautifully designed, and visionary look at the landscape of our rapidly evolving digital era.50 years after Marshall McLuhan's ground breaking book on the influence of technology on culture in The Medium is the Message, Basar, Coupland and Obrist extend the analysis to today, touring the world that’s redefined by the Internet, decoding and explaining what they call the 'extreme present'. THE AGE OF EARTHQUAKES is a quick-fire paperback, harnessing the images, language and perceptions of our unfurling digital lives. The authors offer five characteristics of the Extreme Present (see below); invent a glossary of new words to describe how we are truly feeling today; and ‘mindsource’ images and illustrations from over 30 contemporary artists. Wayne Daly’s striking graphic design imports the surreal, juxtaposed, mashed mannerisms of screen to page. It’s like a culturally prescient, all-knowing email to the reader: possibly the best email they will ever read. Welcome to THE AGE OF EARTHQUAKES, a paper portrait of Now, where the Internet hasn’t just changed the structure of our brains these past few years, it’s also changing the structure of the planet. This is a new history of the world that fits perfectly in your back pocket. 30+ artists contributions: With contributions from Farah Al Qasimi, Ed Atkins, Alessandro Bavo, Gabriele Basilico, Josh Bitelli, James Bridle, Cao Fei, Alex Mackin Dolan, Thomas Dozol, Constant Dullaart, Cecile B Evans, Rami Farook, Hans-Peter Feldmann, GCC, K-Hole, Liam Gillick, Dominique Gonzalez-Foerster, Eloise Hawser, Camille Henrot, Hu Fang, K-Hole, Koo Jeong-A, Katja Novitskova, Lara Ogel, Trevor Paglen, Yuri Patterson, Jon Rafman, Bunny Rogers, Bogosi Sekhukhuni, Taryn Simon, Hito Steyerl, Michael Stipe, Rosemarie Trockel, Amalia Ulman, David Weir, Trevor Yeung.

In Bit Rot, Douglas Coupland explores the different ways in which twentieth-century notions of the future are being shredded, and creates a gem of the digital age. Reading the stories and essays in Bit Rot is like bingeing on Netflix . . . you can't stop with just one.‘Bit rot’ is a term used in digital archiving to describe the way digital files can spontaneously and quickly decompose. As Coupland writes, ‘bit rot also describes the way my brain has been feeling since 2000, as I shed older and weaker neurons and connections and enhance new and unexpected ones’. Bit Rot the book explores the ways humanity tries to make sense of our shifting consciousness. Coupland, just like the Internet, mixes forms to achieve his ends. Short fiction is interspersed with essays on all aspects of modern life. The result is addictively satisfying for Coupland’s legion of fans hungry for his observations about our world. For almost three decades, his unique pattern recognition has powered his fiction, and his phrase-making. Every page of Bit Rot is full of wit, surprise and delight.

Eclectic and provocative, this book, designed to resemble a Japanese underground zine, looks at Vancouver from inside out, from the Grouse Grind to the shimmering glass towers, First Nations to feng-shui. Douglas Coupland takes on monster houses, weather, Sandra Bernhard, Love Boats, SkyTrain, fleece, that endless rivalry with Seattle, and even includes a short story about living in a low-rent Granville hotel. Over 100 archival photographs, maps, and “beauty shots” add to the fun in this witty survey by the noted chronicler of alternative culture.

Full of surprises and insights, Souvenir of Canada presents us as we have never seen ourselves before in an irresistible flow of text and image.Douglas Coupland offers new ways of seeing and experiencing Canada-looking at how it feels to be a Canadian right now and speculating what it might feel like in the future. From collective memories, he locates objects like stubbie beer bottles and ookpiks, Kraft dinner and maple walnut ice cream. And with the same unique sensibility, he considers significant events and relevant issues, like the flq crisis, Canada's relationship with the United States, medicare and the landscape itself.In the section humbly titled "Cheese," he "When you assemble them together, foods that feel intuitively Canadian look more like camping trip provisions than actual groceries...Canada is a cold and northern country...from a biological standpoint, it is imperative that Canadians stockpile concentrated forms of sugars, carbohydrates, fats and salt."The 50 personal categories of the 30,000-word text are arranged alphabetically and matched with 100 illustrations (50 in colour)-new luscious photos taken by Coupland himself, images of Canadian ephemera and icons, historical photos and pictures from other quite startling sources. Included are photos of cultural installations created by Coupland himself.

Marshall McLuhan, the celebrated social theorist who defined the culture of the 1960s, is remembered now primarily for the aphoristic slogan he coined to explain the emerging new world of global communication: “The medium is the message.” Half a century later, McLuhan’s predictions about the end of print culture and the rise of “electronic inter-dependence” have become a reality—in a sense, the reality—of our time.Douglas Coupland, whose iconic novel Generation X was a “McLuhanesque” account of our culture in fictional form, has written a compact biography of the cultural critic that interprets the life and work of his subject from inside. A fellow Canadian, a master of creative sociology, a writer who supplied a defining term, Coupland is the ideal chronicler of the uncanny prophet whose vision of the global village—now known as the Internet—has come to pass in the 21st century.

In the grand tradition of Edward Gorey's Gashlycrumb Tinies, Tim Burton's Melancholy Death of Oyster Boy and Hillaire Belloc's Cautionary Tales for Children, comes Douglas Coupland and Graham Roumieu's Highly Inappropriate Tales for Young People.Ever wonder what would happen if Douglas Coupland's unhinged imagination met Graham Roumieu's insane knack for illustrating the ridiculously weird? The answer is seven deliciously wicked tales featuring seven highly improbable, not only inappropriate, characters, including Donald the Incredibly Hostile Juice Box, Hans the Weird Exchange Student, Brandon the Action Figure with Issues and Kevin the Hobo Minivan with Extremely Low Morals. If you are over the age of consent, seriously weird or just like to laugh, you'll love the unlovable miscreants who unleash their dark and unruly desires on every page of these unsuitable, completely hilarious tales.

In 1980, Terry Fox set out to run across Canada to raise money for cancer research — despite having lost one leg to the disease. His goal was to raise $1 from every Canadian to help find a cure, and some combination of passion, idealism, and sheer guts led to the impossible notion that he would do this on one good leg and a prosthesis. Beginning in Newfoundland on April 12, 1980, he ran 26 miles each day for 143 consecutive days. But on September 1, the return of his cancer forced him to stop in Thunder Bay, Ontario. He died ten months later, but by then his dream had been over $24 million had been collected in his name. Created to help celebrate the 25th anniversary of his journey, this biography combines over 80 new photographs from a previously unknown family collection with a very personal episodic narrative. The result brings a magic moment in Canadian history, and the young man who inspired it, freshly alive.All royalties from the book will be donated to the Terry Fox Foundation to support cancer research.

Douglas Coupland returns to re-inventing Canada following his best-seller that made it clear, Canada is way more than slightly cool.Douglas Coupland gets Canada. Better, he has set out to re-invent his country with his particular brand of insight, humor, and visual acuity.Souvenir of Canada created a sensation when it was first published, dominating Canada’s best-seller lists for months, and made the front pages of every major Canadian newspaper. Eh?Souvenir of Canada 2 picks up where its predecessor left off. As with the best jazz, the riffs are fresh, never quite predictable, and full of delicious rhythm and subtle humor. This book is packed full of powerfully resonant images, and unexpected juxtapositions, that reveal a new Canada, one at home in a new century. No lighthouses, grain elevators, or teepees here.In addition to his trademark visual revelations, Coupland has created new works of art & design specifically for the book which further evoke the Canadian identity: quilts and cabinets and lamps and tables of startling beauty and subtlety. Each of these objects mirror his personal relationship to Canada in a way which, ultimately, speaks for all Canadians.

Tokyo, fine anni novanta. Concluse le scuole, Hiro Tanaka e i suoi amici un po’ sballati si dividono tra università e lavoretti part time, rave party e sessioni di shopping sfrenato a Shibuya, fughe oltreoceano e inseguimenti precipitosi. Paranoico e insicuro, innamorato respinto e schiavo delle sue ossessioni, Hiro cerca di trovare se stesso all’ombra di un Giappone che tutto ingloba e immobilizza, togliendo il futuro da sotto i piedi a lui e a tutta la sua non-generazione. Dio odia il Giappone è un romanzo per immagini folgorante e comico, radicale e profetico, scritto nel 2000 e ancora inedito in tutto il mondo fuorché in Giappone. Il più sensibile narratore della cultura pop contemporanea rende omaggio al Paese del Sol Levante fotografandolo nel momento storico in cui il collasso economico e il fanatismo religioso hanno dato vita a un nuovo, pericoloso culto della morte.

Nine short non-fiction pieces with a forward by Shumon Basar.

Douglas Coupland, one of the world's biggest cultural brains, takes an inside look at the global company that keeps us connected, and wonders what all that connectivity is doing to our brains and our sense of ourselves as humans.The incomparable Douglas Coupland reports from inside the corporate offices and science labs of Alcatel-Lucent, a globally influential business whose work is largely unknown to consumers. "Were it to vanish tomorrow," he writes, "our modern world would grind to a halt. The Internet would implode--your Internet would implode." Although his examination of the company is playful and fascinating in its own right, Coupland's account is driven by his thoughtful reflections on the larger cultural and sociological significance of the transformative information technology Alcatel works on: fiber wire, microprocessors, the Internet and mobile technologies. And by a larger meditation about what the Internet is doing to us as it relentlessly colonizes the planet, and our brains.Like Coupland's best work, Kitten Clone is a wildly entertaining yet penetrating encounter with the technological and cultural forces that surround us. And also a surprising and unique exploration of a possible future.

The future is no longer the distant, mythical condition it once was to us. Technology has placed it at our fingertips. It wasn’t so long ago that we marveled at devices that could tell us where we were at that exact moment; it became odd when they recently began to tell us where we would soon be. The most important issue, however, might not be whether a future coproduced and made readily available to us by technology is good or bad, but rather how we want to relate to it as human beings. The three essays by Douglas Coupland collected in this volume address this question and describe how the technological advances that are currently radically revising our notion of the future are shaping us as much as we are shaping them.

Dis Voir’s Encounters series invites a well-known contemporary artist to choose a subject for a book. The artist also selects a person with "elective affinities"--someone with whom he or she would like to share this exchange. The resulting collaborative volumes serve as an artistic and political laboratory of the present. For this first installment, French artist Pierre Huyghe choose Canadian writer Douglas Coupland, author of Generation X , for the influence that Coupland has had on his generation, and on Huyghe's own work. Using a high school yearbook as scaffolding for their meditations, they discuss the construction of character, narrative techniques based on chance and the political dimensions of Coupland's work--themes that are also fundamental questions for Huyghe's projects.

A digital love affair.Lara Croft is much more than the sum of her 38,000 polygons. Having jumped out of her virtual 3D environment and into the real world saturated with magazines and rock concerts, Lara has taken on a life of her own. With countless Web sites, fan letters, merchandise, TV commercials, and comic books dedicated to the worship of the world's digital Diva, Lara's fandom has swept the globe. Get to know the real Lara Croft–a fearless, tough, and completely loveable femme fatale!• Original fiction by Douglas Coupland starring Lara Croft• Thousands of Lara pictures• Exclusive interviews with Lara's designers and game developers• Background on the Tomb Raider story• Lara's impact on the game industry and world at large• Exclusive info about Lara's future career• Complete gameplay strategies for Tomb Raider , Tomb Raider II , and Tomb Raider Gold• A guide to Lara's Internet sites, e-mail, merchandise, etc.• Complete Lara statsEver alert to the trends of modern society in the digital age, Douglas Coupland turns his keen eye to the world's love affair with pop culture icon Lara Croft of the fabulously successful Tomb Raider video games. See Lara through the eyes of one of the 20th Century's most gripping young authors.