Daphne du Maurier
Daphne du Maurier was born on 13 May 1907 at 24 Cumberland Terrace, Regent's Park, London, the middle of three daughters of prominent actor-manager Sir Gerald du Maurier and actress Muriel, née Beaumont. In many ways her life resembles a fairy tale. Born into a family with a rich artistic and historical background, her paternal grandfather was author and Punch cartoonist George du Maurier, who created the character of Svengali in the 1894 novel Trilby, and her mother was a maternal niece of journalist, author, and lecturer Comyns Beaumont. She and her sisters were indulged as a children and grew up enjoying enormous freedom from financial and parental restraint. Her elder sister, Angela du Maurier, also became a writer, and her younger sister Jeanne was a painter. She spent her youth sailing boats, travelling on the Continent with friends, and writing stories. Her family connections helped her establish her literary career, and she published some of her early work in Beaumont's Bystander magazine. A prestigious publishing house accepted her first novel when she was in her early twenties, and its publication brought her not only fame but the attentions of a handsome soldier, Major (later Lieutenant-General Sir) Frederick Browning, whom she married. She continued writing under her maiden name, and her subsequent novels became bestsellers, earning her enormous wealth and fame. Many have been successfully adapted into films, including the novels Rebecca, Frenchman's Creek, My Cousin Rachel, and Jamaica Inn, and the short stories The Birds and Don't Look Now/Not After Midnight. While Alfred Hitchcock's films based upon her novels proceeded to make her one of the best-known authors in the world, she enjoyed the life of a fairy princess in a mansion in Cornwall called Menabilly, which served as the model for Manderley in Rebecca. Daphne du Maurier was obsessed with the past. She intensively researched the lives of Francis and Anthony Bacon, the history of Cornwall, the Regency period, and nineteenth-century France and England. Above all, however, she was obsessed with her own family history, which she chronicled in Gerald: A Portrait, a biography of her father; The du Mauriers, a study of her family which focused on her grandfather, George du Maurier, the novelist and illustrator for Punch; The Glassblowers, a novel based upon the lives of her du Maurier ancestors; and Growing Pains, an autobiography that ignores nearly 50 years of her life in favour of the joyful and more romantic period of her youth. Daphne du Maurier can best be understood in terms of her remarkable and paradoxical family, the ghosts which haunted her life and fiction. While contemporary writers were dealing critically with such subjects as the war, alienation, religion, poverty, Marxism, psychology and art, and experimenting with new techniques such as the stream of consciousness, du Maurier produced 'old-fashioned' novels with straightforward narratives that appealed to a popular audience's love of fantasy, adventure, sexuality and mystery. At an early age, she recognised that her readership was comprised principally of women, and she cultivated their loyal following through several decades by embodying their desires and dreams in her novels and short stories. In some of her novels, however, she went beyond the technique of the formulaic romance to achieve a powerful psychological realism reflecting her intense feelings about her father, and to a lesser degree, her mother. This vision, which underlies Julius, Rebecca and The Parasites, is that of an author overwhelmed by the memory of her father's commanding presence. In Julius and The Parasites, for example, she introduces the image of a domineering but deadly father and the daring subject of incest. In Rebecca, on the other hand, du Maurier fuses psychological realism with a sophisticated version of the Cinderella story.
30 Books Written
An alternative cover edition for this ISBN can be found here."Last night I dreamt I went to Manderley again. . ."With these words, the reader is ushered into an isolated gray stone mansion on the windswept Cornish coast, as the second Mrs. Maxim de Winter recalls the chilling the chilling events that transpired as she began her new life as the young bride of a husband she barely knew. For in every corner of every room were phantoms of a time dead but not forgotten—a past devotedly preserved by the sinister housekeeper, Mrs. Danvers: a suite immaculate and untouched, clothing laid out and ready to be worn, but not by any of the great house's current occupants. With an eerie presentiment of evil tightening her heart, the second Mrs. de Winter walked in the shadow of her mysterious predecessor, determined to uncover the darkest secrets and shattering truths about Maxim's first wife—the late and hauntingly beautiful Rebecca.This special edition of Rebecca includes excerpts from Daphne du Maurier's The Rebecca Notebook and Other Memories, an essay on the real Manderley, du Maurier's original epilogue to the book, and more.
Orphaned at an early age, Philip Ashley is raised by his benevolent older cousin, Ambrose. Resolutely single, Ambrose delights in Philip as his heir, a man who will love his grand home as much as he does himself. But the cosy world the two construct is shattered when Ambrose sets off on a trip to Florence. There he falls in love and marries - and there he dies suddenly. Jealous of his marriage, racked by suspicion at the hints in Ambrose's letters, and grief-stricken by his death, Philip prepares to meet his cousin's widow with hatred in his heart. Despite himself, Philip is drawn to this beautiful, sophisticated, mysterious Rachel like a moth to the flame. And yet... might she have had a hand in Ambrose's death?
The coachman tried to warn her away from the ruined, forbidding place on the rainswept Cornish coast. But young Mary Yellan chose instead to honor her mother's dying request that she join her frightened Aunt Patience and huge, hulking Uncle Joss Merlyn at Jamaica Inn.From her first glimpse on that raw November eve, she could sense the inn's dark power. But never did Mary dream that she would become hopelessly ensnared in the vile, villainous schemes being hatched within its crumbling walls—or that a handsome, mysterious stranger would so incite her passions... tempting her to love a man whom she dares not trust.
Bored and restless in London's Restoration Court, Lady Dona escapes into the British countryside with her restlessness and thirst for adventure as her only guides.Eventually Dona lands in remote Navron, looking for peace of mind in its solitary woods and hidden creeks. She finds the passion her spirit craves in the love of a daring French pirate who is being hunted by all of Cornwall.Together, they embark upon a quest rife with danger and glory, one which bestows upon Dona the ultimate choice: sacrifice her lover to certain death or risk her own life to save him.
A classic of alienation and horror, The Birds was immortalised by Hitchcock in his celebrated film. The five other chilling stories in this collection echo a sense of dislocation and mock man's dominance over the natural world. The mountain paradise of 'Monte Verità' promises immortality, but at a terrible price; a neglected wife haunts her husband in the form of an apple tree; a professional photographer steps out from behind the camera and into his subject's life; a date with a cinema usherette leads to a walk in the cemetery; and a jealous father finds a remedy when three's a crowd . . .
The classic time travel novel from the legendary writer behind Rebecca and "The Birds." "The House on the Strand is prime du Maurier." --New York Times Dick Young is lent a house in Cornwall by his friend Professor Magnus Lane. During his stay he agrees to serve as a guinea pig for a new drug that Magnus has discovered in his scientific research. When Dick samples Magnus's potion, he finds himself doing the traveling through time while staying in place, thrown all the way back into Medieval Cornwall. The concoction wear off after several hours, but its effects are intoxicating and Dick cannot resist his newfound powers. As his journeys increase, Dick begins to resent the days he must spend in the modern world, longing ever more fervently to get back into his world of centuries before, and the home of the beautiful Lady Isolda...
By chance, John and Jean--one English, the other French--meet in a provincial railway station. Their resemblance to each other is uncanny, and they spend the next few hours talking and drinking - until at last John falls into a drunken stupor. It's to be his last carefree moment, for when he wakes, Jean has stolen his identity and disappeared. So the Englishman steps into the Frenchman's shoes, and faces a variety of perplexing roles - as owner of a chateau, director of a failing business, head of a fractious family, and master of nothing.Gripping and complex, The Scapegoat is a masterful exploration of doubling and identity, and of the dark side of the self.
A married couple on holiday in Venice are caught up in a sinister series of events. A lonely schoolmaster is impelled to investigate a mysterious American couple. A young woman loses her cool when she confronts her father's old friend on a lonely island. A party of British pilgrims meet strange phenomena and possible disaster in the Holy Land. A scientist abandons his scruples while trying to tap the energy of the dying mind. Collecting five stories of mystery and slow, creeping horror, Daphne Du Maurier's Don't Look Now and Other Stories showcases her unique blend of sympathy and spinetingling suspense.
"Last night I dreamt I went to Manderley again."So the second Mrs. Maxim de Winter remembered the chilling events that led her down the turning drive past the beeches, white and naked, to the isolated gray stone manse on the windswept Cornish coast. With a husband she barely knew, the young bride arrived at this immense estate, only to be inexorably drawn into the life of the first Mrs. de Winter, the beautiful Rebecca, dead but never forgotten...her suite of rooms never touched, her clothes ready to be worn, her servant -- the sinister Mrs. Danvers -- still loyal. And as an eerie presentiment of the evil tightened around her heart, the second Mrs. de Winter began her search for the real fate of Rebecca...for the secrets of Manderley.
"The birds kept coming at him from the air, silent save for the beating wings. The terrible, fluttering wings. He could feel the blood on his hands, his wrists, his neck. Each stab of a swooping beak tore his flesh. If only he could keep them from his eyes. Nothing else mattered."
A classic work of historical fiction from the author of Rebecca and The Birds. Honor Harris is only eighteen when she first meets Richard Grenvile, proud, reckless — and utterly captivating. But following a riding accident, Honor must reconcile herself to a life alone. As the English Civil war is waged across the country, Richard rises through the ranks of the army, marries and makes enemies, and Honor remains true to him. Decades later, an undaunted Sir Richard, now a general serving King Charles I, finds her. Finally they can share their passion in the ruins of her family's great estate on the storm-tossed Cornish coast — one last time before being torn apart, never to embrace again.
Daphne du Maurier wrote some of the most compelling and creepy novels of the twentieth century. In books like Rebecca, My Cousin Rachel, and Jamaica Inn she transformed the small dramas of everyday life—love, grief, jealousy—into the stuff of nightmares. Less known, though no less powerful, are her short stories, in which she gave free rein to her imagination in narratives of unflagging suspense.Patrick McGrath's revelatory new selection of du Maurier's stories shows her at her most chilling and most psychologically astute: a dead child reappears in the alleyways of Venice; routine eye surgery reveals the beast within to a meek housewife; nature revolts against man's abuse by turning a benign species into an annihilating force; a dalliance with a beautiful stranger offers something more dangerous than a broken heart. McGrath draws on the whole of du Maurier's long career and includes surprising discoveries together with famous stories like "The Birds". Don't Look Now is a perfect introduction to a peerless storyteller.
The lost stories of Daphne du Maurier, collected in one volume for the first time.Before she wrote Rebecca, the novel that would cement her reputation as a twentieth-century literary giant, a young Daphne du Maurier penned short fiction in which she explored the images, themes, and concerns that informed her later work. Originally published in periodicals during the early 1930s, many of these stories never found their way into print again … until now.Tales of human frailty and obsession, and of romance gone tragically awry, the thirteen stories in The Doll showcase an exciting budding talent before she went on to write one of the most beloved novels of all time. In these pages, a waterlogged notebook washes ashore revealing a dark story of jealousy and obsession, a vicar coaches a young couple divided by class issues, and an older man falls perilously in love with a much younger woman—with each tale demonstrating du Maurier’s extraordinary storytelling gifts and her deep understanding of human nature.
The world of the glass-blowers has its own traditions, it's own language - and its own rules. 'If you marry into glass' Pierre Labbe warns his daughter, 'you will say goodbye to everything familiar, and enter a closed world'. But crashing into this world comes the violence and terror of the French Revolution, against which the family struggles to survive.Years later, Sophie Duval reveals to her long-lost nephew the tragic story of a family of master craftsmen in eighteenth-century France. Drawing on her own family's tale of tradition and sorrow, Daphne du Maurier weaves an unforgettable saga of beauty, war, and family.
Maria, Niall and Celia have grown up in the shadow of their famous parents - their father, a flamboyant singer and their mother, a talented dancer. Now pursuing their own creative dreams, all three siblings feel an undeniable bond, but it is Maria and Niall who share the secret of their parents' past affairs. Alternately comic and poignant, The Parasites is based on the artistic milieu its author knew best, and draws the reader effortlessly into that magical world.
Born in turn of the century Cornwall, Janet Coombe longs to share in the excitement of to travel, to have adventures, to know freedom. But constrained by the times, she marries her cousin Thomas, a boat builder, and settles down to raise a family. Janet's loving spirit -- her passionate yearning for adventure and love -- is passed down to her son, and through him to his children's children. As generations of the family struggle against hardship and loss, their intricately plotted history is set against the greater backdrop of war and social change in Britain. Her debut novel, The Loving Spirit established du Maurier's reputation and style with an inimitable blend of romance, history and adventure. "Daphne du Maurier has no equal."-Sunday Telegraph
As a young guide for Sunshine Tours, Armino Fabbio leads a pleasant, if humdrum life—until he becomes circumstantially involved in the murder of an old peasant woman in Rome. The woman, he gradually comes to realise, was his family's beloved servant many years ago, in his native town of Ruffano. He returns to his birthplace, and once there, finds it is haunted by the phantom of his brother, Aldo, shot down in flames in '43.Over five hundred years before, the sinister Duke Claudio, known as The Falcon, lived his twisted, brutal life, preying on the people of Ruffano. But now it is the twentieth century, and the town seems to have forgotten its violent history. But have things really changed? The parallels between the past and present become ever more evident.
She set men's hearts on fire and scandalized a country.In Regency London, the only way for a woman to succeed is to beat men at their own game. So when Mary Anne Clarke seeks an escape from her squalid surroundings in Bowling Inn Alley, she ventures first into the scurrilous world of the pamphleteers. Her personal charms are such, however, that before long she comes to the notice of the Duke of York.With her taste for luxury and power, Mary Anne, now a royal mistress, must aim higher. Her lofty connections allow her to establish a thriving trade in military commissions, provoking a scandal that rocks the government - and brings personal disgrace.A vivid portrait of overweening ambition, MARY ANNE is set during the Napoleonic Wars and based on du Maurier's own great-great-grandmother.
Dispatch the maimed, the old, the weak, destroy the very world itself, for what is the point of life if the promise of fulfilment lies elsewhere? On the windswept coast of rural Suffolk, a deranged scientist attempts to extract the essence of life itself.Penguin Modern: fifty new books celebrating the pioneering spiritof the iconic Penguin Modern Classics series, with each one offering a concentrated hit of its contemporary, international flavour. Here are authors ranging from Kathy Acker to James Baldwin, Truman Capote to Stanislaw Lem andGeorge Orwell to Stevie Smith; essays radical and inspiring; poems moving and disturbing; stories surreal and fabulous; taking us from the deep South to modern Japan, New York's underground scene to the farthest reaches of outerspace.
The story of a deadly curse that afflicted an Irish family for a hundred years. "I tell you your mine will be in ruins and your home destroyed and your children forgotten . . . but this hill will be standing still to confound you." So curses Morty Donovan when Copper John Brodrick builds his mine at Hungry Hill. The Brodricks of Clonmere gain great wealth by harnessing the power of Hungry Hill and extracting the treasure it holds. The Donovans, the original owners of Clonmere Castle, resent the Brodricks' success, and consider the great house and its surrounding land theirs by rights. For generations the feud between the families has simmered, always threatening to break into violence . . .
Emma wakes up one morning to an apocalyptic world. The cozy existence she shares with her grandmother, an eccentric retired actress known to all as Madam, has been there's no post, no telephone, no radio - and an American warship sits in the harbor. As the two women piece together clues about the 'friendly' military occupation on their doorstep, family, friends and neighbours gather round to protect their heritage. In this chilling novel of the future, Daphne du Maurier explores the implications of a political, economic and military alliance between Britain and the United States.
In this collection of suspenseful tales in which fantasies, murderous dreams and half-forgotten worlds are exposed, Daphne du Maurier explores the boundaries of reality and imagination. Her characters are caught at those moments when the delicate link between reason and emotion has been stretched to the breaking point. Often chilling, sometimes poignant, these stories display the full range of Daphne du Maurier's considerable talent.
A chilling story of ambition, Daphne du Maurier's third novel has lost none of its ability to unsettle and disturb. Julius Lévy has grown up in a peasant family in a village on the banks of the Seine. A quick-witted urchin caught up in the Franco-Prussian War, he is soon forced by tragedy to escape France for Algeria. Once there, he learns the ease of swindling, the rewards of love affairs, and the value of secrecy. Cruel and insensitive, Julius claws his way to the top, caring nothing for others -- until his daughter, Gabriel, is born. Julius' attachment to her will become his strongest bond -- and his greatest weakness. "A literary artist in her own right."-New York Times
Alternate cover here.The stories in this collection, some written before du Maurier published her first novel, reflect many human emotions: romance, disenchantment, fantasy, nostalgia, ambition, irony, the longing for adventure. Each of them is based on something observed, something overheard, and all will provide pleasure for every mood.
As far as his father, a famous writer, is concerned, Richard will never amount to anything, and so he decides to take his fate into his own hands. But at the last moment he is saved by Jake, who appeals to Richard not to waste his life. Together they set out for adventure, working their way through Europe, eventually arriving in bohemian Paris, where Richard meets Hesta, an entrancing music student. Daphne du Maurier's second novel is a masterpiece of narration, showcasing for the first time in her career the male voice she would use to stunning effect in four subsequent novels, including My Cousin Rachel. "A magician, a virtuoso. She can conjure up tragedy, horror, tension, suspense, the ridiculous, the vain, the romantic."-Good Housekeeping
Halloween might seem like the spookiest time of year, but Charles Dickens and other great ghost story writers felt otherwise!
A spellbinding love story, Castle Dor was the unfinished last novel of the British novelist Sir Arthur Quiller-Couch, better known as "Q." The novel was passed on to Daphne du Maurier by his daughter, who was sure that du Maurier's storytelling skills were perfectly suited to completing the tale. The result is a magical, compelling retelling of Tristan and Iseult, the star-crossed lovers transplanted in time to the Cornwall of the last century. A chance encounter between the Breton onion-seller, Amyot Trestane, and the newly-wed Linnet Lewarne launches their tragic story, taking them in the fateful footsteps of the doomed lovers of Cornish legend.
"Miss du Maurier has brought to the art of the biography the narrative urgency which gives such animation to her storytelling." -New York Times Book ReviewPursued by the twin demons of drink and madness, Branwell Bronte created a private world that was indeed infernal. As a bold and gifted child, his promise seemed boundless to the three adoring sisters over whom his rule was complete. But as an adult, the precocious flame of genius distorted and burned low. With neither the strength nor the resources to counter rejection, unable to sell his paintings or publish his books, Branwell became a spectre in the Bronte story, in pathetic contrast with the astonishing achievements of Charlotte, Emily and Anne. This is the biography of the shadowy figure of the "unknown" Bronte.
"An intimate view of a creative personality...as richly evocative as any of her novels." --Los Angeles TimesBoth in her novels and her memoirs, Daphne du Maurier revealed an ardent desire to explore her family's history. In Myself When Young, based on diaries she kept between 1920 and 1932, du Maurier probes her own past, beginning with her earliest memories and encompassing the publication of her first book and her marriage. Often painfully honest, she recounts her difficult relationship with her father, her education in Paris, her early love affairs, her antipathy towards London life, and her desperate ambition to succeed as a writer. The resulting self-portrait is of a complex, utterly captivating young woman.
Book by Du Maurier, Daphne