
Hollywood screenwriter, director, producer, Colin Patrick Higgins was born on July 28th, 1941 in Nemea, New Caledonia, a French territorial island in the South Pacific. His mother was Australian and his father American. Colin spent his childhood in a suburb of Sydney Australia. The Higgins family grew to six sons, including a set of twins. As Colin’s father, a purser on the Matson Steam Ship Lines, was at sea for months at a time, Colin’s mother had her hands full. She often took the boys to live musicals and American movies. Colin often said the seeds of his film career were planted then. In the late Fifties, the Higgins family moved to Redwood City, California. Colin won an English scholarship to attend nearby Stanford University. In the fall of 1959, his freshmen year, Colin performed in a student written musical comedy show and was such a hit, he became a star on campus overnight. Being an English major, he had always thought writing would be a natural goal. But now he was drawn to acting as well. Colin dropped out of Stanford in his sophomore year. He hitchhiked across the country to New York and studied acting at the Actor’s Studio for a few months. With the Vietnam war heating up and facing the draft, Colin volunteered for service in the U.S. Army. In 1967, Colin received his Bachelor of Arts degree in English from Stanford. Colin signed on for a six-month hitch as a merchant seaman on a freighter bound for the Orient. Fired in Guam for laughing at something while the Captain was speaking, Colin had to pay his own way back to the States. Broke, unsure of what he wanted to do with his life, he hitchhiked to Montreal, Canada for the Exposition/ World’s Fair. There the imaginative films presented at several of the pavilions inspired him. He decided to become a filmmaker. In the fall of 1968, he entered U.C.L.A. Film School. Three years later, Colin’s Master’s thesis script was Harold and Maude. Over a weekend, it was sold to Paramount. Colin was supposed to have directed but ended up being one of the producers. With no stars, or advance publicity, Colin’s debut film bombed at the box office and was quickly yanked from distribution. Colin, however, wrote a novel version for Lippincott. In August of 1988, shortly after his 47th birthday, Colin passed away from AIDS related illnesses. His legacies, however, will be lasting – the laughter of his films, plus his on-going charitable Foundation. These alone will insure that Colin Higgins will long be remembered, not just for his heart-warming films, but also for his extraordinary humanity. http://www.colinhiggins.org/colin-hig...
Nineteen-year-old Harold Chasen is obsessed with death. He fakes suicides to shock his self-obsessed mother, drives a hearse, and attends funerals of complete strangers. Seventy-nine-year-old Maude Chardin, on the other hand, adores life. She liberates trees from city sidewalks and transplants them to the forest, paints smiles on the faces of church statues, and “borrows” cars to remind their owners that life is fleeting— here today, gone tomorrow! A chance meeting between the two turns into a madcap, whirlwind romance, and Harold learns that life is worth living, and how to play the banjo. Harold and Maude started as Colin Higgins’s master’s thesis at UCLA film school before being made into the 1971 film directed by Hal Ashby. The quirky, dark comedy gained a loyal cult following, and in 1997 it was selected for inclusion on the National Film Registry at the Library of Congress. Higgins’s novelization was released with the original film but has been out of print for more than thirty years. Fans who have seen the movie dozens of times will find this a valuable companion, as it gives fresh elements to watch for and answers many of the film’s unresolved questions.
13 songs in notes and TAB from these popular Christian rockers: Breakfast * Breathe * Dear Shame * Entertaining Angels * God Is Not a Secret * I Cannot Get You Out of My System * Real Good Thing * Shine * Spirit Thing * Step up to the Microphone * Strong Love * Take Me to Your Leader * Woo Hoo.
by Colin Higgins
We now catalog in a post-AACR2 world. RDA: Resource Description and Access is designed to cover all types of content and media, but communities of practice are still evolving for motion picture and video materials. This handbook clarifies the protocol for DVDs and Blu-ray discs, expanding upon established guidelines for AACR2 and integrating them into the new standard. Along the way, Higgins introduces the fundamentals of filmmaking, including its history and technical vocabulary, providing context that will help catalogers quickly find the information relevant to their bibliographic records. Organized by familiar MARC 21 fields, this comprehensive reference walks readers through such topics as* Unraveling the complexity of film and the ways it is packaged and presented on optical disc, to help quickly determine the title statement and statement of responsibility* Explaining the roles of the individuals and organizations involved in the creation and publication of film, and where to record them in catalog records* Deciphering the technical terms and abbreviations used on DVDs and Blu-ray discs* Using subject and genre headings* Cataloging television and streaming media* Dealing with unusual formats, such as videotape and reels of photochemical film* Outlining the MARC 21 fields where AACR2 practices differed from RDAWith the expert guidance contained in this book, readers will learn how to apply RDA instructions to the cataloging of every type of film and video collection, whatever the medium.
by Colin Higgins
Recently business organisations have enthusiastically embraced social and environmental reporting, but questions are starting to emerge about the effects this type of reporting has on organisational or social change. In this book, Dr Colin Higgins examines language and textual strategies that suggest business organisations can use social/environmental reporting to shape broader social understandings about the responsible or sustainable corporation. The insights show new ways in which business organisations resist fundamental social change. Importantly, the book argues that stakeholder groups, equipped with new awareness of language use, can construct new ways to target unsustainable business practice.
by Colin Higgins
by Colin Higgins
This rare and vintage book is a perfect addition to any bibliophile's collection
by Colin Higgins
The final draft of the screenplay for the movie FOUL PLAY starring Chevy Chase and Goldie Hawn. The plot of this comedy-thriller involves the inadvertent involvement of a librarian into a scheme to kill the Pope during his visit to San Francisco. Fine. 129 pages. tow hole punch, paper wrappers.. 4to..
by Colin Higgins
by Colin Higgins
by Colin Higgins