
Catharine Arnold read English at Cambridge and holds a further degree in psychology. A journalist, academic and popular historian, Catharine's previous books include the novel "Lost Time", winner of a Betty Trask award. Her London trilogy for Simon & Schuster comprises of "Necropolis: London and Its Dead", "Bedlam: London and Its Mad" and "City of Sin: London and Its Vices".
by Catharine Arnold
Rating: 3.8 ⭐
• 4 recommendations ❤️
Before AIDS or Ebola, there was the Spanish Flu -- This narrative history marks the 100th anniversary of an epidemic that altered world history.In January 1918, as World War I raged on, a new and terrifying virus began to spread across the globe. In three successive waves, from 1918 to 1919, influenza killed more than 50 million people world-wide. German soldiers termed it Blitzkatarrh, British soldiers referred to it as Flanders Grippe, but world-wide, the pandemic gained the notorious title of "Spanish Flu." Nowhere on earth escaped: the United States recorded 550,000 deaths (five times its total military fatalities in the war) while European deaths totaled over two million.Amid the war, some governments suppressed news of the outbreak. Even as entire battalions were decimated, with both the Allies and the Germans suffering massive casualties, the details of many servicemen's deaths were hidden to protect public morale. Meanwhile, civilian families were being struck down in their homes. The City of Philadelphia ran out of gravediggers and coffins, and mass burial trenches had to be excavated with steam shovels. Spanish flu conjured up the specter of the Black Death of 1348 and the great plague of 1665, while the medical profession, shattered after five terrible years of conflict, lacked the resources to contain and defeat this new enemy.Through primary and archival sources, historian Catharine Arnold gives readers the first truly global account of the terrible epidemic.
Layer upon layer of London soil reveals burials from pre-historic and medieval times. The city is one giant grave, filled with the remains of previous eras. The Houses of Parliament sit on the edge of a former plague pit; St Paul's is built over human remains; Underground tunnels were driven through forgotten catacombs, thick with bones. A society can be judged by the way it treats its dead, and this is especially true of London. From Roman burial rites to the horrors of the plague, from the founding of the great Victorian cemeteries to the development of cremation and the cult of mourning that surrounded the death of Diana, Princess of Wales - Necropolis leaves no headstone unturned in its exploration of our changing attitudes towards the deceased among us.
'Bedlam!' The very name conjures up graphic images of naked patients chained among filthy straw, or parading untended wards deluded that they are Napoleon or Jesus Christ. We owe this image of madness to William Hogarth, who, in plate eight of his 1735 Rake's Progress series, depicts the anti-hero in Bedlam, the latest addition to a freak show providing entertainment for Londoners between trips to the Tower Zoo, puppet shows and public executions. That this is still the most powerful image of Bedlam, over two centuries later, says much about our attitude to mental illness, although the Bedlam of the popular imagination is long gone. The hospital was relocated to the suburbs of Kent in 1930, and Sydney Smirke's impressive Victorian building in Southwark took on a new role as the Imperial War Museum. Following the historical narrative structure of her acclaimed 'Necropolis', 'Bedlam' examines the capital's treatment of the insane over the centuries, from the founding of Bethlehem Hospital in 1247 through the heyday of the great Victorian asylums to the more enlightened attitudes that prevail today.
by Catharine Arnold
Rating: 3.6 ⭐
If Paris is the city of love, then London is the city of lust. From the bath houses of Roman Londinium to the sexual underground of the twentieth century and beyond, this is an entertaining, vibrant chronicle of London and sex through the ages. For more than a thousand years, England’s capital has been associated with desire, avarice, and the sins of the flesh. Richard of Devises, a monk writing in 1180, warned that “every quarter abounds in great obscenities.” As early as the second century AD, London was notorious for its raucous festivities and disorderly houses, and throughout the centuries the bawdy side of life has taken easy root and flourished. In this book, award-winning popular historian Catharine Arnold turns her gaze to London’s relationship with vice through the ages. London has always traded in the currency of sex. Whether pornographic publishers on Fleet Street, or courtesans parading in Haymarket, its streets have long been witness to colorful sexual behavior. In an accessible, entertaining style, Arnold takes us on a journey through the fleshpots of London from earliest times to present day. Here are buxom strumpets, louche aristocrats, popinjay politicians, and Victorian flagellants—all vying for their place in London’s league of licentiousness. From sexual exuberance to moral panic, the city has seen the pendulum swing from Puritanism to hedonism and back again. With latter chapters looking at Victorian London and the sexual underground of the twentieth century and beyond, this is a fascinating and vibrant chronicle of London at its most raw and ribald.
A quirky, fascinating portrait of the English capital's dark and criminal underbelly throughout history Beginning with an atmospheric account of Tyburn, this grisly excursion through London as a city of ne'er do wells takes in beheadings and brutality at the Tower, Elizabethan street crime, cutpurses and con-men, 18th century highway robbery, and the rise of prisons, the police, and the Victorian era of incarceration. It also examines the influence of London's criminal classes on the literature of the 19th and 20th century, through to the Krays and Soho gangs of the 1950s and 1960s. London's crimes have changed over the centuries, both in method and execution. This lively popular history traces these developments, from the highway robberies of the 18th century, made possible by the constant traffic of wealthy merchants in and out of the city, to the beatings, slashings, and poisonings of the Victorian era.
The life of William Shakespeare, Britain's greatest dramatist, was inextricably linked with the history of London. Together, the great writer and the great city came of age and confronted triumph and tragedy. Triumph came when Shakespeare's company, the Chamberlain's Men, opened the Globe playhouse on Bankside in 1599, under the patronage of Queen Elizabeth I. Tragedy touched the lives of many of his contemporaries, from fellow playwright Christopher Marlowe to the disgraced Earl of Essex, while London struggled against the ever-present threat of riots, rebellions and outbreaks of plague. Globe Life takes its readers on a tour of London through Shakespeare's life and work. In fascinating detail, Catharine Arnold tells how acting came of age, how troupes of touring players were transformed from scruffy vagabonds into the finely-dressed 'strutters' of the Globe itself. We learn about James Burbage, founder of the original Theatre, in Shoreditch, who carried timbers across the Thames to build the Globe among the bear-gardens and brothels of Bankside. And of the terrible night in 1613 when the theatre caught fire during a performance of King Henry VIII. Rebuilt once more, the Globe continued to stand as a monument to Shakespeare's genius until 1642 when it was destroyed on the orders of Oliver Cromwell. And finally we learn how 300 years later, Shakespeare's Globe opened once more upon the Bankside, to great acclaim, rising like a phoenix from the flames. Arnold creates a vivid portrait of Shakespeare and his London from the bard's own plays and contemporary sources, combining a novelist's eye for detail with a historian's grasp of his unique contribution to the development of the English theatre. This is a portrait of Shakespeare, London, the man and the myth.
“Victorian England: We know what that was supposed to mean ― all priggish prudery and "we-are-not-amused" harrumphing. Except now we know it wasn't all that . . . [Catharine Arnold’s] new biography focuses ― deliciously ― on the women who shared the scandalously plentiful sex life of Queen Victoria's eldest son, the Prince of Wales, later Edward VII.” ― USA TodayEdward Prince of Wales, better known as “Bertie,” was the eldest son of Queen Victoria. Charming and dissolute, he was a larger-than-life personality with king-size appetites. A lifelong womanizer, Bertie conducted his countless liaisons against the glittering backdrop of London society, Europe, and the stately homes of England in the second half of the 19th century.Bertie’s lovers were beautiful, spirited, society women who embraced a wide field of occupations. There was Lillie Langtry, the simple Jersey girl who would become an actress and producer; “Daisy” Brooke, Countess of Warwick, the extravagant socialite who embraced socialism and stood for Parliament as a Labour party candidate; bisexual French actress Sarah Bernhardt, celebrated for her decadent appeal and opium habit; and by total contrast the starchy Agnes Keyser, who founded a hospital for army officers. One of Bertie’s most intriguing liaisons was with American heiress Jennie Churchill, unhappy wife of Sir Randolph Churchill and mother of Sir Winston.While the scandals resulting from his affairs―from suicides to divorces―were a blight on the royal family, Bertie would become a surprisingly modern monarch. His major accomplishment was transforming the British monarchy into the modern institution that we know today and ensuring its survival in a period when every other European dynasty collapsed in the wake of WWI.
Catharine Arnold Collection 3 Books Bundle includes titles : Necropolis London and its Dead, Bedlam: London and Its Mad, City of Sin: London and Its Vices
Miles Tattershall, a shy, thirty-three-year-old professor at Cambridge, is first seduced by Benjamin Underwood, a student, and then by Olivia, Benjamin's sinister sister
by Catharine Arnold
by Catharine Arnold
by Catharine Arnold