Camille Paglia

From ancient Egypt thru the 19th century, Sexual Personae explores the provocative connections between art & pagan ritual; between Emily Dickinson & the Marquis de Sade; between Lord Byron & Elvis Presley. It ultimately challenges the cultural assumptions of both conservatives & traditional liberals. 47 photographs.

Ever since the release of her seminal first book, Sexual Personae , Camille Paglia has remained one of feminism's most outspoken, independent, and searingly intelligent voices. Now, for the first time, her best essays on the subject are gathered together in one concise volume. Whether she’s calling for equal opportunity for American women (years before the founding of the National Organization for Women), championing a more discerning standard of beauty that goes beyond plastic surgery’s quest for eternal youth, lauding the liberating force of rock and roll, or demanding free and unfettered speech on university campuses and beyond, Paglia can always be counted on to get to the heart of matters large and small. At once illuminating, witty, and inspiring, these essays are essential reading that affirm the power of men and women and what we can accomplish together.

A collection of twenty of Paglia's out-spoken essays on contemporary issues in America's ongoing cultural debate such as Anita Hill, Robert Mapplethorpe, the beauty myth, and the decline of education in America.

America’s most provocative intellectual brings her blazing powers of analysis and appreciation to bear on the great poems of the Western tradition, and on some unexpected discoveries of her own. Combining close reading with a panoramic breadth of learning, Camille Paglia refreshes our understanding of poems we thought we knew, from Shakespeare’s “Sonnet 73” to Shelley’s “Ozymandias,” from Donne’s “The Flea” to Lowell’s “Man and Wife,” and from Dickinson’s “Because I Could Not Stop for Death” to Plath’s “Daddy.” Paglia also introduces us to less-familiar works by Paul Blackburn, Wanda Coleman, Chuck Wachtel, Rochelle Kraut–and even Joni Mitchell. Daring, riveting, and beautifully written, Break, Blow, Burn will excite even seasoned poetry lovers, and create a generation of new ones. Includes a new epilogue that details the selection process for choosing the 43 poems presented in this book and provides commentary on some of the pieces that didn't make the final cut.

From the best-selling author of Sexual Personae and Break, Blow, Burn and one of our most acclaimed cultural critics, here is an enthralling journey through Western art’s defining moments, from the ancient Egyptian tomb of Queen Nefertari to George Lucas’s volcano planet duel in Revenge of the Sith.America’s premier intellectual provocateur returns to the subject that brought her fame, the great themes of Western art. Passionately argued, brilliantly written, and filled with Paglia’s trademark audacity, Glittering Images takes us on a tour through more than two dozen seminal images, some famous and some obscure or unknown—paintings, sculptures, architectural styles, performance pieces, and digital art that have defined and transformed our visual world. She combines close analysis with background information that situates each artist and image within its historical context—from the stone idols of the Cyclades to an elegant French rococo interior to Jackson Pollock’s abstract Green Silver to Renée Cox’s daring performance piece Chillin’ with Liberty. And in a stunning conclusion, she declares that the avant-garde tradition is dead and that digital pioneer George Lucas is the world’s greatest living artist. Written with energy, erudition, and wit, Glittering Images is destined to change the way we think about our high-tech visual environment.

Camille Paglia draws together in this text the aesthetic, technical and mythical qualities of Alfred Hitchcock's The Birds (1963), and analyzes its depiction of gender and familial relations.

One of the Best Books of the Year: Kirkus Reviews A timely and lavishly comprehensive collection from the inimitable critical firebrand--hailed as "a fearless public intellectual and more necessary than ever" (The New York Times)--tackling sex, art, feminism, politics, and education, and covering the full span of her wide-ranging and important career.Much has changed since Camille Paglia first burst onto the scene with her groundbreaking Sexual Personae, but the laser-sharp insights of this major American thinker continue to be ahead of the curve--not only capturing the tone of the mo-ment but also often anticipating it. Opening with a blazing manifesto of an introduction in which Paglia outlines the bedrock beliefs that inform her writing--freedom of speech, the necessity of fearless inquiry, and a deep respect for all art, both erudite and popular--Provocations gathers together a rich, varied body of work that illumi-nates everything from the Odyssey to the Oscars, from punk rock to presidents past and present.Whatever your political inclination or liter-ary and artistic touchstones, Paglia's takes are compulsively readable, thought provoking, gal-vanizing, and an essential part of our cultural dialogue, invariably giving voice to what most needs to be said.

Camille Paglia is Professor of Humanities at the University of the Arts in Philadelphia. With her brilliant bestsellers Sexual Pcrsonae: Art and Decadence from Nefertiti to Emily Dickinson and Sex, Art and American Culture she became America's first internationally recognized public thinker since the 1960s. Her new collection, Vamps and Tramps, is forthcoming in Penguin and covers subjects from pop to politics to pagan sexuality.

Collection of photos (with captions) covering Madonna's career from 1988 - 1993. Covered are her Blond Ambition and Girlie Show tours; various music videos such as Vogue, Express Yourself and This Used To Be My Playground, the movies Dick Tracy, A League Of Their Own and Body Of Evidence; and a number of photo shoots and public appearances.

« Tuez l’imagination, lobotomisez le cerveau, castrez et opérez : alors seulement les sexes seront les mêmes. D’ici là, nous devons vivre et rêver dans la tourmente daemonique de la nature. »La personne occidentale est chargée de personas sexuelles . Cette introduction se lit comme un essai philosophique, un pamphlet incisif contre l’orthodoxie, un plaidoyer pour une vision élargie de la réalité, puis un éloge de la pulsion artistique et de la dissidence. Sexe, violence, nature et art hantent le drame millénaire de la vie humaine, au centre duquel se joue le conflit entre les sexes.

This digital document is an article from Dance Magazine, published by Thomson Gale on July 1, 2005. The length of the article is 795 words. The page length shown above is based on a typical 300-word page. The article is delivered in HTML format and is available in your Amazon.com Digital Locker immediately after purchase. You can view it with any web browser.Citation Details Rants & how can dance education compete with the power of the media? Camille Paglia Dance Magazine (Magazine/Journal) July 1, 2005 Thomson Gale 79 7 46(1)Distributed by Thomson Gale

Drawing on Daphne du Maurier's short story and contemporary newspaper reports of bird attacks in California, Alfred Hitchcock's The Birds (1963) featured Tippi Hedren in her first starring role.Camille Paglia's compelling study considers the film's aesthetic, technical and mythical qualities, and analyses its depiction of gender and family relations. A film about anxiety, sexual power and the violence of nature, it is quintessential Hitchcock.Camille Paglia's foreword to this new edition reflects upon the relationship between Hitchcock and his leading lady Hedren in the light of recent debates about male power, female agency and the #MeToo movement.