
A former Marine Corps infantry officer, C.J. Chivers is a senior writer at The New York Times. He contributes to the Foreign and Investigative desks and frequently posts on the At War blog, writing on war, tactics, human rights, politics, crime and the arms trade from Afghanistan, Iraq, Russia, Georgia, Chechnya and elsewhere on a wide range of assignments. In addition to writing, he shoots video and, occasionally, photographs. He served as Moscow correspondent from June 2004 through 2007, and was the paper's Moscow bureau chief in 2007 and 2008. He has also covered war zones or conflicts in the Palestinian territories, Israel and Central Asia. From 1999 until 2001 he covered crime and law enforcement in New York City, working in a three-reporter bureau inside the police headquarters in Lower Manhattan. While in this bureau, he covered the attacks on the World Trade Center on Sept. 11, 2001. Before joining The Times, Chivers was a staff writer at The Providence Journal in Rhode Island from 1995 until 1999, covering crime and politics, and was a contributor to several magazines, writing on wildlife, natural history and conservation. He remains a contributor to Esquire and Field & Stream. From 1988 until 1994, Chivers was an officer in the United States Marine Corps, serving in the Persian Gulf War and performing peacekeeping duties as a company commander during the Los Angeles riots. He was honorably discharged as a captain in 1994. In 1996, Chivers received the Livingston Award for International Journalism for a series on the collapse of commercial fishing in the North Atlantic. Two of his stories in The Times from Afghanistan were cited in the award of the Pulitzer Prize for Public Service in 2002. In 2007, his reconstruction for Esquire of the terrorist siege of a public school in Beslan, Russia, won the Michael Kelly Award and National Magazine Award for Reporting. He was also part of The Times's team that was awarded the Pulitzer Prize for International Reporting in 2009, for coverage of Afghanistan and Pakistan. His combat reporting from Iraq and Afghanistan, with that of his colleague Dexter Filkins and the photographer Tyler Hicks, with whom he often works, was selected in 2010 by New York University as one of the Top Ten Works of Journalism of the Decade. His book of history and conflict, "The Gun," mixes years or archival research, battlefield reportage and investigative reporting in Europe, Russia, the United States and Africa to document the origins, spread and effects of the world's most abundant firearm. Told through battlefield reconstructions and character sketches that trace an evolution in technology and in war, it will be published by Simon & Schuster in October, 2010. Chivers was born in Binghamton, N.Y. He graduated with a B.A. cum laude in English from Cornell University in January 1988 and was the 1995 valedictorian of Columbia University Graduate School of Journalism. He also graduated from several military schools, including the United States Army's Ranger Course. He lives in Rhode Island with his wife and their five children. Articles, essays, blog posts, photographs and video reports by C.J. Chivers can be found on the websites of The New York Times, Esquire, and the At War blog, or on www.cjchivers.com.
by C.J. Chivers
Rating: 4.3 ⭐
• 2 recommendations ❤️
“A classic of war reporting...The author’s stories give heart-rending meaning to the lives and deaths of these men and women, even if policymakers generally have not.” — The New York TimesPulitzer Prize winner C.J. Chivers’s unvarnished account of modern combat, told through the eyes of the fighters who have waged America’s longest wars.More than 2.7 million Americans have served in Afghanistan or Iraq since September 11, 2001. C.J. Chivers reported from both wars from their beginnings. The Fighters vividly conveys the physical and emotional experience of war as lived by six a fighter pilot, a corpsman, a scout helicopter pilot, a grunt, an infantry officer, and a Special Forces sergeant.Chivers captures their courage, commitment, sense of purpose, and ultimately their suffering, frustration, and moral confusion as new enemies arise and invasions give way to counterinsurgency duties for which American forces were often not prepared.The Fighters is a tour de force, a portrait of modern warfare that parts from slogans to do for American troops what Stephen Ambrose did for the G.I.s of World War II and Michael Herr for the grunts in Vietnam. Told with the empathy and understanding of an author who is himself an infantry veteran, The Fighters presents the long arc of two wars.
At a secret arms-design contest in Stalin's Soviet Union, army technicians submitted a stubby rifle with a curved magazine. Dubbed the AK-47, it was selected as the Eastern Bloc's standard arm. Scoffed at in the Pentagon as crude and unimpressive, it was in fact a breakthrough--a compact automatic that could be mastered by almost anyone, last decades in the field, and would rarely jam. Manufactured by tens of millions in planned economies, it became first an instrument of repression and then the most lethal weapon of the Cold War. Soon it was in the hands of terrorists.In a searing examination of modern conflict and official folly, C. J. Chivers mixes meticulous historical research, investigative reporting, and battlefield reportage to illuminate the origins of the world's most abundant firearm and the consequences of its spread. The result, a tour de force of history and storytelling, sweeps through the miniaturization and distribution of automatic firepower, and puts an iconic object in fuller context than ever before. "The Gun "dismantles myths as it moves from the naive optimism of the Industrial Revolution through the treacherous milieu of the Soviet Union to the inside records of the Taliban. Chivers tells of the 19th-century inventor in Indianapolis who designs a Civil War killing machine, insisting that more-efficient slaughter will save lives. A German attache who observes British machine guns killing Islamic warriors along the Nile advises his government to amass the weapons that would later flatten British ranks in World War I. In communist Hungary, a locksmith acquires an AK-47 to help wrest his country from the Kremlin's yoke, beginning a journey to the gallows. The Pentagon suppresses the results of firing tests on severed human heads that might have prevented faulty rifles from being rushed to G.I.s in Vietnam. In Africa, a millennial madman arms abducted children and turns them on their neighbors, setting his country ablaze. Neither pro-gun nor anti-gun, "The Gun "builds to a terrifying sequence, in which a young man who confronts a trio of assassins is shattered by 23 bullets at close range. The man survives to ask questions that Chivers examines with rigor and flair.Throughout, "The Gun "animates unforgettable characters--inventors, salesmen, heroes, megalomaniacs, racists, dictators, gunrunners, terrorists, child soldiers, government careerists, and fools. Drawing from years of research, interviews, and from declassified records revealed for the first time, he presents a richly human account of an evolution in the very experience of war.
It is the world's most widely recognized weapon, the most profuse tool for killing ever made. More than fifty national armies carry the automatic Kalashnikov, as do an array of police, intelligence, and security agencies all over the world. In this tour de force, prizewinning New York Times reporter C. J. Chivers traces the invention of the assault rifle, following the miniaturization of rapid-fire arms from the American Civil War, through World War I and Vietnam, to present-day Afghanistan, when Kalashnikovs and their knockoffs number as many as 100 million, one for every seventy persons on earth. It is the weapon of state repression, as well as revolution, civil war, genocide, drug wars, and religious wars; and it is the arms of terrorists, guerrillas, boy soldiers, and thugs. It was the weapon used to crush the uprising in Hungary in 1956. American Marines discovered in Vietnam that the weapon in the hands of the enemy was superior to their M16s. Fidel Castro amassed them. Yasir Arafat procured them for the P.L.O. A Kalashnikov was used to assassinate Anwar Sadat. As Osama bin Laden told the world that the winds of faith and change have blown, a Kalashnikov was by his side. Pulled from a hole, Saddam Hussein had two Kalashnikovs. It is the world's most widely recognized weapon--cheap, easy to conceal, durable, deadly. But where did it come from? And what does it mean? Chivers, using a host of exclusive sources and declassified documents in the east and west, as well as interviews with and the personal accounts of insurgents, terrorists, child soldiers, and conventional grunts, reconstructs through the Kalashnikov the evolution of modern war. Along the way, he documents the experience and folly of war and challenges both the enduring Soviet propaganda surrounding the AK-47 and many of its myths.
HISTORIA NAJPOPULARNIEJSZEJ BRONI SWIATANAPISANA PRZEZ LAUREATA NAGRODY PULITZERAAbsolutny fenomen wsród broni. Wynaleziony przez sowietów karabin, prosty, przez wielu uznawany nawet za toporny, byl na tyle niepozorny, ze w chwili jego narodzin nikt nie przypuszczal, jak wielka kariere zrobi. Szybko zyskal jednak status najtrwalszej, najbardziej niezawodnej broni, która obsluzyc potrafily nawet dzieci.W okresie zimnej wojny to od niego stracilo zycie najwiecej ludzi. Byl stosowany na wszystkich kontynentach, trafil do obiegu w niemal kazdej potyczce zbrojnej po 1946 roku. To z niego strzelali sowieccy zolnierze walczacy niegdys w Afganistanie, serbscy zolnierze w momencie rozpadu Jugoslawii, a takze prorosyjscy separatysci w Doniecku w 2014 roku. Kalasznikow znalazl sie na fladze Hezbollahu, ,,wystapil" w niezliczonej ilosci filmów i gier komputerowych, a Goran Bregovic skomponowal o nim jeden ze swoich przebojów.Kalasznikow to nie tylko historia legendarnego karabinu.Wybitna ksiazka C.J. Chiversa to przede wszystkim wyjatkowa opowiesc o bohaterach i zbrodniarzach, ludziach odpowiedzialnych za sukces AK-47.