
Bret Lott is the bestselling author of fourteen books, most recently the nonfiction collection Letters and Life: On Being a Writer, On Being a Christian (Crossway 2013) and the novel Dead Low Tide (Random House 2012). Other books include the story collection The Difference Between Women and Men, the nonfiction book Before We Get Started: A Practical Memoir of the Writer’s Life, and the novels Jewel, an Oprah Book Club pick, and A Song I Knew by Heart. His work has appeared in, among other places, The Yale Review, The New York Times, The Georgia Review and in dozens of anthologies. Born in Los Angeles, he received his BA in English from Cal State Long Beach in 1981, and his MFA in fiction from the University of Massachusetts, Amherst, in 1984, where he studied under James Baldwin. From 1986 to 2004 he was writer-in-residence and professor of English at The College of Charleston, leaving to take the position of editor and director of the journal The Southern Review at Louisiana State University. Three years later, in the fall of 2007, he returned to The College of Charleston and the job he most loves: teaching. His honors include being named Fulbright Senior American Scholar and writer-in-residence to Bar-Ilan University in Tel Aviv, speaking on Flannery O’Connor at The White House, and having served as a member of the National Council on the Arts from 2006 to 2012. Currently he is nonfiction editor of the journal Crazyhorse. He and his wife, Melanie, live in South Carolina.
Jewel is the story of how quickly a life can change; how, like lightning, an unforeseen event can set us on a course without reason or compass.In the backwoods of Mississippi, a land of honeysuckle and grapevine, Jewel and her husband, Leston, are truly blessed; they have five fine children. When Brenda Kay is born in 1943, Jewel gives thanks for a healthy baby, last-born and most welcome.In this story of a woman's devotion to the child who is both her burden and God's singular way of smiling on her, Bret Lott has created a mother-daughter relationship of matchless intensity and beauty, and one of the finest, most indomitable heroines in contemporary American fiction.
During a cold Massachusetts winter, a tragic car accident leaves a mother childless and her daughter-in-law a widow. Naomi and Ruth are now each other’s only comfort. Naomi lost her own husband eight years ago, and now she has lost her son. Carrying a deep secret in her soul, Naomi decides to return to her childhood home in coastal South Carolina. When she tells Ruth her plan, she receives an unexpected reply: “Where you go, I will go.” So the two women plan the journey together, arriving at a place that is flooded with a love they are nearly too fragile to accept. Surrounded by the warmth of their newfound family, Naomi and Ruth begin to find themselves reawakened–and open to the possibility of redemption.
In this lyrically written, hauntingly seductive novel, Bret Lott brings to life the beauty and flavor of the mist-covered swamps and backlands of South Carolina's Lowcountry in a story that is both mystery and rite of passage. At fifteen, Huger ("you say it YOU-gee") Dillard already knows a great deal about the ways of the world--or so he thinks. He may not have a father, but with the guidance of his blind "Unc," Leland, and weekends spent at the Hunt Club--a tract of woods and swamp belonging to his family--Huger knows all about the land and the habits of its wildlife, from deer to the pompous Charleston doctors and lawyers who come to hunt them. But nothing can prepare him for the dark events that begin to unfold when he and Unc stumble upon the body of a well-to-do Charleston regular on their land.Who wanted him dead? And why is the Hunt Club suddenly at the heart of a dark secret worth killing for? Caught in a treacherous labyrinth that stretches deep into the past, Huger and everyone he loves are about to discover painful truths that will irrevocably change them; truths that will shatter a young boy's innocence and test him as a man.
In this long-awaited sequel to The Hunt Club, set in the swampy South Carolina Lowcountry, New York Times bestselling author Bret Lott returns with a literary page-turner about murder and family secrets. Though Dead Low Tide continues the story of Huger Dillard, this haunting work of fiction brilliantly stands on its own. No longer a teenager and now a young man, Huger must come to terms with and confront the truth about his community, his past, and the mysterious place he calls home.While most of the residents in the wealthy, historic Charleston enclave of Landgrave Hall are asleep at two-thirty in the morning, Huger Dillard and his father, “Unc,” are heading, via jonboat, to the adjoining golf course. Blinded by a terrible accident that killed his wife, Unc prefers to practice his golf game when no one is watching. But before anyone can even tee off, Huger makes a grisly a woman’s body, anchored deep in the mud at the water’s low tide.The discovery sets off a chain of events that puts Huger and his family up against secret military forces, old friends, longtime neighbors, lost loves, and shadowy global networks. The only thing connecting them all is Landgrave Hall—and the treacherous reason why this area is so important to so many people.
All serious writers know that each word they write reveals something significant about their beliefs, something about their reason for creating, something about the one for whom they write. After all, writing lays bare the soul. Yet the work of a Christian artist is often pressured to fit into a popular mold, oftentimes forgoing quality for the sake of convenience or acceptance, or even simply because of a lack of the bravery necessary to look the world square in the eye, and to do so with the unflinching eye of Christ. In this series of intimate reflections on life and writing, critically acclaimed and best-selling novelist Bret Lott calls authors to pursue excellence in their craft through five fascinating essays and an extended memoir that explore everything from the importance of literary fiction to the pain of personal loss. Learn here what it means to be a writer who navigates the tension inherent to being a Christian in the public square―and to being an artist made in the image of God.
This marvelous guide begins where other books on writing and the writing life leave off. Delving deep into the creative process, Bret Lott reveals truths we scarcely realized we needed to know but without which we as writers will soon lose our way. In ten intimate essays based on his own experiences and on the seasoned wisdom of writers including Eudora Welty, E. B. White, Henry David Thoreau, Henry James, and John Gardner, Lott explores such topics as• why write? why keep writing?• the importance of simple words• the finer points of character detail• narrative and the passage of time• the pitfalls of technique• making a plan–and letting it go• risking failure–and reaping the benefits• Accepting rejectionWriters travel alone, but Bret Lott’s book makes the journey less lonely and infinitely more rewarding. Before We Get Started will help you make your work as good as it can “Pay attention recklessly. Strain to see through the window of your own artistic consciousness in the exhilarating knowledge that there is no path to the waterfall, and there are a million paths to the waterfall, and there is, too, only one yours.”
From the bestselling author of Jewel and The Difference Between Women and Men comes a haunting novel of home, family, and the pursuit of lost dreams. Ancient Highway brilliantly weaves together the hopes and regrets of three characters from three generations as they reconcile who they are and who they might have been.In 1925, a fourteen-year-old boy leaves his family’s farm and hops a boxcar in a dusty Texas field, heading for Hollywood and a life in the “flickers.”In 1947, a ten-year-old girl aches for a real home with a real family in a wide-open space, far from the crowded Los Angeles streets where her handsome cowboy father chases stardom and her mother holds a secret.In 1980, a young man just out of the Navy visits his elderly yet colorful grandparents in Los Angeles, eager to uncover his family’s silent history.For the Holmeses, a longing for something else–another place, a second chance–seems to run in the family DNA. From Earl’s journey west toward Hollywood glory, to his daughter Joan’s wish for a normal existence away from the bright lights, to his grandson Brad’s yearning for truth, this deep-rooted desire sustains them, no matter how much the goal eludes them. But ultimately, in each generation, a family crisis forces a turning away from the horizon and the acceptance of a reality that is by turns harsh and healing.Inspired by stories of his own family, Bret Lott beautifully renders the lives of ordinary people with extraordinary faith in a mesmerizing and finely wrought tale of love and letting go.From the Hardcover edition.
When Rick Wheeler's wife walks out on him, he nearly drowns in despair. So the RC Cola salesman throws himself into work -- setting sales records, winning a promotion, burying himself in the lonely present while he scours the past for hope. Then at last on a cold Vermont morning, a hunter and his prey show him unexpectedly, haltingly, the way back to love and faith.
Hugh and Laura Walker could never have anticipated that the single greatest source of joy in their lives could so suddenly fill them with such unrelenting grief. The death of their only child, seven-year-old Michael -- struck by a car just seconds after stepping off his school bus -- has left them stranded in a sea of sorrow. With no emotional compass to guide them, the Walkers retreat to an old cottage near Cape May, New Jersey, where, separated from the daily reminders of their numbing loss, they hope to reenter the world of the living.But lurking just below their sanity and resolve are memories -- not only of the simple joy that Michael brought to their lives, but also of the horror of his fatal accident. Buffeted by the conflicting winds of mourning and renewal, the Walkers see the once-solid foundation of their marriage begin to loosen. And Laura harbors a secret -- one essential to her self-preservation, but which could destroy all she and Hugh have ever been to each other. Reed's Beach weaves domestic tragedy with a strikingly original thriller of the heart, revealing the truths hidden deep within each of us, while holding out the elusive promise of love and hope.
In this deeply affecting, beautifully crafted collection of short fiction, Bret Lott broadens his stylistic range, striking a surprisingly surreal tone with stark, hyperrealistic prose. As story after dazzling story deliberately takes you down a deceptively ordinary path, the arresting center of each startles your unsuspecting sensibility.Among the narrative gems is “Family,” in which a husband and wife bicker incessantly before realizing that their two children are missing, only to discover them in a surprising place–and in a disturbing condition. In “Everything Cut Will Come Back,” a long-distance phone call between two brothers takes a turn when their own tragic past crackles over the line. In “History,” a widow thinks she spots her son at the airport and is left instead with a simple memory of her late husband that resolves her grief. The innocence of three boys is lost when they witness a devastating winter tragedy in “The Train, the Lake, the Bridge.”Within these pages, adulterers are unceremoniously caught, epiphanies arrive during bizarre encounters, and characters move through everyday moments with a fortitude that elevates these stories almost to mythical status. Without a stroke of false sentimentality, The Difference Between Women and Men will leave you strangely shaken–and ever aware of the odd permutations of humankind.
For a long time, Claire and Tom Templeton have wished in vain for a child. What they have instead is a house, a charming old Cape that is their consolation. In the gray chill of a Massachusetts autumn, the Templetons and two local handymen, loners and eccentrics, work to rebuild the ramshackle home. As the house takes on a new life, Claire begins to understand its tangled history -- and to reconcile her own past and renew her hope for the future.
Bret Lott's powerful, insightful stories illuminate the everyday episodes that move us -- husbands and wives, parents and children, friends and neighhors -- along the intricate paths of intimacy. A little boy's first bad dream brings his father back to his own childhood nights when danger lurked beneath the bed; in the California desert at night two brothers in a pickup tune into radio stations from distant places, interrupted by sudden bursts of static; estranged suburban friends become good neighbors again in the course of thwarting two thieves.Lott's previous novels, The Man Who Owned Vermont and A Stranger's House, established him as "one of the strongest voices to come along in some time" (The San Francisco Chronicle). A Dream of Old Leaves stakes out his place in the landscape of new American fiction.
Gather the Olives is a dangerous book. That’s because it is about peace in a time when peace in the Holy Land is a faraway, even radical notion. It is about hope and food and community and the way there can be solidarity in sharing a meal. Hence the this book might remind its brave listeners of how peace is nourished and how hope can’t be extinguished.Over the years, Bret Lott—the bestselling author of more than a dozen books, including the novel Jewel (an Oprah’s Book Club selection)—has lived and taught in Jerusalem, affording him the opportunity to travel throughout Israel and the surrounding area. Now, in Gather the Olives, this gifted storyteller has brought together a collection of intimate portraits of the people, the food, and the hope for peace to be found in a region ravaged by war and conflict.Through meditations on such varied matters as an olive oil cooperative run by Israeli and Palestinian women, a non-kosher butcher shop in the middle of upscale—and very kosher—German Colony, the nighttime harvesting of olives by Bedouins in downtown Jerusalem, a traditional Shabbat dinner at an ancient home within the walls of the Old City, a simple yet beautiful plate of fruit in an office in Ramallah, Bret Lott considers how food and the people with whom we share it can bring together hearts and souls in a lasting, meaningful, and peaceful way.
Exploring three generations of the men in his family -- his father and his two uncles, his own two brothers, and his two sons -- Bret Lott spins a sweeping true saga of the ties that bind. With quiet grace and his trademark talent for finding powerful revelations in the most unlikely places, master novelist Lott delivers a bracingly personal and honest memoir that confronts the often inexpressible complexities of contemporary maleness. Fathers, Sons, and Brothers describes not only the ways men and boys relate to one another but also how their lives evolve over decades, endlessly imitative yet varied. In the end, these essays constitute a celebration of humanity, regardless of gender -- of joy and sorrow, of intimacy and distance, of lingering secrets and universal truths.
A novella based on the same characters as Lott's Jewel (an Oprah selection) along with 16 short stories.
This fabulous collection will keep your nose in a book all summer! Collection includes the following books: A Time to Dance - Karen Kingsbury A Time to Embrace - Karen Kingsbury The Note - Angela Hunt The Pearl - Angela Hunt The Debt - Angela Hunt Covenant Child - Terri Blackstock Stranded in Paradise - Lori Copeland Sandpebbles - Patricia Hickman Gardenias for Breakfast - Robin Jones Gunn A Song I Knew by Heart - Bret Lott10 fiction books to celebrate 10 wonderful years of Women of Faith! Get your set today and save over $93!
by Bret Lott
This rare and vintage book is a perfect addition to any bibliophile's collection
by Bret Lott
The Southern Review is a quarterly literary magazine that was established in 1935 by Robert Penn Warren and Cleanth Brooks. It publishes fiction, poetry, critical essays, and excerpts from novels in progress by established and emerging writers and includes reproductions of visual art. The Southern Review continues to follow Warren's articulation of the mission when he said that it gives "writers decent company between the covers, and [concentrates] editorial authority sufficiently for the journal to have its own distinctive character and quality".
by Bret Lott
by Bret Lott
This exciting and moving collection of fiction, poetry and nonfiction by Bahrain's next new writers is a beautiful compendium of what it means to be Bahraini today. Edited by Bret Lott, Rosie Mary Jane and Dakota Reed from the College of Charleston, this gathering of terrific young writers from the University of Bahrain bridges cultures through the good work of the word.
by Bret Lott
The Southern Review is a compilation of of southern poetry, visual arts, fiction and essays. Published quarterly, this volume is edited by Bret Lott.