Alan M. Wald

For a generation, Alan M. Wald's The New York Intellectuals has stood as the authoritative account of an often misunderstood chapter in the history of a celebrated tradition among literary radicals in the United States. His passionate investigation of over half a century of dissident Marxist thought, Jewish internationalism, fervent political activism, and the complex art of the literary imagination is enriched by more than one hundred personal interviews, unparalleled primary research, and critical interpretations of novels and short stories depicting the inner lives of committed writers and thinkers. Wald's commanding biographical portraits of rebel outsiders who mostly became insiders retains its resonance today and includes commentary on Max Eastman, Elliot Cohen, Lionel Trilling, Sidney Hook, Tess Slesinger, Philip Rahv, Mary McCarthy, James T. Farrell, Irving Kristol, Irving Howe, Hannah Arendt, and more. With a new preface by the author that tracks the rebounding influence of these intellectuals in the era of Occupy and Bernie Sanders, this anniversary edition shows that the trajectory and ideological ordeals of the New York intellectual Left still matters today.

With this book, Alan Wald launches a bold and passionate account of the U.S. Literary Left from the 1920s through the 1960s. Exiles from a Future Time, the first volume of a trilogy, focuses on the forging of a Communist-led literary tradition in the 1930s. Exploring writers' intimate lives and heartfelt political commitments, Wald draws on original research in scores of archives and personal collections of papers; correspondence and interviews with hundreds of writers and their friends and families; and a treasure trove of unpublished memoirs, fiction, and poetry. In fashioning a "humanscape" of the Literary Left, Wald not only reassesses acclaimed authors but also returns to memory dozens of forgotten, talented writers. The authors range from the familiar Mike Gold, Langston Hughes, and Muriel Rukeyser to William Attaway, John Malcolm Brinnin, Stanley Burnshaw, Joy Davidman, Sol Funaroff, Joseph Freeman, Alfred Hayes, Eugene Clay Holmes, V. J. Jerome, Ruth Lechlitner, and Frances Winwar. Focusing on the formation of the tradition and the organization of the Cultural Left, Wald investigates the "elective affinity" of its avant-garde poets, the "Afro-cosmopolitanism" of its Black radical literary movement, and the uneasy negotiation between feminist concerns and class identity among its women writers.

The 2nd of three volumes by Wald tracking political & personal lives of several generations of US left-wing writers, "Trinity of Passion" carries forward the chronicle launched in "Exiles from a Future Time: The Forging of the Mid-20th-century Literary Left." This volume delves into literary, emotional & ideological trajectories of radical cultural workers in the era when the Internat'l Brigades fought in the Spanish Civil War ('36-39) & the USA battled in WWII ('41-45). Probing in detail the controversial impact of the Popular Front on literary culture, he explores the ethical & esthetic challenges that pro-Communist writers faced. He presents a cross section of literary talent, from famous to forgotten. The writers examined include Len Zinberg (aka Ed Lacy), John Oliver Killens, Irwin Shaw, Albert Maltz, Ann Petry, Chester Himes, Henry Roth, Lauren Gilfillan, Ruth McKenney, Morris U. Schappes & Jo Sinclair. He also uncovers dramatic new information about Arthur Miller's complex commitment to the Left. Confronting heartfelt questions about Jewish masculinity, racism at the core of liberal democracy, the corrosion of utopian dreams & the thorny interaction between antifascism & Communism, Wald recreates the intellectual & cultural landscape of a remarkable era.PrefaceIntroduction: the strange career of Len Zinberg Tough Jews in the Spanish Civil War The agony of the African American leftThe peculiarities of the GermansA rage in Harlem Disappearing acts The conversion of the Jews Arthur Miller's missing chapter Conclusion: the fates of antifascismNotesAcknowledgments & SourcesIndex

American Night, the final volume of an unprecedented trilogy, brings Alan Wald's multigenerational history of Communist writers to a poignant climax. Using new research to explore the intimate lives of novelists, poets, and critics during the Cold War, Wald reveals a radical community longing for the rebirth of the social vision of the 1930s and struggling with a loss of moral certainty as the Communist worldview was being called into question. The resulting literature, Wald shows, is a haunting record of fracture and struggle linked by common structures of feeling, ones more suggestive of the "negative dialectics" of Theodor Adorno than the traditional social realism of the Left. Establishing new points of contact among Kenneth Fearing, Ann Petry, Alexander Saxton, Richard Wright, Jo Sinclair, Thomas McGrath, and Carlos Bulosan, Wald argues that these writers were in dialogue with psychoanalysis, existentialism, and postwar modernism, often generating moods of piercing emot

This is a book that will engage students and scholars of U.S. literature and radicalism, as well as political activists in the labor, antiracist, peace, and socialist movements. It brings together many of Alan M. Wald's most influential and original essays of the last decade on Marxist writers and intellectuals. A richly provocative inquiry into the antinomies of cultural radicalism, the collection is distinguished by Wald's characteristic blend of original, meticulous research with lucid, incisive theory.These essays center on Wald's efforts to critically assess what remains recuperable in the traditions of "committed" radical cultural workers. The selections include biographical sketches of twentieth-century activist writers, artists, and intellectuals; the analysis of radical fiction, poetry, and works of criticism; the critique of various Marxist theories of cultural policy and practice; a review of contemporary debates about racism and culture; and several searching explorations of the ambiguities and challenges of left-wing political commitment in our time.

Discussion of fiction, poetry and cultural history is given central place in Wald’s analysis. From this perspective he argues that the contemporary concerns of race, gender and culture have created a powerful new leftist critique. The book argues that that the left can draw strength by reconceptualizing its cultural legacy as a rich, diverse stream of political and cultural experiences flowing over six decades. It draws deeply on this tradition, highlighting its contemporary relevance. Alan Wald is the author of “James T. The Revolutionary Socialist Years”, “The Revolutionary Imagination”, “The New York Intellectuals” and “The Responsibility of Intellectuals”.

In this study of two neglected New England poets, Alan Wald challenges the literary culture that has obscured the radical and Marxist heritage of American letters in our century. "Simply by aspiring to accurate historical remembrance," Wald writes, "this book aims to subvert the currently sanctified canon of letters and the vision of society legitimized by its codification."John Wheelwright (1897-1940) and Sherry Mangan (1904-1961) were Harvard-educated, avant-garde poets in the 1920s. Influenced by Leon Trotsky, they became revolutionaries during the Great Depression. In this first book to examine the relationship in the United States between modernist poets and Marxist politics, Wald demonstrates that Wheelwright and Mangan defy -- in their personalities and in their literary styles, themes, and achievements -- standard depictions of socialist writers in the 1930s. Wald uses a contemporary Marxist approach of his own to extend the study of American literary radicalism into such areas as the formal features of leftist poetry in the United States, how modernism and Marxism are related, and what happened to the recalcitrant 1930s radicals during the Cold War period.John Ashbery has called Wheelwright's Collected Poems one of the 100 most important books of Western literature of the last thirty-five years. Scholars, however, have virtually ignored Wheelwright. A leader of the Harvard Poetry Society in the post-World War I era, Wheelwright was also an architectural historian, heterodox Anglican, and highly unconventional Boston Brahmin. Before he was killed in a car accident in 1940, Wheelwright had established himself as a legendary figure among Boston-area writers. Wald argues that Wheelwright succeeded in resolving for himself the fundamental paradox faced by the modernist poet who is also a radical -- the urge to write poems that are complex and therefore objectively elitist and the desire to use art to influence the attitudes of a mass audience.Also educated at Harvard, Mangan was a passionate and scholarly classicist. He made a small but distinct mark on American literature in the late 1920s and early 1930s as a poet, novelist, short story writer, critic, editor, and book designer. By the end of the depression, however, he had remade his life, exiling himself to Western Europe and Latin America, where he worked as a journalist for Time , Life , and Fortune and carried out political missions for the Trotskyist Fourth International. Wald concludes that Mangan's writing after the mid-1930s became either impenetrable in its obscure personal symbolism or conventionally realistic.Originally published in 1983.A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.

This book was praised by Daniel Aaron as indispensable reading for any student of the 30s, 40s, and 50s, Demonstrates ... "the centrality of Farrell in the literary/political history of those decades."

Offered here for the first time as an Omnibus E-Book, this collection brings together Alan M. Wald's ground-breaking trilogy.American Night, the final volume of this unprecedented trilogy, brings Alan Wald's multigenerational history of Communist writers to a poignant climax. Using new research to explore the intimate lives of novelists, poets, and critics during the Cold War, Wald reveals a radical community longing for the rebirth of the social vision of the 1930s and struggling with a loss of moral certainty as the Communist worldview was being called into question. The resulting literature, Wald shows, is a haunting record of fracture and struggle linked by common structures of feeling, ones more suggestive of the "negative dialectics" of Theodor Adorno than the traditional social realism of the Left.The second of three volumes by Wald that track the political and personal lives of several generations of U.S. left-wing writers, Trinity of Passion carries forward the chronicle launched in Exiles from a Future Time. In this volume Wald delves into literary, emotional, and ideological trajectories of radical cultural workers in the era when the International Brigades fought in the Spanish Civil War (1936-39) and the United States battled in World War II (1941-45). Confronting questions about Jewish masculinity, racism at the core of liberal democracy, the corrosion of utopian dreams, and the thorny interaction between antifascism and Communism, Wald re-creates the intellectual and cultural landscape of a remarkable era.In Exiles from a Future Time, Wald offers a comprehensive history and reconsideration of the U.S. literary left in the mid-twentieth century. Recovering the central role Marxist-influenced writers played in fiction, poetry, theater, and literary criticism, he explores the lives and work of figures including Richard Wright, Muriel Rukeyser, Mike Gold, Claude McKay, Tillie Olsen, and Meridel Le Sueur.